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Mars Needs Moms [Meeting Ki]

Cast: Seth Green, Elisabeth Harnois

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Confessio Amantis. Explicit Liber Quintus

Incipit Liber Sextus

Est gula, que nostrum maculavit prima parentem
Ex vetito pomo, quo dolet omnis homo
Hec agit, ut corpus anime contraria spirat,
Quo caro fit crassa, spiritus atque macer.
Intus et exterius si que virtutis habentur,
Potibus ebrietas conviciata ruit.
Mersa sopore labis, que Bachus inebriat hospes,
Indignata Venus oscula raro premit.

---------------------------------- -------------------------------------------------

The grete Senne original,
Which every man in general
Upon his berthe hath envenymed,
In Paradis it was mystymed:
Whan Adam of thilke Appel bot,
His swete morscel was to hot,
Which dedly made the mankinde.
And in the bokes as I finde,
This vice, which so out of rule
Hath sette ous alle, is cleped Gule;
Of which the branches ben so grete,
That of hem alle I wol noght trete,
Bot only as touchende of tuo
I thenke speke and of no mo;
Wherof the ferste is Dronkeschipe,
Which berth the cuppe felaschipe.
Ful many a wonder doth this vice,
He can make of a wisman nyce,
And of a fool, that him schal seme
That he can al the lawe deme,
And yiven every juggement
Which longeth to the firmament
Bothe of the sterre and of the mone;
And thus he makth a gret clerk sone
Of him that is a lewed man.
Ther is nothing which he ne can,
Whil he hath Dronkeschipe on honde,
He knowth the See, he knowth the stronde,
He is a noble man of armes,
And yit no strengthe is in his armes:
Ther he was strong ynouh tofore,
With Dronkeschipe it is forlore,
And al is changed his astat,
And wext anon so fieble and mat,
That he mai nouther go ne come,
Bot al togedre him is benome
The pouer bothe of hond and fot,

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Genesis BK XVIII

(ll. 1082-1089) And there was also in that tribe another son of
Lamech, called Tubal Cain, a smith skilled in his craft. He was
the first of all men on the earth to fashion tools of husbandry;
and far and wide the city-dwelling sons of men made use of bronze
and iron.

(ll. 1090-1103) Then to his two beloved wives, Adah and Zillah,
Lamech rehearsed a tale of shame: "I have struck down a kinsman
unto death! I have defiled my hands with the blood of Cain! I
smote down Enoch's father, slayer of Abel, and poured his blood
upon the ground. Full well I know that for that mortal deed
shall come God's seven-fold vengeance. With fearful torment
shall my deed of death and murder be requited, when I go hence."

(ll. 1104-1111) Then another son was born to Adam in Abel's
stead; and his name was Seth. He was a righteous son and
blessed, a solace to his parents, his father and mother, Adam and
Eve. And he filled the place of Abel in the world. Then Adam
spake, the first of men:

(ll. 1111-1116) "The eternal God of victory, the Lord of life,
hath vouchsafed me another son in place of my beloved whom Cain
slew. So our Lord hath stilled the sorrow of my heart. To Him
be thanks!"

(ll. 1117-1127) Now, when Adam begat another son to be his heir,
that sturdy man had lived an hundred and thirty winters of this
life in the world. The writings tell us that Adam increased his
tribe on earth, begetting sons and daughters eight hundred years.

And all the years of Adam were nine hundred and thirty winters,
and he died.

(ll. 1128-1142) And Seth succeeded Adam: at his father's death
the well-loved son possessed the treasure, and took himself a
wife. And Seth lived an hundred and five winters in the world
and increased his tribe, begetting sons and daughters. Enos was
first-born of the sons of Seth; and he was first of all the sons
of men to call upon the name of God since Adam, first a living
spirit, set foot on the green earth. Seth prospered, eight
hundred and seven winters begetting sons and daughters. And all
the years of Seth were nine hundred and twelve winters, and he
died.

(ll. 1143-1154) And after he went hence, and the earth received
the body of seed-bearing Seth, Enos was warden of the heritage.
Dear was he unto God! He lived for ninety winters in the world,
and begat children. And Cainan was first-born of the sons of
Enos. Eight hundred and fifteen winters the man of wisdom lived,
at peace with God, begetting sons and daughters. And all the

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The Marriage Of Tirzah And Ahirad

IT is the dead of night:
Yet more than noonday light
Beams far and wide from many a gorgeous hall.
Unnumbered harps are tinkling,
Unnumbered lamps are twinkling,
In the great city of the fourfold wall.
By the brazen castle's moat,
The sentry hums a livelier note.
The ship-boy chaunts a shriller lay
From the galleys in the bay.
Shout, and laugh, and hurrying feet
Sound from mart and square and street,
From the breezy laurel shades,
From the granite colonnades,
From the golden statue's base,
From the stately market-place,
Where, upreared by captive hands,
The great Tower of Triumph stands,
All its pillars in a blaze
With the many-coloured rays,
Which lanthorns of ten thousand dyes
Shed on ten thousand panoplies.
But closest is the throng,
And loudest is the song,
In that sweet garden by the river side,
The abyss of myrtle bowers,
The wilderness of flowers,
Where Cain hath built the palace of his pride.
Such palace ne'er shall be again
Among the dwindling race of men.
From all its threescore gates the light
Of gold and steel afar was thrown;
Two hundred cubits rose in height
The outer wall of polished stone.
On the top was ample space
For a gallant chariot race,
Near either parapet a bed
Of the richest mould was spread,
Where amidst flowers of every scent and hue
Rich orange trees, and palms, and giant cedars grew.

In the mansion's public court
All is revel, song, and sport;
For there, till morn shall tint the east,
Menials and guards prolong the feast.
The boards with painted vessels shine;
The marble cisterns foam with wine.
A hundred dancing girls are there
With zoneless waists and streaming hair;
And countless eyes with ardour gaze,

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Green Spanish Eyes

Ah Consuela! Surveying vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then, when we kissed as she parted, my friend.
So I'm daring to tread towards the klieg lights ahead, where I'll wait and I'll watch her ascend.

Ah Consuela! I'm watching, she teases the mirror with green Spanish eyes;
Her serape entangles her ebony bangles like lace on the sorcerer's looms,
And her capes of the night, she drapes tight to excite, and her fan is embellished with plumes.

Ah Consuela! I'm watching as spectators savour her green Spanish eyes;
Taming wild concertinas, the dark ballerina performs on the concert hall stage,
But she shies from the sound of ovation unbound like a timorous bird in a cage.

Ah Consuela! I'm watching, she quickens the pit with her green Spanish eyes,
As the cymbals shake, clashing, the floodlights wake, flashing, igniting the wild fireflies,
And the piccolo piper's inviting the vipers to coil in the cold caldron skies.

Ah Consuela! I'm watching the shimmering shadows in green Spanish eyes
As I rise from my chair and converge to the stair with a hesitant sip of my wine.
Though she doesn't deny me, she wanders right by me with neither a look nor a sign.

Ah Consuela! I'm watching, she waves to the stage with her green Spanish eyes,
(For her senses scoff, scorning the biblical warning of kisses of Judas that sting,
With her pierced ears defeating the echoes repeating) and smiles at the bluebird that sings.

Ah Consuela! I'm watching faint embers a' stir in her green Spanish eyes,
For a soft spoken stranger enveloping danger has captured the rhyme in the room
As he slips into sight through the scent of the night and the breath of her heavy perfume.

Ah Consuela! I'm watching, she gauges his guise through her green Spanish eyes
- From his gypsy-like mane, to his diamond stud cane, to the raven engraved on his vest -
For a faraway form, a tempestuous storm, lurks and heaves neath the cleav'e of her breasts.

Ah Consuela! I'm watching the caravels cruise in her green Spanish eyes;
With the castanets clacking upon the deck cracking, he whips 'round his cloak with a whiz
And without sacrificing, at mien so enticing, she floats with her face facing his.

Ah Consuela! I'm watching, the vertigo veiling her green Spanish eyes,
While the drumbeat pounds, droning, the rhythm sounds, moaning, of jungles Jamaican entwined
In the valleys concealing the vineyards revealing the vaults in the caves of her mind.

Ah Consuela! I'm watching, while carnivals call to her green Spanish eyes,
And with paused palpitations the tom-tom temptations come taunting her tremulous feet
With her toe tips a' tingle while jute boxes jingle for jesters that jive on the street.

Ah Consuela! I'm watching, she rides with the tides in her green Spanish eyes,
And her silhouette's travelling on ripples unravelling and shaking the shivering shores,
As she strides from the light to the taste of the night through the candlelit cabaret doors.

Ah Consuela! I'm watching, she dances till dawn with her green Spanish eyes,
With her movements adorning a trickle of morning as sipped by the mouth of the moon,

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Confessio Amantis. Explicit Liber Primus

Incipit Liber Secundus

Inuidie culpa magis est attrita dolore,
Nam sua mens nullo tempore leta manet:
Quo gaudent alii, dolet ille, nec vnus amicus
Est, cui de puro comoda velle facit.
Proximitatis honor sua corda veretur, et omnis
Est sibi leticia sic aliena dolor.
Hoc etenim vicium quam sepe repugnat amanti,
Non sibi, set reliquis, dum fauet ipsa Venus.
Est amor ex proprio motu fantasticus, et que
Gaudia fert alius, credit obesse sibi.


Now after Pride the secounde
Ther is, which many a woful stounde
Towardes othre berth aboute
Withinne himself and noght withoute;
For in his thoght he brenneth evere,
Whan that he wot an other levere
Or more vertuous than he,
Which passeth him in his degre;
Therof he takth his maladie:
That vice is cleped hot Envie.
Forthi, my Sone, if it be so
Thou art or hast ben on of tho,
As forto speke in loves cas,
If evere yit thin herte was
Sek of an other mannes hele?
So god avance my querele,
Mi fader, ye, a thousend sithe:
Whanne I have sen an other blithe
Of love, and hadde a goodly chiere,
Ethna, which brenneth yer be yere,
Was thanne noght so hot as I
Of thilke Sor which prively
Min hertes thoght withinne brenneth.
The Schip which on the wawes renneth,
And is forstormed and forblowe,
Is noght more peined for a throwe
Than I am thanne, whanne I se
An other which that passeth me
In that fortune of loves yifte.
Bot, fader, this I telle in schrifte,
That is nowher bot in o place;
For who that lese or finde grace
In other stede, it mai noght grieve:
Bot this ye mai riht wel believe,
Toward mi ladi that I serve,
Thogh that I wiste forto sterve,

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Federico García Lorca

Romance Sonámbulo

Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,
and the forest, cunning cat,
bristles its brittle fibers.
But who will come? And from where?
She is still on her balcony
green flesh, her hair green,
dreaming in the bitter sea.

--My friend, I want to trade
my horse for her house,
my saddle for her mirror,
my knife for her blanket.
My friend, I come bleeding
from the gates of Cabra.
--If it were possible, my boy,
I'd help you fix that trade.
But now I am not I,
nor is my house now my house.
--My friend, I want to die
decently in my bed.
Of iron, if that's possible,
with blankets of fine chambray.
Don't you see the wound I have
from my chest up to my throat?
--Your white shirt has grown
thirsy dark brown roses.
Your blood oozes and flees a
round the corners of your sash.
But now I am not I,
nor is my house now my house.
--Let me climb up, at least,
up to the high balconies;

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As Ireland Wore the Green

BY RIGHT of birth in southern land I send my warning forth.
I see my country ruined by the wrongs that damned the North.
And shall I stand with fireless eyes and still and silent mouth
While Mammon builds his Londons on the fair fields of the South?

CHORUS:
O must we hide our colour
In fear of Mammon’s spleen?
Or shall we wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, we will wear our colour still,
As Ireland wore the green!

I see the shade of poverty fall on each sunny scene.
And slums and alley-ways extend where fields were evergreen.
There is a law that stamps the flower of freedom as it springs;
And this upon a soil that’s trod by prouder feet than kings’.

And must I hide my colour
In fear of Mammon’s spleen?
Or shall I wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland swore the green!
Aye, I will wear my colour yet,
As Ireland wore the green!

Out there beyond the lonely range our fathers toiled for years
’Neath all the hardships that beset true-hearted pioneers;
And our brave mothers journeyed there to do the work of men
On those great awful plains that were unfit for women then.

Then must we hide our colour
In fear of Mammon’s spleen?
Or shall we wear the bonnie blue
As Ireland swore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, we shall wear our colour still,
As Ireland wore the green!

O shall the fields our fathers won be yielded to the few
Who never touched the axe or spade, and hardships never knew?
Shall lordly robbers rule the land and build their mansions high,
And ladies flaunt their jewelled plumes where our brave mothers lie?

O must we hide our colour
In fear of Mammnon’s spleen?

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John Dryden

The Flower And The Leaf, Or the Lady In The Arbour. A Vision

Now turning from the wintry signs, the sun
His course exalted through the Ram had run,
And whirling up the skies, his chariot drove
Through Taurus, and the lightsome realms of love;
Where Venus from her orb descends in showers,
To glad the ground, and paint the fields with flowers:
When first the tender blades of grass appear,
And buds, that yet the blast of Eurus fear,
Stand at the door of life, and doubt to clothe the year;
Till gentle heat, and soft repeated rains,
Make the green blood to dance within their veins;
Then, at their call emboldened, out they come,
And swell the gems, and burst the narrow room;
Broader and broader yet, their blooms display,
Salute the welcome sun, and entertain the day.
Then from their breathing souls the sweets repair
To scent the skies, and purge the unwholesome air:
Joy spreads the heart, and, with a general song,
Spring issues out, and leads the jolly months along.
In that sweet season, as in bed I lay,
And sought in sleep to pass the night away,
I turned my weary side, but still in vain,
Though full of youthful health, and void of pain:
Cares I had none, to keep me from my rest,
For love had never entered in my breast;
I wanted nothing Fortune could supply,
Nor did she slumber till that hour deny.
I wondered then, but after found it true,
Much joy had dried away the balmy dew:
Seas would be pools, without the brushing air
To curl the waves; and sure some little care
Should weary nature so, to make her want repair.
When Chanticleer the second watch had sung,
Scorning the scorner sleep, from bed I sprung;
And dressing, by the moon, in loose array,
Passed out in open air, preventing day,
And sought a goodly grove, as fancy led my way.
Straight as a line in beauteous order stood
Of oaks unshorn a venerable wood;
Fresh was the grass beneath, and every tree,
At distance planted in a due degree,
Their branching arms in air with equal space
Stretched to their neighbours with a long embrace;
And the new leaves on every bough were seen,
Some ruddy coloured, some of lighter green.
The painted birds, companions of the spring,
Hopping from spray to spray, were heard to sing.
Both eyes and ears received a like delight,
Enchanting music, and a charming sight.
On Philomel I fixed my whole desire,

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GREEN, A Litany

green in the midst of drab desolation
green ‘til the tide in the street overflows
green that preserves green's green reputation
green behind curtains, like cellist & bow


green on occasions no green is permissible
green by inversion a negative flame
green in final disgrace & dismissal
green where the gravedigger shoulders his spade


green like the walls of Verlaine's Belgium prison
green woods, wolf & poet meeting on equal foot
green like embroidery on old smoking-jackets
covered with needlepoint dragons & soot


green like a murderer gone to the guillotine
green like the lawns of this land breaking through
our windows in herbicide frenzy to taunt us
green like the tarnish on brass tiger shoes


green the result of choice or of chance
green when the famished, the hopeful despair
green that we have no hope of outguessing
green for which always we must be prepared

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Mars Needs Moms

Cast: Seth Green, Joan Cusack, Elisabeth Harnois, Dan Fogler, Mindy Sterling

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Mars Needs Moms

Cast: Seth Green, Dan Fogler, Joan Cusack, Elisabeth Harnois, Mindy Sterling

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Mars Needs Moms [Best Buds]

Cast: Dan Fogler, Seth Green, Elisabeth Harnois

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Go Green…

'Green' is enchantment unparalleled; transforming every beleaguered
bone on disdainfully crackled earth; into a festoon of undying
replenishment till times beyond eternity,

'Green' is the ultimate magicians wand; perpetuating every speck of
the atmosphere with a tranquil so victorious; that it became the smile
of each symbiotic countenance alive,

'Green' is the most everlastingly compassionate caress of nature
divine; royally accommodating infinite organisms of different shapes,
sizes, color and charm into a blanket of invincible frolic and
togetherness,

'Green' is the most pricelessly inimitable definition of freshness;
incessantly spawning into the undefeated dazzle of optimistic dawn; to
enlighten the entire Universe with the colors of brilliant newness,

'Green' is every sore eye's perpetual delight; wholesomely shrugging
off every wretched insinuation of monotonous commercialism; with the
effervescent new-born foliage of earth divine,

'Green' is the most supremely mollifying tonic to the incarcerated
soul; alleviating the most inconspicuous of its sorrow with undying
enigmatic whispers; which reverberated till beyond the infinite,

'Green' is the most fragrantly uninhibited dance of every organism
alive; as the unsurpassable buckets of rain; pelted unfettered from
the belly of fathomless sky,

'Green' is the most pristine shade of prosperity at its unbelievable
hilt; shimmering like a new born child replete with only happiness in
every flamboyant ray of the sun and the equally royally moonlit night,

'Green' is the destiny which never ever dies; astoundingly
proliferating into a boundless landscapes of blooming life; which made
the most parasitic robots as the greatest poets till as long as God's
earth survived,

'Green' symbolizes the most blissfully perfect truce between austere
white and diabolical black; where the winds of majestic moderation
transit every living being to the paths of bountiful righteousness,

'Green' nullifies the very non-existent roots of anarchic depression;
profoundly enthralling one and all in the neighborhood with the
tantalizing vivaciousness of a fairy; who'd descended down solely to
magnetize rustic soil,

'Green' evokes unconquerable desire in every ingredient of the blood;
to be one and in perfect unison with Mother nature; let the unbridled
beauty of her endless creations harness every aspect of impoverished

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Emerald Green

Emerald green is the colour of life and of the springtime,
Conveying harmony, joie de vivre and most important, love
Emerald green retains its lively vigour all the time
In all nuances, like those wonderful green eyes that rove.

Sunlight dances across the Gulf of Mexico, a lovely place
With emerald green waters and very hot white sand.
Moreover, we see this green in a forest, a darker space,
Or we can see it in the green grass in the Spring land,


A metallic green body with small yellow sweet stripes
And emerald eyes has the Hine’s emerald dragonfly.
Nymphs hatch in marshes high in sedge meadows,
When sheds its skin and emerges an adult to fly.


A mineral emerald green contains the Romanesque murals.
The old Masters used verdigris for them and copper green
To make a deep brown, mixed it with sulfur-containing colors,
Such as cadmium yellow, vermilion or blue-ultramarine.


The green we see in December represents the evergreen tree,
A symbol of life continuing even in that dark day.
We look to the pins and the rhododendrons and we agree
That greenery will return to the world again someday.

The green chosen for the color scheme of Christmas night
Is emerald green, that deep, pure, clear green inside
That seems to shine with light, in the season of white
When there isn't much natural green available outside.


A very ambitious plant is hymenaea courbaril, the tree named Amber
It has the most attractive emerald-green heart shaped leaves.
Like Orchid Tree, so pleasing to the eye with their alluring shimmer.
Lycopersicon esculentum has emerald green tomatoes with dark green stripes.


With this emerald green Van Gogh wanted to paint plastic correctly
Maybe his eyes saw a special nuance, after cutting his ear
He worked alla prima, on to the canvas painting directly
From his imagination and from reality, making the image believable.

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The LoRuhamah Poems - Her Death Discordant

for Judy Asher, killed at age 21

These meditations/laments are set in
Appalachian mountains and towns of
North American Southern states, circa mid1960's

[The name, LoRuhamah, means 'not loved']

Hosea 1: 6 - 'And she conceived again, and bare a daughter.
And God said unto him, Call her name LoRuhamah' for I will
no more have mercy on the house of Israel, but will utterly take
them away.'


Part One

1

O rue rue LaRue among the ginkgoes
cloven leaves all fallen whose burnished berries
yellow late melon sweetness of Autumn days

O rue rue LaRue among the boxwoods
evergreen for no good phlox.
Blooded leaves settle upon golden flax of weeds
seeding the chilling ground receiving soundless
lips of grain enduring ice and ice again

O rue rue LaRue amidst the sortilege
Coo of pigeons in the distant spired village
low of legion cattle turning toward evening millet
mow of fringing grain chafing toward winter silos

O rue rue LaRue
Blue waters at a distance
blue the tails of otters
blue the eyelids of sleeping beasts
nested beneath the earth

Distant crows sound the morning field beyond pasture
Dew murmurs names upon passing grasses
Echoing wood gold where below the stream's gash
furthers along slowly murdering dimensions of
width and depth

Remembered gait of young ponies toward
the spring's sweet water

Remembered laughter of the frail daughter there
beside the fields sweet grasses

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Monroe Louisiana

On the green, green farm
In green, green Monroe Louisiana
So green, green
Wet-luscious green and alive
So green after the rain
So bright green and clean
Just passing through
On my way to tomorrow
But so green today and yesterday
It was on that stranger's green, green farm
And I didn't stay long
And I didn't expect someone
To fire that shotgun right next to me
The barrel pointed out the front door
Into that green, green world beyond.
There were hot springs
On the green, green farm
In green, green Monroe Louisiana
Back in 1973.

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I Discover The World In India

red vermillion streaked hair
a red wattled lapwing
orange, same time each day, sunrises and sunsets
yellow and black taxi colours, yellow temple flags, bright yellow confectionery shops, yellow bright fragrant perfume shops
green lush city pot plants, green lush country side
light blue warm skies, light blue cool cabs
indigo blue dupattas, turbans
navy blue trains, absence of starchy navy blue suits
sexy, pink, curved, massive majestic palaces, pink film posters
gold and glass chhum chhummy bangles
one purple TV happily watched by hundreds of labourers, purple crow sounds
gold chhum chhummy payals
white nehru jackets, pyjamas and kurtas, white cracking paint on grand old victorian buildings, white floor seating
_______
I discover

white clear eyes, white teeth behind white greetings
gold namastes
purple glee at fairs, purple glee when trying new technology and at receiving smallest of gifts
gold helping hands
many pink smiles
navy blue restful sleep on pavements, on roof terraces
indigo blue uniforms on giving railway porters
light blue singing on pavements, in big halls
limitless sincere green hospitality
endless yellow courtesy and welcomes
orange early morning school uniforms and school bags
an orange headed minla
red eyed hard working farmers and labourers
_______
the world

red rose petals in idol garlands, red rose petals at feet of idols
orange marigolds and sadhus, orange sacred cows
yellow rose petals in idol garlands, at feet of idols
a yellow eurasian golden eriole
green mango leaf awnings at entrances
light blue shiny clothes for deities, light blue ganges, light blue yamuna, light blue ceremonies
indigo blue in ancient temple and church paintings, indigo blue in contemporary art , indigo blue art and artists everywhere
navy blue backdropp in Shree Nathji's haveli
pink garlands on shiv lings, pink stained rice in flower formations on pooja tables
gold crowns for goddesses and gods
purple checks on worship lungis
gold ornaments on idols in gold temples, gold borders on worship saris
white churches, brahmins clad in white, stirring orators in white, ancient white stone sculptures and carvings
_____
in India

white barfi, white lassi, white raw and crunchy radishes
gold basundi, gold masala dosas, gold pani puris

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Autumn Swing

Back to the back
Undo and tracking our footprints
Printed on the sand of time
Reached and stopped at one point
The beginning of earliest thing
Our first meet and Hello greet

Hello world
We keen seed a plant
Sprout the moment, the lesson start
Water my soul you bring me light
With you the life we ride
Deep in core, inside
Grows to root in heart
Hello world
It's been many years we had
But seems like yesterday we been here
The wind still calm, loyal visit our garden
Hope all season life still evergreen not frozen

Time goes fast like a smoke
Thick, thin, disappear
We smile we cry, branching emotion in vessels
Patiently we waiting to smell the scent of happy
Life not easy but we learn new lesson daily
Branches becomes stronger day by day
Stronger construct history today
Dig deep by root, taller, up by shoot
Life so mystery but can be understood

Green leaf symbols of living
Each one, each day we been talking
One day we gained or leaving
Day by day, Oh World
Who thought we passed years
We changed by now and we still
To be now a shady tree
Against the storm or a safe home
The best shelter of nightingale
And we learn how to sing beautiful tale
At least apples ripen accompany

Time running just like a smoke
Dense, smear, disappear
Now, here, today will be another memory
Seasons of life, chapter of our story
Green leaf will change to yellow or brown glory
Feel blue, past leave yellow history
Time so fast, if wrong, say my sorry

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Goodnight Elisabeth

I was wasted in the afternoon
Waiting on a train
I woke up in pieces and Elisabeth had disappeared again
I wish you were inside of me
I hope that you're ok
I hope you're resting quietly
I just wanted to say

Goodnight Elisabeth
Goodnight Elisabeth

We couldn't all be cowboys
So some of us are clowns
Some of us are dancers on the midway
We roam from town to town
I hope that everybody can find a little flame
Me

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Beachy Head

ON thy stupendous summit, rock sublime !
That o'er the channel rear'd, half way at sea
The mariner at early morning hails,
I would recline; while Fancy should go forth,
And represent the strange and awful hour
Of vast concussion; when the Omnipotent
Stretch'd forth his arm, and rent the solid hills,
Bidding the impetuous main flood rush between

The rifted shores, and from the continent
Eternally divided this green isle.
Imperial lord of the high southern coast !
From thy projecting head-land I would mark
Far in the east the shades of night disperse,
Melting and thinned, as from the dark blue wave
Emerging, brilliant rays of arrowy light
Dart from the horizon; when the glorious sun
Just lifts above it his resplendent orb.
Advances now, with feathery silver touched,
The rippling tide of flood; glisten the sands,
While, inmates of the chalky clefts that scar
Thy sides precipitous, with shrill harsh cry,
Their white wings glancing in the level beam,
The terns, and gulls, and tarrocks, seek their food,
And thy rough hollows echo to the voice

Of the gray choughs, and ever restless daws,
With clamour, not unlike the chiding hounds,
While the lone shepherd, and his baying dog,
Drive to thy turfy crest his bleating flock.
The high meridian of the day is past,
And Ocean now, reflecting the calm Heaven,
Is of cerulean hue; and murmurs low
The tide of ebb, upon the level sands.
The sloop, her angular canvas shifting still,
Catches the light and variable airs
That but a little crisp the summer sea.
Dimpling its tranquil surface.
Afar off,
And just emerging from the arch immense

Where seem to part the elements, a fleet
Of fishing vessels stretch their lesser sails;
While more remote, and like a dubious spot
Just hanging in the horizon, laden deep,
The ship of commerce richly freighted, makes
Her slower progress, on her distant voyage,
Bound to the orient climates, where the sun
Matures the spice within its odorous shell,
And, rivalling the gray worm's filmy toil,

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