A dream is a scripture, and many scriptures are nothing but dreams.
Fancy and the Poet
Enchanting spirit! -- at thy votive shrine
I lowly bend a simple wreath to twine;
O Come from the ideal world and fling
Thy airy fingers o'er my rugged string;
Sweep the dark chords of thought and give to earth
The thrilling song that tells thy heavenly birth --
Happiness when from earth she fled
I passed on her heavenward flight --
"Take this crown," the spirit said
"Of heaven's own golden light --
To the sons of sorrow the token give,
And bid them follow my steps and live!" --
I took the crown from the snowy hand,
It flashed like a living star;
I turned this dark earth to a fairy land
When I hither drive my car;
But I placed the crown round my tresses bright,
And man only saw its reflected light --
Many a lovely dream I've given,
And many a song divine;
But never! -- oh never -- that gift of heaven
Shall mortals temples twine --
Hope and love in the circlet glow!
'Tis all too bright for a world of woe --
Hist -- Beautiful spirit! -- why silent so soon?
My ear drinks each word of thy magical tune;
My lyre owns thy touch -- and its tremulous strings
Vibrate beneath the soft play of thy wings;
Resume thy sweet lay, and reveal, ere we part
Thy home lovely spirit -- and say what thou art?" --
The gleam of a star thou cans't not see --
Of an eye 'neath its sleeping lid,
The sound of a far off melody
The voice of a stream that's hid;
Such must I still remain to thee
A wonder and a mystery! --
I live in the poet's dream
I flash on the painter's eye;
I dwell in the moon's pale beam,
In the depths of the star lit sky;
I traverse the earth, the air, the main,
And bind young hearts in my magic chain --
I float on the fleecy cloud
My voice is in ev'ry breeze;
I speak in the tempest loud,
In the sigh of the waving trees --
To the sons of earth -- in a mystic tone,
I tell of a world more bright than their own! --
- quotes about divine
- quotes about writers
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- quotes about art
- quotes about Earth
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- quotes about voice
- quotes about eyes
Sohrab and Rustum
And the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.
But all the Tartar camp along the stream
Was hush'd, and still the men were plunged in sleep;
Sohrab alone, he slept not; all night long
He had lain wakeful, tossing on his bed;
But when the grey dawn stole into his tent,
He rose, and clad himself, and girt his sword,
And took his horseman's cloak, and left his tent,
And went abroad into the cold wet fog,
Through the dim camp to Peran-Wisa's tent.
Through the black Tartar tents he pass'd, which stood
Clustering like bee-hives on the low flat strand
Of Oxus, where the summer-floods o'erflow
When the sun melts the snows in high Pamere
Through the black tents he pass'd, o'er that low strand,
And to a hillock came, a little back
From the stream's brink--the spot where first a boat,
Crossing the stream in summer, scrapes the land.
The men of former times had crown'd the top
With a clay fort; but that was fall'n, and now
The Tartars built there Peran-Wisa's tent,
A dome of laths, and o'er it felts were spread.
And Sohrab came there, and went in, and stood
Upon the thick piled carpets in the tent,
And found the old man sleeping on his bed
Of rugs and felts, and near him lay his arms.
And Peran-Wisa heard him, though the step
Was dull'd; for he slept light, an old man's sleep;
And he rose quickly on one arm, and said:--
"Who art thou? for it is not yet clear dawn.
Speak! is there news, or any night alarm?"
But Sohrab came to the bedside, and said:--
"Thou know'st me, Peran-Wisa! it is I.
The sun is not yet risen, and the foe
Sleep; but I sleep not; all night long I lie
Tossing and wakeful, and I come to thee.
For so did King Afrasiab bid me seek
Thy counsel, and to heed thee as thy son,
In Samarcand, before the army march'd;
And I will tell thee what my heart desires.
Thou know'st if, since from Ader-baijan first
I came among the Tartars and bore arms,
I have still served Afrasiab well, and shown,
At my boy's years, the courage of a man.
This too thou know'st, that while I still bear on
The conquering Tartar ensigns through the world,
And beat the Persians back on every field,
I seek one man, one man, and one alone--
Rustum, my father; who I hoped should greet,
Should one day greet, upon some well-fought field,
His not unworthy, not inglorious son.
So I long hoped, but him I never find.
Come then, hear now, and grant me what I ask.
Let the two armies rest to-day; but I
Will challenge forth the bravest Persian lords
To meet me, man to man; if I prevail,
Rustum will surely hear it; if I fall--
Old man, the dead need no one, claim no kin.
Dim is the rumour of a common fight,
Where host meets host, and many names are sunk;
But of a single combat fame speaks clear."
He spoke; and Peran-Wisa took the hand
Of the young man in his, and sigh'd, and said:--
"O Sohrab, an unquiet heart is thine!
Canst thou not rest among the Tartar chiefs,
And share the battle's common chance with us
Who love thee, but must press for ever first,
In single fight incurring single risk,
To find a father thou hast never seen?
That were far best, my son, to stay with us
Unmurmuring; in our tents, while it is war,
And when 'tis truce, then in Afrasiab's towns.
But, if this one desire indeed rules all,
To seek out Rustum--seek him not through fight!
Seek him in peace, and carry to his arms,
O Sohrab, carry an unwounded son!
But far hence seek him, for he is not here.
For now it is not as when I was young,
When Rustum was in front of every fray;
But now he keeps apart, and sits at home,
In Seistan, with Zal, his father old.
Whether that his own mighty strength at last
Peels the abhorr'd approaches of old age,
Or in some quarrel with the Persian King.
There go!--Thou wilt not? Yet my heart forebodes
Danger or death awaits thee on this field.
Fain would I know thee safe and well, though lost
To us; fain therefore send thee hence, in peace
To seek thy father, not seek single fights
In vain;--but who can keep the lion's cub
From ravening, and who govern Rustum's son?
Go, I will grant thee what thy heart desires."
So said he, and dropp'd Sohrab's hand, and left
His bed, and the warm rugs whereon he lay;
And o'er his chilly limbs his woollen coat
He pass'd, and tied his sandals on his feet,
And threw a white cloak round him, and he took
In his right hand a ruler's staff, no sword;
And on his head he set his sheep-skin cap,
Black, glossy, curl'd, the fleece of Kara-Kul;
And raised the curtain of his tent, and call'd
His herald to his side, and went abroad.
The sun by this had risen, and clear'd the fog
From the broad Oxus and the glittering sands.
And from their tents the Tartar horsemen filed
Into the open plain; so Haman bade--
Haman, who next to Peran-Wisa ruled
The host, and still was in his lusty prime.
From their black tents, long files of horse, they stream'd;
As when some grey November morn the files,
In marching order spread, of long-neck'd cranes
Stream over Casbin and the southern slopes
Of Elburz, from the Aralian estuaries,
Or some frore Caspian reed-bed, southward bound
For the warm Persian sea-board--so they stream'd.
The Tartars of the Oxus, the King's guard,
First, with black sheep-skin caps and with long spears;
Large men, large steeds; who from Bokhara come
And Khiva, and ferment the milk of mares.
Next, the more temperate Toorkmuns of the south,
The Tukas, and the lances of Salore,
And those from Attruck and the Caspian sands;
Light men and on light steeds, who only drink
The acrid milk of camels, and their wells.
And then a swarm of wandering horse, who came
From far, and a more doubtful service own'd;
The Tartars of Ferghana, from the banks
Of the Jaxartes, men with scanty beards
And close-set skull-caps; and those wilder hordes
Who roam o'er Kipchak and the northern waste,
Kalmucks and unkempt Kuzzaks, tribes who stray
Nearest the Pole, and wandering Kirghizzes,
Who come on shaggy ponies from Pamere;
These all filed out from camp into the plain.
And on the other side the Persians form'd;--
First a light cloud of horse, Tartars they seem'd.
The Ilyats of Khorassan; and behind,
The royal troops of Persia, horse and foot,
Marshall'd battalions bright in burnish'd steel.
But Peran-Wisa with his herald came,
Threading the Tartar squadrons to the front,
And with his staff kept back the foremost ranks.
And when Ferood, who led the Persians, saw
That Peran-Wisa kept the Tartars back,
He took his spear, and to the front he came,
And check'd his ranks, and fix'd them where they stood.
And the old Tartar came upon the sand
Betwixt the silent hosts, and spake, and said:--
"Ferood, and ye, Persians and Tartars, hear!
Let there be truce between the hosts to-day.
But choose a champion from the Persian lords
To fight our champion Sohrab, man to man."
As, in the country, on a morn in June,
When the dew glistens on the pearled ears,
A shiver runs through the deep corn for joy--
So, when they heard what Peran-Wisa said,
A thrill through all the Tartar squadrons ran
Of pride and hope for Sohrab, whom they loved.
But as a troop of pedlars, from Cabool,
Cross underneath the Indian Caucasus,
That vast sky-neighbouring mountain of milk snow;
Crossing so high, that, as they mount, they pass
Long flocks of travelling birds dead on the snow,
Choked by the air, and scarce can they themselves
Slake their parch'd throats with sugar'd mulberries--
In single file they move, and stop their breath,
For fear they should dislodge the o'erhanging snows--
So the pale Persians held their breath with fear.
And to Ferood his brother chiefs came up
To counsel; Gudurz and Zoarrah came,
And Feraburz, who ruled the Persian host
Second, and was the uncle of the King;
These came and counsell'd, and then Gudurz said:--
"Ferood, shame bids us take their challenge up,
Yet champion have we none to match this youth.
He has the wild stag's foot, the lion's heart.
But Rustum came last night; aloof he sits
And sullen, and has pitch'd his tents apart.
Him will I seek, and carry to his ear
The Tartar challenge, and this young man's name.
Haply he will forget his wrath, and fight.
Stand forth the while, and take their challenge up."
So spake he; and Ferood stood forth and cried:--
"Old man, be it agreed as thou hast said!
Let Sohrab arm, and we will find a man."
He spake: and Peran-Wisa turn'd, and strode
Back through the opening squadrons to his tent.
But through the anxious Persians Gudurz ran,
And cross'd the camp which lay behind, and reach'd,
Out on the sands beyond it, Rustum's tents.
Of scarlet cloth they were, and glittering gay,
Just pitch'd; the high pavilion in the midst
Was Rustum's, and his men lay camp'd around.
And Gudurz enter'd Rustum's tent, and found
Rustum; his morning meal was done, but still
The table stood before him, charged with food--
A side of roasted sheep, and cakes of bread;
And dark green melons; and there Rustum sate
Listless, and held a falcon° on his wrist,
And play'd with it; but Gudurz came and stood
Before him; and he look'd, and saw him stand,
And with a cry sprang up and dropp'd the bird,
And greeted Gudurz with both hands, and said:--
"Welcome! these eyes could see no better sight.
What news? but sit down first, and eat and drink."
But Gudurz stood in the tent-door, and said:--
"Not now! a time will come to eat and drink,
But not to-day; to-day has other needs.
The armies are drawn out, and stand at gaze;
For from the Tartars is a challenge brought
To pick a champion from the Persian lords
To fight their champion--and thou know'st his name--
Sohrab men call him, but his birth is hid.
O Rustum, like thy might is this young man's!
He has the wild stag's foot, the lion's heart;
And he is young, and Iran's chiefs are old,
Or else too weak; and all eyes turn to thee.
Come down and help us, Rustum, or we lose!"
He spoke; but Rustum answer'd with, a smile:--
"Go to! if Iran's chiefs are old, then I
Am older; if the young are weak, the King
Errs strangely; for the King, for Kai Khosroo,
Himself is young, and honours younger men,
And lets the aged moulder to their graves.
Rustum he loves no more, but loves the young--
The young may rise at Sohrab's vaunts, not I.
For what care I, though all speak Sohrab's fame?
For would that I myself had such a son,
And not that one slight helpless girl I have--
A son so famed, so brave, to send to war,
And I to tarry with the snow-hair'd Zal,
My father, whom the robber Afghans vex,
And clip his borders short, and drive his herds,
And he has none to guard his weak old age.
There would I go, and hang my armour up,
And with my great name fence that weak old man,
And spend the goodly treasures I have got,
And rest my age, and hear of Sohrab's fame,
And leave to death the hosts of thankless kings,
And with these slaughterous hands draw sword no more."
He spoke, and smiled; and Gudurz made reply:--
"What then, O Rustum, will men say to this,
When Sohrab dares our bravest forth, and seeks
Thee most of all, and thou, whom most he seeks,
Hidest thy face? Take heed lest men should say:
_Like some old miser, Rustum hoards his fame,
And shuns to peril it with younger men."_
And, greatly moved, then Rustum made reply:--
"O Gudurz, wherefore dost thou say such words?
Thou knowest better words than this to say.
What is one more, one less, obscure or famed,
Valiant or craven, young or old, to me?
Are not they mortal, am not I myself?
But who for men of nought would do great deeds?
Come, thou shalt see how Rustum hoards his fame!
But I will fight unknown, and in plain arms;
Let not men say of Rustum, he was match'd
In single fight with any mortal man."
He spoke, and frown'd; and Gudurz turn'd, and ran
Back quickly through the camp in fear and joy--
Fear at his wrath, but joy that Rustum came.
But Rustum strode to his tent-door, and call'd
His followers in, and bade them bring his arms,
And clad himself in steel; the arms he chose
Were plain, and on his shield was no device,
Only his helm was rich, inlaid with gold,
And, from the fluted spine atop, a plume
Of horsehair waved, a scarlet horsehair plume.
So arm'd, he issued forth; and Ruksh, his horse,
Follow'd him like a faithful hound at heel--
Ruksh, whose renown was noised through all the earth,
The horse, whom Rustum on a foray once
Did in Bokhara by the river find
A colt beneath its dam, and drove him home,
And rear'd him; a bright bay, with lofty crest,
Dight with a saddle-cloth of broider'd green
Crusted with gold, and on the ground were work'd
All beasts of chase, all beasts which hunters know.
So follow'd, Rustum left his tents, and cross'd
The camp, and to the Persian host appear'd.
And all the Persians knew him, and with shouts
Hail'd; but the Tartars knew not who he was.
And dear as the wet diver to the eyes
Of his pale wife who waits and weeps on shore,
By sandy Bahrein, in the Persian Gulf,
Plunging all day in the blue waves, at night,
Having made up his tale of precious pearls,
Rejoins her in their hut upon the sands--
So dear to the pale Persians Rustum came.
And Rustum to the Persian front advanced,
And Sohrab arm'd in Haman's tent, and came.
And as afield the reapers cut a swath
Down through the middle of a rich man's corn,
And on each side are squares of standing corn,
And in the midst a stubble, short and bare--
So on each side were squares of men, with spears
Bristling, and in the midst, the open sand.
And Rustum came upon the sand, and cast
His eyes toward the Tartar tents, and saw
Sohrab come forth, and eyed him as he came.
As some rich woman, on a winter's morn,
Eyes through her silken curtains the poor drudge
Who with numb blacken'd fingers makes her fire--
At cock-crow, on a starlit winter's morn,
When the frost flowers the whiten'd window-panes--
And wonders how she lives, and what the thoughts
Of that poor drudge may be; so Rustum eyed
The unknown adventurous youth, who from afar
Came seeking Rustum, and defying forth
All the most valiant chiefs; long he perused
His spirited air, and wonder'd who he was.
For very young he seem'd, tenderly rear'd;
Like some young cypress, tall, and dark, and straight,
Which in a queen's secluded garden throws
Its slight dark shadow on the moonlit turf,
By midnight, to a bubbling fountain's sound--
So slender Sohrab seem'd, so softly rear'd.
And a deep pity enter'd Rustum's soul
As he beheld him coming; and he stood,
And beckon'd to him with his hand, and said:--
"O thou young man, the air of Heaven is soft,
And warm, and pleasant; but the grave is cold!
Heaven's air is better than the cold dead grave.
Behold me! I am vast, and clad in iron,
And tried; and I have stood on many a field
Of blood, and I have fought with many a foe--
Never was that field lost, or that foe saved.
O Sohrab, wherefore wilt thou rush on death?
Be govern'd! quit the Tartar host, and come
To Iran, and be as my son to me,
And fight beneath my banner till I die!
There are no youths in Iran brave as thou."
So he spake, mildly; Sohrab heard his voice,
The mighty voice of Rustum, and he saw
His giant figure planted on the sand,
Sole, like some single tower, which a chief
Hath builded on the waste in former years
Against the robbers; and he saw that head,
Streak'd with its first grey hairs;--hope filled his soul,
And he ran forward and embraced his knees,
And clasp'd his hand within his own, and said:--
"O, by thy father's head! by thine own soul!
Art thou not Rustum? speak! art thou not he?"
But Rustum eyed askance the kneeling youth,
And turn'd away, and spake to his own soul:--
"Ah me, I muse what this young fox may mean!
False, wily, boastful, are these Tartar boys.
For if I now confess this thing he asks,
And hide it not, but say: _Rustum is here_!
He will not yield indeed, nor quit our foes,
But he will find some pretext not to fight,
And praise my fame, and proffer courteous gifts
A belt or sword perhaps, and go his way.
And on a feast-tide, in Afrasiab's hall,
In Samarcand, he will arise and cry:
'I challenged once, when the two armies camp'd
Beside the Oxus, all the Persian lords
To cope with me in single fight; but they
Shrank, only Rustum dared; then he and I
Changed gifts, and went on equal terms away.'
So will he speak, perhaps, while men applaud;
Then were the chiefs of Iran shamed through me."
And then he turn'd, and sternly spake aloud:--
"Rise! wherefore dost thou vainly question thus
Of Rustum? I am here, whom thou hast call'd
By challenge forth; make good thy vaunt, or yield!
Is it with Rustum only thou wouldst fight?
Rash boy, men look on Rustum's face and flee!
For well I know, that did great Rustum stand
Before thy face this day, and were reveal'd,
There would be then no talk of fighting more.
But being what I am, I tell thee this--
Do thou record it in thine inmost soul:
Either thou shalt renounce thy vaunt and yield,
Or else thy bones shall strew this sand, till winds
Bleach them, or Oxus with his summer-floods,
Oxus in summer wash them all away."
He spoke; and Sohrab answer'd, on his feet:--
"Art thou so fierce? Thou wilt not fright me so!
I am no girl to be made pale by words.
Yet this thou hast said well, did Rustum stand
Here on this field, there were no fighting then.
But Rustum is far hence, and we stand here.
Begin! thou art more vast, more dread than I,
And thou art proved, I know, and I am young--
But yet success sways with the breath of Heaven.
And though thou thinkest that thou knowest sure
Thy victory, yet thou canst not surely know.
For we are all, like swimmers in the sea,
Poised on the top of a huge wave of fate,
Which hangs uncertain to which side to fall.
And whether it will heave us up to land,
Or whether it will roll us out to sea,
Back out to sea, to the deep waves of death,
We know not, and no search will make us know;
Only the event will teach us in its hour."
He spoke, and Rustum answer'd not, but hurl'd
His spear; down from the shoulder, down it came,
As on some partridge, in the corn a hawk,
That long has tower'd in the airy clouds,
Drops like a plummet; Sohrab saw it come,
And sprang aside, quick as a flash; the spear
Hiss'd, and went quivering down into the sand,
Which it sent flying wide;--then Sohrab threw
In turn, and full struck Rustum's shield; sharp rang,
The iron plates rang sharp, but turn'd the spear.
And Rustum seized his club, which none but he
Could wield; an unlopp'd trunk it was, and huge,
Still rough--like those which men in treeless plains
To build them boats fish from the flooded rivers,
Hyphasis° or Hydaspes, when, high up
By their dark springs, the wind in winter-time
Hath made in Himalayan forests wrack,
And strewn the channels with torn boughs--so huge
The club which Rustum lifted now, and struck
One stroke; but again Sohrab sprang aside,
Lithe as the glancing snake, and the club came
Thundering to earth, and leapt from Rustum's hand.
And Rustum follow'd his own blow, and fell
To his knees, and with his fingers clutch'd the sand;
And now might Sohrab have unsheathed his sword,
And pierced the mighty Rustum while he lay
Dizzy, and on his knees, and choked with sand;
But he look'd on, and smiled, nor bared his sword,
But courteously drew back, and spoke, and said:--
"Thou strik'st too hard! that club of thine will float
Upon the summer-floods, and not my bones.
But rise, and be not wroth! not wroth am I;
No, when I see thee, wrath forsakes my soul.
Thou say'st, thou art not Rustum; be it so!
Who art thou then, that canst so touch my soul?
Boy as I am, I have seen battles too--
Have waded foremost in their bloody waves,
And heard their hollow roar of dying men;
But never was my heart thus touch'd before.
Are they from Heaven, these softenings of the heart?
O thou old warrior, let us yield to Heaven!
Come, plant we here in earth our angry spears,
And make a truce, and sit upon this sand,
And pledge each other in red wine, like friends,
And thou shalt talk to me of Rustum's deeds.
There are enough foes in the Persian host,
Whom I may meet, and strike, and feel no pang;
Champions enough Afrasiab has, whom thou
Mayst fight; fight _them_, when they confront thy spear!
But oh, let there be peace 'twixt thee and me!"
He ceased, but while he spake, Rustum had risen,
And stood erect, trembling with rage; his club
He left to lie, but had regain'd his spear,
Whose fiery point now in his mail'd right-hand
Blazed bright and baleful, like that autumn-star,
The baleful sign of fevers; dust had soil'd
His stately crest, and dimm'd his glittering arms.
His breast heaved, his lips foam'd, and twice his voice
Was choked with rage; at last these words broke way:--
"Girl! nimble with thy feet, not with thy hands!
Curl'd minion, dancer, coiner of sweet words!
Fight, let me hear thy hateful voice no more!
Thou art not in Afrasiab's gardens now
With Tartar girls, with whom thou art wont to dance;
But on the Oxus-sands, and in the dance
Of battle, and with me, who make no play
Of war; I fight it out, and hand to hand.
Speak not to me of truce, and pledge, and wine!
Remember all thy valour; try thy feints
And cunning! all the pity I had is gone;
Because thou hast shamed me before both the hosts
With thy light skipping tricks, and thy girl's wiles."
He spoke, and Sohrab kindled at his taunts,
And he too drew his sword; at once they rush'd
Together, as two eagles on one prey
Come rushing down together from the clouds,
One from the east, one from the west; their shields
Bash'd with a clang together, and a din.
Rose, such as that the sinewy woodcutters
Make often in the forest's heart at morn,
Of hewing axes, crashing trees--such blows
Rustum and Sohrab on each other hail'd.
And you would say that sun and stars took part
In that unnatural conflict; for a cloud
Grew suddenly in Heaven, and dark'd the sun
Over the fighters' heads; and a wind rose
Under their feet, and moaning swept the plain,
And in a sandy whirlwind wrapp'd the pair.
In gloom they twain were wrapp'd, and they alone;
For both the on-looking hosts on either hand
Stood in broad daylight, and the sky was pure,
And the sun sparkled on the Oxus stream.
But in the gloom they fought, with bloodshot eyes
And labouring breath; first Rustum struck the shield
Which Sohrab held stiff out; the steel-spiked spear
Rent the tough plates, but fail'd to reach the skin,
And Rustum pluck'd it back with angry groan.
Then Sohrab with his sword smote Rustum's helm,
Nor clove its steel quite through; but all the crest
He shore away, and that proud horsehair plume,
Never till now defiled, sank to the dust;
And Rustum bow'd his head; but then the gloom
Grew blacker, thunder rumbled in the air,
And lightnings rent the cloud; and Ruksh, the horse,
Who stood at hand, utter'd a dreadful cry;--
No horse's cry was that, most like the roar
Of some pain'd desert-lion, who all day
Hath trail'd the hunter's javelin in his side,
And comes at night to die upon the sand.
The two hosts heard that cry, and quaked for fear,
And Oxus curdled as it cross'd his stream.
But Sohrab heard, and quail'd not, but rush'd on,
And struck again; and again Rustum bow'd
His head; but this time all the blade, like glass,
Sprang in a thousand shivers on the helm,
And in the hand the hilt remain'd alone.
Then Rustum raised his head; his dreadful eyes
Glared, and he shook on high his menacing spear,
And shouted: _Rustum_!--Sohrab heard that shout,
And shrank amazed; back he recoil'd one step,
And scann'd with blinking eyes the advancing form;
And then he stood bewilder'd; and he dropp'd
His covering shield, and the spear pierced his side.
He reel'd, and staggering back, sank to the ground;
And then the gloom dispersed, and the wind fell,
And the bright sun broke forth, and melted all
The cloud; and the two armies saw the pair--
Saw Rustum standing, safe upon his feet,
And Sohrab, wounded, on the bloody sand.
Then, with a bitter smile, Rustum began:--
"Sohrab, thou thoughtest in thy mind to kill
A Persian lord this day, and strip his corpse,
And bear thy trophies to Afrasiab's tent.
Or else that the great Rustum would come down
Himself to fight, and that thy wiles would move
His heart to take a gift, and let thee go.
And then all the Tartar host would praise
Thy courage or thy craft, and spread thy fame,
To glad° thy father in his weak old age.
Fool, thou art slain, and by an unknown man!
Dearer to the red jackals shalt thou be
Than to thy friends, and to thy father old."
And, with a fearless mien, Sohrab replied:--
"Unknown thou art; yet thy fierce vaunt is vain
Thou dost not slay me, proud and boastful man!
No! Rustum slays me, and this filial heart.
For were I match'd with ten such men as thee,
And I were that which till to-day I was,
They should be lying here, I standing there
But that belovéd name unnerved my arm--
That name, and something, I confess, in thee,
Which troubles all my heart, and made my shield
Fall; and thy spear transfix'd an unarm'd foe.
And now thou boastest, and insult'st my fate.
But hear thou this, fierce man, tremble to hear
The mighty Rustum shall avenge my death!
My father, whom I seek through all the world,
He shall avenge my death, and punish thee!"
As when some hunter in the spring hath found
A breeding eagle sitting on her nest,
Upon the craggy isle of a hill-lake,
And pierced her with an arrow as she rose,
And follow'd her to find her where she fell
Far off;--anon her mate comes winging back
From hunting, and a great way off descries
His huddling young left sole; at that, he checks
His pinion, and with short uneasy sweeps
Circles above his eyry, with loud screams
Chiding his mate back to her nest; but she
Lies dying, with the arrow in her side,
In some far stony gorge out of his ken,
A heap of fluttering feathers--never more
Shall the lake glass her, flying over it;
Never the black and dripping precipices
Echo her stormy scream as she sails by--
As that poor bird flies home, nor knows his loss,
So Rustum knew not his own loss, but stood
Over his dying son, and knew him not.
But, with a cold incredulous voice, he said:--
"What prate is this of fathers and revenge?
The mighty Rustum never had a son."
And, with a failing voice, Sohrab replied:--
"Ah yes, he had! and that lost son am I.
Surely the news will one day reach his ear,
Reach Rustum, where he sits, and tarries long,
Somewhere, I know not where, but far from here;
And pierce him like a stab, and make him leap
To arms, and cry for vengeance upon thee.
Fierce man, bethink thee, for an only son!
What will that grief, what will that vengeance be?
Oh, could I live, till I that grief had seen!
Yet him I pity not so much, but her,
My mother, who in Ader-baijan dwells
With that old king, her father, who grows grey
With age, and rules over the valiant Koords.
Her most I pity, who no more will see
Sohrab returning from the Tartar camp,
With spoils and honour, when the war is done.
But a dark rumour will be bruited up,
From tribe to tribe, until it reach her ear;
And then will that defenceless woman learn
That Sohrab will rejoice her sight no more,
But that in battle with a nameless foe,
By the far-distant Oxus, he is slain."
He spoke; and as he ceased, he wept aloud,
Thinking of her he left, and his own death.
He spoke; but Rustum listen'd, plunged in thought.
Nor did he yet believe it was his son
Who spoke, although he call'd back names he knew;
For he had had sure tidings that the babe,
Which was in Ader-baijan born to him,
Had been a puny girl, no boy at all--
So that sad mother sent him word, for fear
Rustum should seek the boy, to train in arms--
And so he deem'd that either Sohrab took,
By a false boast, the style of Rustum's son;
Or that men gave it him, to swell his fame.
So deem'd he; yet he listen'd, plunged in thought
And his soul set to grief, as the vast tide
Of the bright rocking Ocean sets to shore
At the full moon; tears gather'd in his eyes;
For he remember'd his own early youth,
And all its bounding rapture; as, at dawn,
The shepherd from his mountain-lodge descries
A far, bright city, smitten by the sun,
Through many rolling clouds--so Rustum saw
His youth; saw Sohrab's mother, in her bloom;
And that old king, her father, who loved well
His wandering guest, and gave him his fair child
With joy; and all the pleasant life they led,
They three, in that long-distant summer-time--
The castle, and the dewy woods, and hunt
And hound, and morn on those delightful hills
In Ader-baijan. And he saw that Youth,
Of age and looks to be his own dear son,
Piteous and lovely, lying on the sand;
Like some rich hyacinth which by the scythe
Of an unskilful gardener has been cut,
Mowing the garden grass-plots near its bed,
And lies, a fragrant tower of purple bloom,
On the mown, dying grass--so Sohrab lay,
Lovely in death, upon the common sand.
And Rustum gazed on him with grief, and said:--
"O Sohrab, thou indeed art such a son
Whom Rustum, wert thou his, might well have loved.
Yet here thou errest, Sohrab, or else men
Have told thee false--thou art not Rustum's son.
For Rustum had no son; one child he had--
But one--a girl; who with her mother now
Plies some light female task, nor dreams of us--
Of us she dreams not, nor of wounds, nor war."
But Sohrab answer'd him in wrath; for now
The anguish of the deep-fix'd spear grew fierce,
And he desired to draw forth the steel,
And let the blood flow free, and so to die--
But first he would convince his stubborn foe;
And, rising sternly on one arm, he said:--
"Man, who art thou who dost deny my words?
Truth sits upon the lips of dying men,
And falsehood, while I lived, was far from mine.
I tell thee, prick'd upon this arm I bear
That seal which Rustum to my mother gave,
That she might prick it on the babe she bore."
He spoke; and all the blood left Rustum's cheeks,
And his knees totter'd, and he smote his hand
Against his breast, his heavy mailed hand,
That the hard iron corslet clank'd aloud;
And to his heart he press'd the other hand,
And in a hollow voice he spake, and said:--
"Sohrab, that were a proof which could not lie!
If thou show this, then art thou Rustum's son."
Then, with weak hasty fingers, Sohrab loosed
His belt, and near the shoulder bared his arm,
And show'd a sign in faint vermilion points
Prick'd; as a cunning workman, in Pekin,
Pricks with vermilion some clear porcelain vase,
An emperor's gift--at early morn he paints,
And all day long, and, when night comes, the lamp
Lights up his studious forehead and thin hands--
So delicately prick'd the sign appear'd
On Sohrab's arm, the sign of Rustum's seal.
It was that griffin, which of old rear'd Zal,
Rustum's great father, whom they left to die,
A helpless babe, among the mountain-rocks;
Him that kind creature found, and rear'd, and loved--
Then Rustum took it for his glorious sign.
And Sohrab bared that image on his arm,
And himself scann'd it long with mournful eyes,
And then he touch'd it with his hand and said:--
"How say'st thou? Is that sign the proper sign
Of Rustum's son, or of some other man's?"
He spoke; but Rustum gazed, and gazed, and stood
Speechless; and then he utter'd one sharp cry:
_O boy_--_thy father!_--and his voice choked there.
And then a dark cloud pass'd before his eyes,
And his head swam, and he sank down to earth.
But Sohrab crawl'd to where he lay, and cast
His arms about his neck, and kiss'd his lips,
And with fond faltering fingers stroked his cheeks,
Trying to call him back to life; and life
Came back to Rustum, and he oped his eyes,
And they stood wide with horror; and he seized
In both his hands the dust which lay around,
And threw it on his head, and smirch'd his hair,--
His hair, and face, and beard, and glittering arms;
And strong convulsive groanings shook his breast,
And his sobs choked him; and he clutch'd his sword,
To draw it, and for ever let life out.
But Sohrab saw his thought, and held his hands,
And with a soothing voice he spake, and said:--
"Father, forbear! for I but meet to-day
The doom which at my birth was written down
In Heaven, and thou art Heaven's unconscious hand.
Surely my heart cried out that it was thou,
When first I saw thee; and thy heart spoke too,
I know it! but fate trod those promptings down
Under its iron heel; fate, fate engaged
The strife, and hurl'd me on my father's spear.
But let us speak no more of this! I find
My father; let me feel that I have found!
Come, sit beside me on this sand, and take
My head betwixt thy hands, and kiss my cheeks,
And wash them with thy tears, and say: _My son!_
Quick! quick! for number'd are my sands of life,
And swift; for like the lightning to this field
I came, and like the wind I go away--
Sudden, and swift, and like a passing wind.
But it was writ in Heaven that this should be."
So said he, and his voice released the heart
Of Rustum, and his tears brake forth; he cast
His arms round his son's neck, and wept aloud,
And kiss'd him. And awe fell on both the hosts,
When they saw Rustum's grief; and Ruksh, the horse,
With his head bowing to the ground and mane
Sweeping the dust, came near, and in mute woe
First to the one then to the other moved
His head, as if inquiring what their grief
Might mean; and from his dark, compassionate eyes,
The big warm tears roll'd down, and caked the sand.
But Rustum chid him with stern voice, and said:--
"Ruksh, now thou grievest; but, O Ruksh, thy feet
Should first have rotted on their nimble joints,
Or ere they brought thy master to this field!"
But Sohrab look'd upon the horse and said:--
"Is this, then, Ruksh? How often, in past days,
My mother told me of thee, thou brave steed,
My terrible father's terrible horse! and said,
That I should one day find thy lord and thee.
Come, let me lay my hand upon thy mane!
O Ruksh, thou art more fortunate than I;
For thou hast gone where I shall never go,
And snuff'd the breezes of my father's home.
And thou hast trod the sands of Seistan,
And seen the River of Helmund, and the Lake
Of Zirrah; and the aged Zal himself
Has often stroked thy neck, and given thee food,
Corn in a golden platter soak'd with wine,
And said: _O Ruksh! bear Rustum well!_--but I
Have never known my grandsire's furrow'd face,
Nor seen his lofty house in Seistan,
Nor slaked my thirst at the clear Helmund stream;
But lodged among my father's foes, and seen
Afrasiab's cities only, Samarcand,
Bokhara, and lone Khiva in the waste,
And the black Toorkmun tents; and only drunk
The desert rivers, Moorghab and Tejend,
Kohik, and where the Kalmuks feed their sheep,
The northern Sir; and this great Oxus stream,
The yellow Oxus, by whose brink I die."
Then, with a heavy groan, Rustum bewail'd:--
"Oh, that its waves were flowing over me!
Oh, that I saw its grains of yellow silt
Roll tumbling in the current o'er my head!"
But, with a grave mild voice, Sohrab replied:--
"Desire not that, my father! thou must live.
For some are born to do great deeds, and live,
As some are born to be obscured, and die.
Do thou the deeds I die too young to do,
And reap a second glory in thine age;
Thou art my father, and thy gain is mine.
But come! thou seest this great host of men
Which follow me; I pray thee, slay not these!
Let me entreat for them; what have they done?
They follow'd me, my hope, my fame, my star.
Let them all cross the Oxus back in peace.
But me thou must bear hence, not send with them,
But carry me with thee to Seistan,
And place me on a bed, and mourn for me,
Thou, and the snow-hair'd Zal, and all thy friends.
And thou must lay me in that lovely earth,
And heap a stately mound above my bones,
And plant a far-seen pillar over all.
That so the passing horseman on the waste
May see my tomb a great way off, and cry:
_Sohrab, the mighty Rustum's son, lies there,
Whom his great father did in ignorance kill!_
And I be not forgotten in my grave."
And, with a mournful voice, Rustum replied:--
"Fear not! as thou hast said, Sohrab, my son,
So shall it be; for I will burn my tents,
And quit the host, and bear thee hence with me,
And carry thee away to Seistan,
And place thee on a bed, and mourn for thee,
With the snow-headed Zal, and all my friends.
And I will lay thee in that lovely earth,
And heap a stately mound above thy bones,
And plant a far-seen pillar over all,
And men shall not forget thee in thy grave.
And I will spare thy host; yea, let them go!
Let them all cross the Oxus back in peace!
What should I do with slaying any more?
For would that all that I have ever slain
Might be once more alive; my bitterest foes,
And they who were call'd champions in their time,
And through whose death I won that fame I have--
And I were nothing but a common man,
A poor, mean soldier, and without renown,
So thou mightest live too, my son, my son!
Or rather would that I, even I myself,
Might now be lying on this bloody sand,
Near death, and by an ignorant stroke of thine,
Not thou of mine! and I might die, not thou;
And I, not thou, be borne to Seistan;
And Zal might weep above my grave, not thine;
And say: _O son, I weep thee not too sore,
For willingly, I know, thou met'st thine end!_
But now in blood and battles was my youth,
And full of blood and battles is my age,
And I shall never end this life of blood."
Then, at the point of death, Sohrab replied:--
"A life of blood indeed, thou dreadful man!
But thou shalt yet have peace; only not now,
Not yet! but thou shalt have it on that day,
When thou shalt sail in a high-masted ship,
Thou and the other peers of Kai Khosroo,
Returning home over the salt blue sea,
From laying thy dear master in his grave."
And Rustum gazed in Sohrab's face, and said:--
"Soon be that day, my son, and deep that sea!
Till then, if fate so wills, let me endure."
He spoke; and Sohrab smiled on him, and took
The spear, and drew it from his side, and eased
His wound's imperious anguish; but the blood
Came welling from the open gash, and life
Flow'd with the stream;--all down his cold white side
The crimson torrent ran, dim now and soil'd,
Like the soil'd tissue of white violets
Left, freshly gather'd, on their native bank,
By children whom their nurses call with haste.
Indoors from the sun's eye; his head droop'd low,
His limbs grew slack; motionless, white, he lay--
White, with eyes closed; only when heavy gasps,
Deep heavy gasps quivering through all his frame,
Convulsed him back to life, he open'd them,
And fix'd them feebly on his father's face;
Till now all strength was ebb'd, and from his limbs
Unwillingly the spirit fled away,
Regretting the warm mansion which it left,
And youth, and bloom, and this delightful world.
So, on the bloody sand, Sohrab lay dead;
And the great Rustum drew his horseman's cloak
Down o'er his face, and sate by his dead son.
As those black granite pillars, once high-rear'd
By Jemshid in Persepolis, to bear
His house, now 'mid their broken flights of steps
Lie prone, enormous, down the mountain side--
So in the sand lay Rustum by his son.
And night came down over the solemn waste,
And the two gazing hosts, and that sole pair,
And darken'd all; and a cold fog, with night,
Crept from the Oxus. Soon a hum arose,
As of a great assembly loosed, and fires
Began to twinkle through the fog; for now
Both armies moved to camp, and took their meal;
The Persians took it on the open sands
Southward, the Tartars by the river marge;
And Rustum and his son were left alone.
But the majestic river floated on,
Out of the mist and hum of that low land,
Into the frosty starlight, and there moved,
Rejoicing, through the hush'd Chorasmian waste,
Under the solitary moon;--he flow'd
Right for the polar star, past Orgunjè,
Brimming, and bright, and large; then sands begin
To hem his watery march, and dam his streams,
And split his currents; that for many a league
The shorn and parcell'd Oxus strains along
Through beds of sand and matted rushy isles--
Oxus, forgetting the bright speed he had
In his high mountain-cradle in Pamere,
A foil'd circuitous wanderer--till at last
The long'd-for dash of waves is heard, and wide
His luminous home° of waters opens, bright
And tranquil, from whose floor the new-bathed stars
Emerge, and shine upon the Aral Sea.
- quotes about army
- quotes about elders
- quotes about drawing
- quotes about tomb
- quotes about old age
- quotes about black
- quotes about sheep
- quotes about fate
Many say your trial
Would not be a fair one
It is the richest that
Are given this gift
You may rape and take
Your dollar can eat
Whatever it can afford
And your victims are
Nothing but liars
In the eyes of the law
And I should be killed
For naming them victims
Because you have enough
Money to buy this, more
Than enough gold to spare
A penny to force down
My already sore throat
our Cycles Of Sleep!
**OUR CYCLES OF SLEEP!
The Neurologists often speak, of five different
stages of sleep!
Sleep generally commences in a light state, -
When the brain triggers high amplitude
And after some five to ten minutes, rapid bursts
of ‘sleep spindles’ flow, -
Which lasts for some twenty minutes or so!
Next we float on to a transitional phase, -
When the brain triggers ‘delta waves’, -
And we float between a light and deep sleep
Soon we get submerged into ‘delta sleep’, -
With Non-Rapid Eye Movements, - going
into deep sleep!
And with some people it has been seen, bed-
wetting, or sleepwalking, -
Often occurs during the end of this phase!
Finally comes the REM* stage when we dream, -
When increased respiration and brain activities
But despite our active mind, our voluntary
muscles remain paralyzed!
This REM stage is said to increase, with the
progress of our night’s sleep!
And when the night grows dark and deep, -
These stages of our cycles of sleep, -
Breaks away from these sequential stages !
When after the fourth stage, comes the third
and second phases, -
Repeating themselves till the day breaks!
When finally after our REM dreaming state, -
We once more begin to gradually awake!
10 Apr 09
(*REM= Rapid Eye Movement: dreaming phase!
Based on various articles.Prelude to my next
poem about sleepwalking!)
So Close I'll Let It Be (A Reply)
It's also everything that I dreamt of;
The bliss and joys,
The rest and best of my days
Spent in your arms of love
Close we were, but not close enough.
The moment I saw your smile
My head buzzed for a while,
How could it be that I found someone like you?
Someone so unique, so fresh and ever new.
I knew from that day that we were meant to be
Almost close, but not close enough.
I envied the way other men gave you attention,
Hated the way others strived for your affection,
We were just friends but you were beyond perfection.
The times we shared, the jokes we cracked,
The weekends we spared,
Dear I hope you know I care
We were close, but was it close enough
To say that you love a stranger is nothing but crazy
Call me crazy but I really do love the woman you are
Many scoff and say you are nothing but trouble
A girl who grew up and blossoms with proverbs 31 type of beauty.
If it's a rain of love, let the floods come my way
For it makes me find everything they say funny
No matter how much I try,
Loving you is a part of me and that I cannot deny
You loved me too, but I don't know if you still do.
Do you still love me?
With all the flaws you see in me?
With me being the man you see under the act?
You know I am vulnerable deep inside where no one sees
You know the pain I feel but even when I brave it out.
I almost fooled the world, but you made me turn.
Because you loved me more than words can say
Even though today we stand two worlds apart.
I stand at the worlds end; I wait at the edge of time
Calling out to you, for one day our worlds will surely collide.
So close we are, but this isn't close enough
I love you deeply,
I am honored to have a lady called you
I made mistakes in my past or maybe last night.
Here I am to face them up, live them out and bash them out
I hope you know I pray for you every day and night
I pray that our worlds collide, two islands become one nation
For you are the lady who was more than just a friend,
You wrote a piece about me, about us
I took it and replied it
What you will call it I know not?
But wait a minute, it sounds close to this
Yes it is close and it's close enough to be? ?
So close I'll ask we take another step let it be? ?
PS: heart beat makes the rhythm, love writes the lyrics, i hope you save me the last dance....made with love... tbc
The palaces of the rich
And their lifestyle
Are nothing but waste of wealth!
Logical positivists have never taken psychology into account in their epistemology, but they affirm that logical beings and mathematical beings are nothing but linguistic structures.
Our Dreams Can Be Forgotten
our dreams are mere dreams
for what are dreams but dreams
and nothing but dreams
unfulfilled and so we
that dreams are nothing but dreams
as what our primitive natures
have always been
we then shift to the realities
that grab us
rather than we grabbing them
like personal properties
like a soap that we think must not
slip from the hold
of our definitive hands
it falls right there at the toilet bowl
and we shrug
not to pick it
that feeling that something we held
has become dirty
will always be there to haunt us
but we learn the lesson well
as we shrug our
and curl our lips and eyelashes
'so what? ' i'll have another.
the room where you sleep
does not take hold of you
your bed cannot be part of your skin
and your windows are nothing but
the ordinary closing and opening
of your day
you like a door that opens
you have diamonds in your hands
you spread them
in the garden and you see
how they all glitter for a while
darkness folds and
light of another day opens
you take a walk and whistle
you don't remember the color of the blanket
you forget what warmth was there on that bed
you do not care whether the windows are closed or open
you move to another house
and tell your stories all over again
there is no blink in your eyes
there is no stammering in your tongue
you do not tell them what you love
there are no hands too familiar to hold you back
Secrets Of The Loving Person
the room where you sleep
does not take hold of you
your bed cannot be part of your skin
and your windows are nothing but
the ordinary closing and opening
of your day
you like a door that opens
you have diamonds in your hands
you spread them
in the garden and you see
how they all glitter for a while
darkness folds and
light of another day opens
you take a walk and whistle
you don't remember the color of the blanket
you forget what warmth was there on that bed
you do not care whether the windows are closed or open
you move to another house
and tell your stories all over again
there is no blink in your eyes
there is no stammering in your tongue
you do not tell them what you love
there are no hands too familiar to hold you back
A disturbed child
For hours and days we talked, and there was that portion
Of that honest conversation when he opened a certain
Cabinet where a black-covered diary contains a page of the story
About a disturbed child,
A confused child, not because he was not born like
Any other new born child, on a package-deal of innocence
For a start of his existence,
A happy child, a normal child with a
Loving and caring ma and pa and excited siblings
To receive him as another playmate added to their house,
At most, the conversation changed to a slow motion
In that portion,
He showed some serious indications, a gaze of a man,
Undistracted by her poise for casualness and
A consideration that this is nothing but another kind
Of a light conversation unlike no other,
It is not, this is serious, he said, because this is true and this really
Happened, the cabinet and the diary are nothing but
Fronts to fictional realities,
He was the disturbed child, and he is going to tell her about it,
He did not have a happy childhood, as he once told the Jesuits,
Who accepted him to their fold,
And for which he, of course took his graceful exit,
Because he is a liar,
He began talking about some bamboo sticks which hit him,
The sack which enclosed him, the rope which hanged him
On the kitchen beam,
The ants that bit him while he
Kneeled on mongo beans under a scorching sun, and the mother
He still very well remembers,
She was not able to do anything to save him.
She too was part of
That disturbance, the slap that still left a mark of humiliation on his
A scar on his childhood, forever. She died earlier than expected.
He, the villain, did not.
Not the child, who later escaped from hell.
that child though disturbed by his past, is now given the right to speak.
A Dream Of Water Moon!
Cool bright Moon shines bright in the Starry night Sky!
Dreams of Moon absorb poets, scientists, lovers, all!
Even in Honey Moon dream of water Moon never dries!
Polluting water on Earth man searches water in Moon!
Physical feature is contrasting between Earth and Moon!
Green vegetation, blue water and white ice make Earth
Unique with atmosphere all round protecting it forever!
Sands, rocks with ice at tips Moon is sans atmosphere!
Rotating itself Earth revolves round the Sun night or day;
But Moon’s bright side and dark side are fixed forever!
The mystery of dark side Moon is in suspense since long;
The frozen sides of Moon are – 238 degrees is still chilling!
Water Moon has indeed become a great interest for all and
Many nations are vying with one another to see water there!
Dont Dream Its Over
There is freedom within, there is freedom without
Try to catch the deluge in a paper cup
Theres a battle ahead, many battles are lost
But youll never see the end of the road
While youre travelling with me
Hey now, hey now
Dont dream its over
Hey now, hey now
When the world comes in
They come, they come
To build a wall between us
We know they wont win
Now Im towing my car, theres a hole in the roof
My possessions are causing me suspicion but theres no proof
In the paper today tales of war and of waste
But you turn right over to the t.v. page
Hey now, hey now
Dont dream its over
Hey now, hey now
When the world comes in
They come, they come
To build a wall between us
We know they wont win
Now Im walking again to the beat of a drum
And Im counting the steps to the door of your heart
Only shadows ahead barely clearing the roof
Get to know the feeling of liberation and relief
Hey now, hey now
Dont dream its over
Hey now, hey now
When the world comes in
They come, they come
To build a wall between us
Dont ever let them win
Jubilate Agno: Fragment B, Part 3
For a Man is to be looked upon in that which he excells as on a prospect.
For there be twelve cardinal virtues -- three to the East -- Greatness, Valour, Piety.
For there be three to the West -- Goodness, Purity and Sublimity.
For there be three to the North -- Meditation, Happiness, Strength.
For there be three to the South -- Constancy, Pleasantry and Wisdom.
For the Argument A PRIORI is GOD in every man's CONSCIENCE.
For the Argument A POSTERIORI is God before every man's eyes.
For the Four and Twenty Elders of the Revelation are Four and Twenty Eternities.
For their Four and Twenty Crowns are their respective Consummations.
For a CHARACTER is the votes of the Worldlings, but the seal is of Almighty GOD alone.
For there is no musick in flats and sharps which are not in God's natural key.
For where Accusation takes the place of encouragement a man of Genius is driven to act the vices of a fool.
For the Devil can set a house on fire, when the inhabitants find combustibles.
For the old account of time is the true -- Decr 28th 1759-60 -- -- --
For Faith as a grain of mustard seed is to believe, as I do, that an Eternity is such in respect to the power and magnitude of Almighty God.
For a DREAM is a good thing from GOD.
For there is a dream from the adversary which is terror.
For the phenomenon of dreaming is not of one solution, but many.
For Eternity is like a grain of mustard as a growing body and improving spirit.
For the malignancy of fire is oweing to the Devil's hiding of light, till it became visible darkness.
For the Circle may be SQUARED by swelling and flattening.
For the Life of God is in the body of man and his spirit in the Soul.
For there was no rain in Paradise because of the delicate construction of the spiritual herbs and flowers.
For the Planet Mercury is the WORD DISCERNMENT.
For the Scotchman seeks for truth at the bottom of a well, the Englishman in the Heavn of Heavens.
For the Planet Venus is the WORD PRUDENCE or providence.
For GOD nevertheless is an extravagant BEING and generous unto loss.
For there is no profit in the generation of man and the loss of millions is not worth God's tear.
For this is the twelfth day of the MILLENNIUM of the MILLENNIUM foretold by the prophets -- give the glory to God ONE THOUSAND SEVEN HUNDRED AND SIXTY --
For the Planet Mars is the word FORTITUDE.
For to worship naked in the Rain is the bravest thing for the refreshing and purifying the body.
For the Planet Jupiter is the WORD DISPENSATION.
For Tully says to be generous you must be first just, but the voice of Christ is distribute at all events.
For Kittim is the father of the Pygmies, God be gracious to Pigg his family.
For the Soul is divisible and a portion of the Spirit may be cut off from one and applied to another.
For NEW BREAD is the most wholesome especially if it be leaven'd with honey.
For a NEW SONG also is best, if it be to the glory of God; and taken with the food like the psalms.
For the Planet Saturn is the word TEMPERANCE or PATIENCE.
For Jacob's Ladder are the steps of the Earth graduated hence to Paradice and thence to the throne of God.
For a good wish is well but a faithful prayer is an eternal benefit.
For SPICA VIRGINIS is the star that appeared to the wise men in the East and directed their way before it was yet insphered.
For an IDEA is the mental vision of an object.
For Lock supposes that an human creature, at a given time may be an atheist i.e. without God, by the folly of his doctrine concerning innate ideas.
For it is not lawful to sell poyson in England any more than it is in Venice, the Lord restrain both the finder and receiver.
For the ACCENTS are the invention of the Moabites, who learning the GREEK tongue marked the words after their own vicious pronuntiation.
For the GAULS (the now-French and original Moabites) after they were subdued by Cæsar became such Grecians at Rome.
For the Gaullic manuscripts fell into the hands of the inventors of printing.
For all the inventions of man, which are good, are the communications of Almighty God.
For all the stars have satellites, which are terms under their respective words.
For tiger is a word and his satellites are Griffin, Storgis, Cat and others.
For my talent is to give an Impression upon words by punching, that when the reader casts his eye upon 'em, he takes up the image from the mould which I have made.
For JOB was the son of Issachar and patience is the child of strength.
For the Names of the DAYS, as they now stand, are foolish and abominable.
For the Days are the First, Second, Third, Fourth, Fifth, Sixth and Seventh.
For the names of the months are false -- the Hebrew appellatives are of God.
For the Time of the Lord's temptation was in early youth and imminent danger.
For an equivocal generation is a generation and no generation.
For putrifying matter nevertheless will yield up its life in diverse creatures and combinations of creatures.
For a TOAD can dwell in the centre of a stone, because -- there are stones whose constituent life is of those creatures.
For a Toad hath by means of his eye the most beautiful prospects of any other animal to make him amends for his distance from his Creator in Glory.
For FAT is the fruit of benevolence, therefore it was the Lord's in the Mosaic sacrifices.
For the very particular laws of Moses are the determinations of CASES that fell under his cognizance.
For the Devil can make the shadow thicker by candlelight by reason of his pow'r over malignant fire.
For the Romans clipped their words in the Augustan thro idleness and effeminacy and paid foreign actors for speaking them out.
For when the weight and the pow'r are equivalent the prop is of none effect.
For shaving of the beard was an invention of the people of Sodom to make men look like women.
For the ends of the world are the accomplishment of great events, and the consummation of periods.
For ignorance is a sin because illumination is to be obtained by prayer.
For Preferment is not from the East, West or South, but from the North, where Satan has most power.
For the ministers of the Devil set the hewer of wood over the head of God's free Man.
For this inverting God's good order, edifice and edification, and appointing place, where the Lord has not appointed.
For the Ethiopian question is already solved in that the Blacks are the children of Cain.
For the phenomenon of the horizontal moon is the truth -- she appears bigger in the horizon because she actually is so.
For it was said of old 'can the Ethiopian change his skin?' the Lord has answered the question by his merit and death he shall. --
For the moon is magnified in the horizon by Almighty God, and so is the Sun.
For she has done her day's-work and the blessing of God upon her, and she communicates with the earth.
For when she rises she has been strength'ned by the Sun, who cherishes her by night.
For man is born to trouble in the body, as the sparks fly upwards in the spirit.
For man is between the pinchers while his soul is shaping and purifying.
For the ENGLISH are the seed of Abraham and work up to him by Joab, David, and Naphtali. God be gracious to us this day. General Fast March 14th 1760.
For the Romans and the English are one people the children of the brave man who died at the altar praying for his posterity, whose death was the type of our Saviour's.
For the WELCH are the children of Mephibosheth and Ziba with a mixture of David in the Jones's.
For the Scotch are the children of Doeg with a mixture of Cush the Benjamite, whence their innate antipathy to the English.
For the IRISH are the children of Shimei and Cush with a mixture of something lower -- the Lord raise them!
For the FRENCH are Moabites even the children of Lot.
For the DUTCH are the children of Gog.
For the Poles are the children of Magog.
For the Italians are the children of Samuel and are the same as the Grecians.
For the Spaniards are the children of Abishai Joab's brother, hence is the goodwill between the two nations.
For the Portuguese are the children of Amman -- God be gracious to Lisbon and send good angels amongst them!
For the Hottentots are the children of Gog with a Black mixture.
For the Russians are the Children of Ishmael.
For the Turks are the children of Esaw, which is Edom.
For the Wallachians are the children of Huz. God be gracious to Elizabeth Hughes, as she was.
For the Germans are the children of the Philistins even the seed of Anak.
For the Prussians are the children of Goliah -- but the present, whom God bless this hour, is a Campbell of the seed of Phinees.
For the Hanoverians are Hittites of the seed of Uriah. God save the king.
For the Hessians are Philistines with a mixture of Judah.
For the Saxons are Benjamites, men of great subtlety and Marshal Saxe was direct from Benjamin.
For the Danes are of the children of Zabulon.
For the Venetians are the children of Mark and Romans.
For the Swiss are Philistins of a particular family. God be gracious to Jonathan Tyers his family and to all the people at Vaux Hall.
For the Sardinians are of the seed of David -- The Lord forward the Reformation amongst the good seed first. --
For the Mogul's people are the children of Phut.
For the Old Greeks and the Italians are one people, which are blessed in the gift of Mustek by reason of the song of Hannah and the care of Samuel with regard to divine melody.
For the Germans and the Dutch are the children of the Goths and Vandals who did a good in destruction books written by heathen Free-Thinkers against God.
For there are Americans of the children of Toi. --
For the Laplanders are the children of Gomer.
For the Phenomena of the Diving Bell are solved right in the schools.
For NEW BREAD is the most wholesome -- God be gracious to Baker.
For the English are the children of Joab, Captain of the host of Israel, who was the greatest man in the world to GIVE and to ATCHIEVE.
For TEA is a blessed plant and of excellent virtue. God give the Physicians more skill and honesty!
For nutmeg is exceeding wholesome and cherishing, neither does it hurt the liver.
For The Lightning before death is God's illumination in the spirit for preparation and for warning.
For Lavender Cotton is exceeding good for the teeth. God be gracious to Windsmore.
For the Fern is exceeding good and pleasant to rub the teeth.
For a strong preparation of Mandragora is good for the gout.
For the Bark was a communication from God and is sovereign.
For the method of curing an ague by terror is exaction.
For Exaction is the most accursed of all things, because it brought the Lord to the cross, his betrayers and murderers being such from their exaction.
For an Ague is the terror of the body, when the blessing of God is withheld for a season.
For benevolence is the best remedy in the first place and the bark in the second.
For, when the nation is at war, it is better to abstain from the punishment of criminals especially, every act of human vengeance being a check to the grace of God.
For the letter ל [Hebrew character lamed] which signifies GOD by himself is on the fibre of some leaf in every Tree.
For ל is the grain of the human heart and on the network of the skin.
For ל is in the veins of all stones both precious and common.
For ל is upon every hair both of man and beast.
For ל is in the grain of wood.
For ל is in the ore of all metals.
For ל is on the scales of all fish.
For ל is on the petals of all flowers.
For ל is upon on all shells.
For ל is in the constituent particles of air.
For ל is on the mite of the earth.
For ל is in the water yea in every drop.
For ל is in the incomprehensible ingredients of fire.
For ל is in the stars the sun and in the Moon.
For ל is upon the Sapphire Vault.
For the doubling of flowers is the improvement of the gardners talent.
For the flowers are great blessings.
For the Lord made a Nosegay in the meadow with his disciples and preached upon the lily.
For the angels of God took it out of his hand and carried it to the Height.
For a man cannot have publick spirit, who is void of private benevolence.
For there is no Height in which there are not flowers.
For flowers have great virtues for all the senses.
For the flower glorifies God and the root parries the adversary.
For the flowers have their angels even the words of God's Creation.
For the warp and woof of flowers are worked by perpetual moving spirits.
For flowers are good both for the living and the dead.
For there is a language of flowers.
For there is a sound reasoning upon all flowers.
For elegant phrases are nothing but flowers.
For flowers are peculiarly the poetry of Christ.
For flowers are medicinal.
For flowers are musical in ocular harmony.
For the right names of flowers are yet in heaven. God make gard'ners better nomenclators.
For the Poorman's nosegay is an introduction to a Prince.
For it were better for the SERVICE, if only select psalms were read.
For the Lamentations of Jeremiah, Songs from other scriptures, and parts of Esdras might be taken to supply the quantity.
For A is the beginning of learning and the door of heaven.
For B is a creature busy and bustling.
For C is a sense quick and penetrating.
For D is depth.
For E is eternity -- such is the power of the English letters taken singly.
For F is faith.
For G is God -- whom I pray to be gracious to Liveware my fellow prisoner.
For H is not a letter, but a spirit -- Benedicatur Jesus Christus, sic spirem!
For I is identity. God be gracious to Henry Hatsell.
For K is king.
For L is love. God in every language.
For M is musick and Hebrew מ [Hebrew character mem] is the direct figure of God's harp.
For N is new.
For O is open.
For P is power.
For Q is quick.
For R is right.
For S is soul.
For T is truth. God be gracious to Jermyn Pratt and to Harriote his Sister.
For U is unity, and his right name is Uve to work it double.
For W is word.
For X [drawn as a backwards G and a G stuck together] is hope -- consisting of two check G -- God be gracious to Anne Hope.
For Y is yea. God be gracious to Eennet and his family!
For Z is zeal.
For in the education of children it is necessary to watch the words, -which they pronounce with difficulty, for such are against them in their consequences.
For A is awe, if pronounced full. Stand in awe and sin not.
For B pronounced in the animal is bey importing authority.
For C pronounced hard is ke importing to shut.
For D pronounced full is day.
For E is east particularly when formed little e with his eye.
For F in it's secondary meaning is fair.
For G in a secondary sense is good.
For H is heave.
For I is the organ of vision.
For K is keep.
For L is light, and ל [Hebrew character lamed] is the line of beauty.
For M is meet.
For N is nay.
For O is over.
For P is peace.
For Q is quarter.
For R is rain, or thus reign, or thus rein.
For S is save.
For T is take.
For V is veil.
For W is world.
For X [drawn as a backwards G and a G stuck together] beginneth not, but connects and continues.
For Y is young -- the Lord direct me in the better way of going on in the Fifth year of my jeopardy June the 17th N.S. 1760. God be gracious to Dr YOUNG.
For Z is zest. God give us all a relish of our duty.
For Action and Speaking are one according to God and the Ancients.
For the approaches of Death are by illumination.
For a man cannot have Publick Spirit, who is void of private benevolence.
For the order of Alamoth is first three, second six, third eighteen, fourth fifty four, and then the whole band.
For the order of Sheminith is first ten, second twenty, third thirty and then the whole band.
For the first entrance into Heaven is by complement.
For Flowers can see, and Pope's Carnations knew him.
For the devil works upon damps and lowth and causes agues.
For Ignorance is a sin, because illumination is to be had by prayer.
For many a genius being lost at the plough is a false thought -- the divine providence is a better manager.
For a man's idleness is the fruit of the adversary's diligence.
For diligence is the gift of God, as well as other good things.
For it is a good NOTHING in one's own eyes and in the eyes of fools.
For æra in its primitive sense is but a weed amongst corn.
For there is no knowing of times and seasons, in submitting them to God stands the Christian's Chronology.
For Jacob's brown sheep wore the Golden fleece.
For Shaving of the face was the invention of the Sodomites to make men look like women.
'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!
So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.
Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,
To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,
For him those smiles of tenderness and joy,
For him,--who plods his sauntering way along,
Whistling the fragment of some village song!
Dear art thou to the lover, thou sweet light,
Fair fleeting sister of the mournful night!
As in impatient hope he stands apart,
Companion'd only by his beating heart,
And with an eager fancy oft beholds
The vision of a white robe's fluttering folds
Flit through the grove, and gain the open mead,
True to the hour by loving hearts agreed!
At length she comes. The evening's holy grace
Mellows the glory of her radiant face;
The curtain of that daylight faint and pale
Hangs round her like the shrouding of a veil;
As, turning with a bashful timid thought,
From the dear welcome she herself hath sought,
Her shadowy profile drawn against the sky
Cheats, while it charms, his fond adoring eye.
Oh! dear to him, to all, since first the flowers
Of happy Eden's consecrated bowers
Heard the low breeze along the branches play,
And God's voice bless the cool hour of the day.
For though that glorious Paradise be lost,
Though earth by blighting storms be roughly cross'd,
Though the long curse demands the tax of sin,
And the day's sorrows with the day begin,
That hour, once sacred to God's presence, still
Keeps itself calmer from the touch of ill,
The holiest hour of earth. Then toil doth cease--
Then from the yoke the oxen find release
Then man rests pausing from his many cares,
And the world teems with children's sunset prayers!
Then innocent things seek out their natural rest,
The babe sinks slumbering on its mother's breast;
The birds beneath their leafy covering creep,
Yea, even the flowers fold up their buds in sleep;
And angels, floating by, on radiant wings,
Hear the low sounds the breeze of evening brings,
Catch the sweet incense as it floats along,
The infant's prayer, the mother's cradle-song,
And bear the holy gifts to worlds afar,
As thigs too sacred for this fallen star.
At such an hour, on such a summer night,
Silent and calm in its transparent light,
A widow'd parent watch'd her slumbering child,
On whose young face the sixteenth summer smiled.
Fair was the face she watch'd! Nor less, because
Beauty's perfection seem'd to make a pause,
And wait, on that smooth brow, some further touch,
Some spell from Time,--the great magician,--such
As calls the closed bud out of hidden gloom,
And bids it wake to glory, light, and bloom.
Girlish as yet, but with the gentle grace
Of a young fawn in its low resting-place,
Her folded limbs were lying: from her hand
A group of wild-flowers,--Nature's brightest band,
Of all that laugh along the Summer fields,
Of all the sunny hedge-row freely yields,
Of all that in the wild-wood darkly hide,
Or on the thyme-bank wave in breezy pride,--
Show'd, that the weariness which closed in sleep
So tranquil, child-like, innocent, and deep,
Nor festal gaiety, nor toilsome hours,
Had brought; but, like a flower among the flowers,
She had been wandering 'neath the Summer sky,
Youth on her lip and gladness in her eye,
Twisting the wild rose from its native thorn,
And the blue scabious from the sunny corn;
Smiling and singing like a spirit fair
That walk'd the world, but had no dwelling there.
And still (as though their faintly-scented breath
Preserv'd a meek fidelity in death)
Each late imprison'd blossom fondly lingers
Within the touch of her unconscious fingers,
Though, languidly unclasp'd, that hand no more
Guards its possession of the rifled store.
So wearily she lay; so sweetly slept;
So by her side fond watch the mother kept;
And, as above her gentle child she bent,
So like they seem'd in form and lineament,
You might have deem'd her face its shadow gave
To the clear mirror of a fountain's wave;
Only in this they differ'd; that, while one
Was warm and radiant as the Summer sun,
The other's smile had more a moonlight play,
For many tears had wept its glow away;
Yet was she fair; of loveliness so true,
That time, which faded, never could subdue:
And though the sleeper, like a half-blown rose,
Show'd bright as angels in her soft repose,
Though bluer veins ran through each snowy lid,
Curtaining sweet eyes, by long dark lashes hid--
Eyes that as yet had never learnt to weep,
But woke up smiling, like a child's, from sleep;
Though fainter lines were pencill'd on the brow,
Which cast soft shadow on the orbs below;
Though deeper colour flush'd her youthful cheek,
In its smooth curve more joyous and less meek,
And fuller seem'd the small and crimson mouth,
With teeth like those that glitter in the South,--
She had but youth's superior brightness, such
As the skill'd painter gives with flattering touch
When he would picture every lingering grace
Which once shone brighter in some copied face;
And it was compliment, whene'er she smiled,
To say, 'Thou'rt like thy mother, my fair child!'
Sweet is the image of the brooding dove!--
Holy as Heaven a mother's tender love!
The love of many prayers and many tears,
Which changes not with dim declining years,--
The only love which on this teeming earth
Asks no return from Passion's wayward birth;
The only love that, with a touch divine,
Displaces from the heart's most secret shrine
The idol SELF. Oh! prized beneath thy due
When life's untried affections all are new,--
Love, from whose calmer hope and holier rest
(Like a fledged bird, impatient of the nest)
The human heart, rebellious, springs to seek
Delights more vehement, in ties more weak;
How strange to us appears, in after-life,
That term of mingled carelessness and strife,
When guardianship so gentle gall'd our pride,
When it was holiday to leave thy side,
When, with dull ignorance that would not learn,
We lost those hours that never can return--
Hours, whose most sweet communion Nature meant
Should be in confidence and kindness spent,
That we (hereafter mourning) might believe
In human faith, though all around deceive;
Might weigh against the sad and startling crowd
Of ills which wound the weak and chill the proud,
Of woes 'neath which (despite of stubborn will,
Philosophy's vain boast, and erring skill)
The strong heart downward like a willow bends,
Failure of love,--and treachery of friends,--
Our recollections of the undefiled,
The sainted tie, of parent and of child!
Oh! happy days! Oh years that glided by,
Scarce chronicled by one poor passing sigh!
When the dark storm sweeps past us, and the soul
Struggles with fainting strength to reach the goal;
When the false baits that lured us only cloy,
What would we give to grasp your vanish'd joy!
From the cold quicksands of Life's treacherous shore
The backward light our anxious eyes explore,
Measure the miles our wandering feet have come,
Sinking heart-weary, far away from home,
Recall the voice that whisper'd love and peace,
The smile that bid our early sorrows cease,
And long to bow our grieving heads, and weep
Low on the gentle breast that lull'd us first to sleep!
Ah! bless'd are they for whom 'mid all their pains
That faithful and unalter'd love remains;
Who, Life wreck'd round them,--hunted from their rest,--
And, by all else forsaken or distress'd,--
Claim, in one heart, their sanctuary and shrine--
As I, my Mother, claim'd my place in thine!
Oft, since that hour, in sadness I retrace
My childhood's vision of thy calm sweet face;
Oft see thy form, its mournful beauty shrouded
In thy black weeds, and coif of widow's woe;
Thy dark expressive eyes all dim and clouded
By that deep wretchedness the lonely know:
Stifling thy grief, to hear some weary task
Conn'd by unwilling lips, with listless air,
Hoarding thy means, lest future need might ask
More than the widow's pittance then could spare.
Hidden, forgotten by the great and gay,
Enduring sorrow, not by fits and starts,
But the long, self-denial, day by day,
Alone amidst thy brood of careless hearts!
Striving to guide, to teach, or to restrain
The young rebellious spirits crowding round,
Who saw not, kuew not, felt not for thy pain,
And could not comfort--yet had power to wound!
Ah! how my selfish heart, which since hath grown
Familiar with deep trials of its own,
With riper judgment looking to the past,
Regrets the careless days that flew so fast,
Stamps with remorse each wasted hour of time,
And darkens every folly into crime!
Warriors and statesmen have their meed of praise,
And what they do or suffer men record;
But the long sacrifice of woman's days
Passes without a thought--without a word;
And many a holy struggle for the sake
Of duties sttenily, faithfully fulfill'd,--
For which the anxious mind must watch and wake,
And the strong feelings of the heart be still'd--
Goes by unheeded as the summer wind,
And leaves no memory and no trace behind!
Yet, it may be, more lofty courage dwells
In one meek heart which braves an adverse fate,
Than his, whose ardent soul indignant swells
Warm'd by the fight, or cheer'd through high debate:
The Soldier dies surrounded;--could he live
Alone to suffer, and alone to strive?
Answer, ye graves, whose suicidal gloom
Shows deeper horror than a common tomb!
Who sleep within? The men who would evade
An unseen lot of which they felt afraid.
Embarrassment of means, which work'd annoy,--
A past remorse,--a future blank of joy,--
The sinful rashness of a blind despair,--
These were the strokes which sent your victims there.
In many a village churchyard's simple grave,
Where all unmark'd the cypress-branches wave;
In many a vault where Death could only claim
The brief inscription of a woman's name;
Of different ranks, and different degrees,
From daily labour to a life of ease,
(From the rich wife who through the weary day
Wept in her jewels, grief's unceasing prey,
To the poor soul who trudged o'er marsh and moor,
And with her baby begg'd from door to door,--)
Lie hearts, which, ere they found that last release,
Had lost all memory of the blessing 'Peace;'
Hearts, whose long struggle through unpitied years
None saw but Him who marks the mourner's tears;
The obscurely noble! who evaded not
The woe which He had will'd should be their lot,
But nerved themselves to bear!
Of such art thou,
My Mother! With thy calm and holy brow,
And high devoted heart, which suffer'd still
Unmurmuring, through each degree of ill.
And, because Fate hath will'd that mine should be
A Poet's soul (at least in my degree),--
And that my verse would faintly shadow forth
What I have seen of pure unselfish worth,--
Therefore I speak of Thee; that those who read
That trust in woman, which is still my creed,
Thy early-widow'd image may recall
And greet thy nature as the type of all!
Enough! With eyes of fond unwearied love
The Mother of my story watch'd above
Her sleeping child; and, as she views the grace
And blushing beauty of that girlish face,
Her thoughts roam back through change of time and tide,
Since first Heaven sent the blessing by her side.
In that sweet vision she again receives
The snow-white cradle, where that tiny head
Lay, like a small bud folded in its leaves,
Foster'd with dew by tears of fondness shed;
Each infantine event, each dangerous hour
Which pass'd with threatening o'er its fragile form,
Her hope, her anguish, as the tender flower
Bloom'd to the sun, or sicken'd in the storm,
In memory's magic mirror glide along,
And scarce she notes the different scene around,
And scarce her lips refrain the cradle-song
Which sooth'd that infant with its lulling sound!
But the dream changes; quiet years roll on;
That dawn of frail existence fleets away,
And she beholds beneath the summer sun
A blessed sight; a little child at play.
The soft light falls upon its golden hair,
And shows a brow intelligently mild;
No more a cipher in this world of care,
Love cheers and chides that happy conscious child.
No more unheeding of her watchful love,
Pride to excel, its docile spirit stirs;
Regret and hope its tiny bosom move,
And looks of fondness brightly answer hers;
O'er the green meadow, and the broomy hill,
In restless joy it bounds and darts along;
Or through the breath of evening, low and still,
Carols with mirthful voice its welcome song.
Again the vision changes; from her view
The CHILD'S dear love and antic mirth are gone;
But, in their stead, with cheek of rose-leaf hue,
And fair slight form, and low and silvery tone,
Rises the sweetest spirit Thought can call
From memory's distant worlds--the fairy GIRL;
Whose heart her childish pleasures still enthrall,
Whose unbound hair still floats in careless curl,
But in whose blue and meekly lifted eyes,
And in whose shy, though sweet and cordial smile,
And in whose changeful blushes, dimly rise
Shadows and lights that were not seen erewhile:
Shadows and lights that speak of woman's love,
Of all that makes or mars her fate below;
Mysterious prophecies, which Time must prove
More bright in glory, or more dark with woe!
And that soft vision also wanders by
Melting in fond and innocent smiles away,
Till the loved REAL meets the watchful eye
Of her who thus recall'd a former day;
The gentle daughter, for whose precious sake
Her widow'd heart had struggled with its pain.
And still through lonely grief refused to break,
Because that tie to Earth did yet remain.
Now, as she fondly gazed, a few meek tears
Stole down her cheek; for she that sliunber'd there,
The beautiful, the loved of many years.
A bride betroth'd must leave her fostering care;
Woo'd in another's home apart to dwell.--
Oh! might that other love but half as well!
As if the mournful wish had touch'd her heart,
The slumbering maiden woke, with sudden start;
Turn'd, with a dazzled and intense surprise,
On that fond face her bright, bewilder'd eyes;
Gazed round on each familiar object near,
As though she doubted yet if sense was clear;
Cover'd her brow and sigh'd, as though to wake
Had power some spell of happy thought to break;
Then murmur'd, in a low and earnest tone,
'Oh! is that blessed dream for ever gone?'
Strange is the power of dreams! Who hath not felt,
When in the morning light such visions melt,
How the veil'd soul, though struggling to be free,
Ruled by that deep, unfathom'd mystery,
Wakes, haunted by the thoughts of good or ill,
Whose shadowy influence pursues us still?
Sometimes remorse doth weigh our spirits down;
Some crime committed earns Heaven's angriest frown;
Some awful sin, in which the tempted heart
Hath scarce, perhaps, forborne its waking part,
Brings dreams of judgment; loud the thunders roll,
The heavens shrink blacken'd like a flaming scroll;
We faint, we die, beneath the avenging rod,
And vainly hide from our offended God.
For oh! though Fancy change our mortal lot,
And rule our slumbers, CONSCIENCE sleepeth not;
What strange sad dial, by its own true light,
Points to our thoughts, how dark soe'er the night,
Still by our pillow watchful guard it keeps,
And bids the sinner tremble while he sleeps.
Sometimes, with fearful dangers doom'd to cope,
'Reft of each wild and visionary hope,
Stabb'd with a thousand wounds, we struggle still,
The hand that tortures, powerless to kill.
Sometimes 'mid ocean storms, in fearful strife,
We stem the wave, and shrieking, gasp for life,
While crowding round us, faces rise and gleam,
Some known and loved, some, pictures of our dream;
High on the buoyant waters wildly toss'd--
Low in its foaming caverns darkly lost--
Those flitting forms the dangerous hour partake,
Cling to our aid, or suffer for our sake.
Conscious of present life, the slumbering soul
Still floats us onward, as the billows roll,
Till, snatch'd from death, we seem to touch the strand,
Rise on the shoreward wave, and dash to land!
Alone we come: the forms whose wild array
Gleam'd round us while we struggled, fade away,--
We know not, reck not, who the danger shared,
But, vaguely dreaming, feel that we are spared.
Sometimes a grief, of fond affection born,
Gnaws at our heart, and bids us weep till morn;
Some anguish, copied from our waking fears,
Wakes the eternal fount of human tears,
Sends us to watch some vision'd bed of death,
Hold the faint hand, and catch the parting breath,
Where those we prized the most, and loved the best,
Seem darkly sinking to the grave's long rest;
Lo! in our arms they fade, they faint, they die,
Before our eyes the funeral train sweeps by;
We hear the orphan's sob--the widow's wail--
O'er our dim senses woeful thoughts prevail,
Till, with a burst of grief, the spell we break,
And, weeping for th' imagined loss, awake.
Ah me! from dreams like these aroused at length,
How leaps the spirit to its former strength!
What memories crowd the newly conscious brain,
What gleams of rapture, and what starts of pain!
Till from the soul the heavy mists stand clear,
All wanes and fades that seem'd so darkly drear,
The sun's fair rays those shades of death destroy,
And passionate thankfuess and tears of joy
Swell at our hearts, as, gazing on his beam,
We start, and cry aloud, 'Thank Heaven, 'twas but a dream!'
But there are visions of a fairer kind,
Thoughts fondly cherish'd by the slumbering mind,
Which, when they vanish from the waking brain,
We close our eyes, and long to dream again.
Their dim voice calls to our forsaken side
Those who betray'd us, seeming true and tried;
Those whom the fast receding waves of time
Have floated from us; those who in the prime
And glory of our young life's eagle flight
Shone round like rays, encircling us with light,
And gave the bright similitude of truth
To fair illusions--vanish'd with our youth.
They bring again the tryst of early love,
(That passionate hope, all other hopes above!)
Bid the pale hair, long shrouded in the grave,
Round the young head in floating ringlets wave,
And fill the air with echoes. Gentle words,
Low laughter, and the sing of sweet birds,
Come round us then; and drooping of light boughs,
Whose shadow could not cool our burning brows,
And lilac-blossoms, scenting the warm air,
And long laburnums, fragile, bright, and fair;
And murmuring breezes through the green leaves straying,
And rippling waters in the sunshine playing,
All that around our slumbering sense can fling
The glory of some half-forgotten spring!
They bring again the fond approving gaze
Of old true friends, who mingled love with praise;
When Fame (that cold bright guiding-star below)
Took from affection's light a borrow'd glow,--
And, strong in all the might of earnest thought,
Through the long studious night untired we wrought,
That others might the morning hour beguile,
With the fond triumph of their wondering smile.
What though those dear approving smiles be gone,
What though we strive neglected and alone,
What though no voice now mourns our hope's alloy,
Nor in the hour of triumph gives us joy?
In dreams the days return when this was not,
When strong affection sooth'd our toilsome lot:
Cheer'd, loved, admonish'd, lauded, we aspire,
And the sick soul regains its former fire.
Beneath the influence of this fond spell,
Happy, contented, bless'd, we seem to dwell;
Sweet faces shine with love's own tender ray,
Which frown, or coldly turn from us, by day;
The lonely orphan hears a parent's voice;
Sad childless mothers once again rejoice;
The poor deserted seems a happy bride;
And the long parted wander side by side.
Ah, vain deceit! Awaking with a start,
Sick grow the beatings of the troubled heart;
Silence, like some dark mantle, drops around,
Quenching th' imagined voice's welcome sound;
Again the soul repeats its old farewells,
Again recalls sad hours and funeral knells;
Again, as daylight opens on their view,
The orplan shrieks, the mother mourns anew;
Till clear we feel, as fades the morning star,
How left, how lonely, how oppres'd we are!
And other dreams exist, more vague and bright
Than MEMORY ever brought to cheer the night;--
Most to the young and happy do they come,
To those who know no shelter but of home;
To those of whom the inspired writer spoke,
When from his lips the words prophetic broke,
Which (conscious of the strong and credulous spell
Experience only in the heart can quell)
Promised the nearer glimpse of perfect truth
Not to cold wisdom, but to fervent youth;
Each, in their measure, caught its fitful gleams,--
The young saw visions, and the old dream'd dreams.
The young! Oh! what should wandering fancy bring
In life's first spring-time but the thoughts of spring?
Worlds without winter, blooming amaranth bowers,
Garlands of brightness wreath'd from changeless flowers;
Where shapes like angels wander to and fro,
Unwing,'d, but glorious, in the noontide glow,
Which steeps the hills, the dales, the earth, the sea,
In one soft flood of golden majesty.
In this world,--so create,--no sighs nor tears,--
No sadness brought with lapse of varying years,
No cold betrayal of the trusting heart,--
No knitting up of love fore-doom'd to part,--
No pain, deformity, nor pale disease,--
No wars,--no tyranny,--no fears that freeze
The rapid current of the restless blood,--
Nor effort scorn'd,--nor act misunderstood,--
No dark remorse for ever-haunting sin,--
But all at peace without--at rest within;
And hopes which gild Thought's wildest waking hours,
Scatter'd around us carelessly as flowers.
Oh! Paradise, in vain dilist thou depart;
Thine image still is stamp'd on every heart!
Though mourning man in vain may seek to trace
The site of that which was his dwelling-place,
Though the four glittering rivers now divide
No realms of beauty with their rolling tide,
Each several life yet opens with the view
Of that unblighted world where Adam drew
The breath of being: in each several mind,
However cramp'd, and fetter'd, and confined,
The innate power of beauty folded lies,
And, like a bud beneath the summer skies,
Blooms out in youth through many a radiant day,
Though in life's winter frost it dies away.
From such a vision, bright with all the fame
Her youth, her innocence, her hope, could frame,
The maiden woke: and, when her shadowy gaze
Had lost the dazzled look of wild amaze
Turn'd on her mother when she first awoke,
Thus to her questioning glanee she answering spoke:--
'Methought, oh! gentle Mother, by thy side
I dwelt no more as now, but through a wide
And sweet world wander'd; nor even then alone;
For ever in that dream's soft light stood one,--
I know not who,--yet most familiar seem'd
The fond companionship of which I dream'd!
A Brother's love, is but a name to me;
A Father's, brighten'd not my infancy;
To me, in childhood's years, no stranger's face
Took, from long habit, friendship's holy grace;
My life hath still been lone, and needed not,
Heaven knows, more perfect love than was my lot
In thy dear heart: how dream'd I then, sweet Mother,
Of any love but thine, who knew no other?
'We seem'd, this shadow and myself, to be
Together by the blue and boundless sea:
No settled home was present to my thought--
No other form my clouded fancy brought;
This one Familiar Presence still beguiled
My every thought, and look'd on me and smiled.
Fair stretch'd in beauty lay the glittering strand,
With low green copses sloping from the land;
And tangled underwood, and sunny fern,
And flowers whose humble names none cared to learn,
Smail starry wild flowers, white and gold and blue,
With leaves turn'd crimson by th' autumnal hue,
Bask'd in the fervour of the noontide glow,
Whose hot rays pierced the thirsty roots below.
The floating nautilus rose clear and pale,
As though a spirit trimm'd its fairy sail,
White and transparent; and beyond it gleam'd
Such light as never yet on Ocean beam'd:
And pink-lipp'd shells, and many-colour'd weeds,
And long brown bulbous things likc jasper beads,
And glistening pearls in beauty faint and fair,
And all things strange, and wonderful, and rare,
Whose true existence travellers make known,
Seem'd scatter'd there, and easily my own.
And then we wove our ciphers in the sands,
All fondly intertwined by loving hands;
And laugh'd to see the rustling snow-white spray
Creep o'er the names, and wash their trace away.
And the storm came not, though the white foam curl'd
In lines of brightness far along the coast;
Though many a ship, with swelling sails unfurl'd,
From the mid-sea to sheltering haven cross'd;
Though the wild billows heaved, and rose, and broke,
One o'er the other with a restless sound,
And the deep spirit of the wind awoke,
Ruffling in wrath each glassy verdant mound;
While onward roll'd that army of huge waves,
Until the foremost, with exulting roar,
Rose, proudly crested, o'er his brother slaves,
And dash'd triumphant on the groaning shore!
For then the Moon rose up, Night's mournful Queen,
'Walking with white feet o'er the troubled Sea,'
And all grew still again, as she had been
Heaven's messenger to bring Tranquillity;
Till, pale and tender, on the glistening main
She sank and smiled like one who loves in vain.
And still we linger'd by that shadowy strand,
Happy, yet full of thought, hand link'd in hand;
The hush'd waves rippling softly at our feet,
The night-breeze freshening o'er the Summer's heat;
With our hearts beating, and our gazing eyes
Fix'd on the star-light of those deep blue skies,
Blessing 'the year, the hour, the place, the time;'
While sounded, faint and far, some turret's midnight chime.
'It pass'd, that vision of the Ocean's might!
I know not how, for in my slumbering mind
There was no movement, all was shifting light,
Through which we floated with the wandering wind;
And, still together, in a different scene,
We look'd on England's woodland, fresh and green.
'No perfume of the cultured rose was there,
Wooing the senses with its garden smell,--
Nor snow-white lily,--call'd so proudly fir,
Though by the poor man's cot she loves to dwell,
Nor finds his little garden scant of room
To bid her stately buds in beauty bloom;--
Nor jasmin, with her pale stars shining through
The myrtle darkness of her leaf's green hue,--
Nor heliotrope, whose grey and heavy wreath
Mimics the orchard blossoms' fruity breath,--
Nor clustering dahlia, with its scentless flowers
Cheating the heart through autumn's faded hours,--
Nor bright chrysanthimum, whose train'd array
Still makes the rich man's winter path look gay,
And bows its hardy head when wild winds blow,
To free its petals from the fallen snow;--
Nor yet carnation;'--
(Thou, beloved of all
The plants that thrive at Art or Nature's call,
By one who greets thee with a weary sigh
As the dear friend of happy days gone by;
By one who names thee last, but loves thee first,
Of all the flowers a garden ever nursed;
The mute remembrancer and gentle token
Of links which heavy hands have roughly broken,
Welcomed through many a Summer with the same
Unalter'd gladness as when first ye came,
And welcomed still, though--as in later years
We often welcome pleasant things--with tears!)
I wander! In the Dream these had no place,--
Nor Sorrow:--all was Nature's freshest grace.
'There, wild geranium, with its woolly stem
And aromatic breath, perfumed the glade;
And fairy speedwell, like some sapphire gem,
Lighted with purple sparks the hedge-row's shade;
And woodbine, with her tinted calyxes,
And dog-rose, glistening with the dews of morn,
And tangled wreaths of tufted clematis,
Whose blossoms pale the careless eye may scorn,
(As green and light her fairy mantles fiLll
To hide the rough hedge or the crumbling wall,)
But in whose breast the laden wild-bees dive
For the best riches of their teeming hive:
'There, sprang the sunny cricket; there, was spread
The fragile silver of the spider's thread,
Stretching from blade to blade of emerald grass,
Unbroken, till some human footstep pass;
There, by the rippling stream that murmur'd on,
Now seen, now hidden--half in light, half Sun--
The darting dragon-fly, with sudden gleam,
Shot, as it went, a gold and purple beam;
And the fish leap'd within the deeper pool,
And the green trees stretch'd out their branches cool,
Where many a bird hush'd in her peopled nest
The unfledged darlings of her feather'd breast,
Listening her mate's clear song, in that sweet grove
Where all around breathed happiness and love!
'And while we talk'd the summer hours flew fast,
As hours may fly, with those whose love is young;
Who fear no future, and who know no past,
Dating existence from the hope that sprung
Up in their hearts with such a sudden light,
That all beyond shows dark and blank as night.
'Until methought we trod a wide flat heath,
Where yew and cypress darkly seem'd to wave
O'er countless tombs, so beautiful, that death
Seem'd here to make a garden of the grave!
All that is holy, tender, full of grace,
Was sculptured on the monuments around,
And many a line the musing eye could trace,
Which spoke unto the heart without a sound.
There lay the warrior and the son of song,
And there--in silence till the judgment-day--
The orator, whose all-persuading tongue
Had moved the nations with resistless sway:
There slept pale men whom science taught to climb
Restlessly upward all their labouring youth;
Who left, half conquer'd, secrets which in time
Burst on mankind in ripe and glorious truth.
He that had gazed upon the steadfast stars,
And could foretel the dark eclipse's birth,
And when red comets in their blazing cars
Should sweep above the awed and troubled earth:--
He that had sped brave vessels o'er the seas,
Which swiftly bring the wanderer to his home,
Uncanvass'd ships, which move without a breeze,
Their bright wheels dashing through the ocean foam:--
All, who in this life's bounded brief career
Had shone amongst, or served their fellow-men,
And left a name embalm'd in glory here,
Lay calmly buried on that magic plain.
And he who wander'd with me in my dream,
Told me their histories as we onward went,
Till the grave shone with such a hallow'd beam,
Such pleasure with their memory seem'd blent,
That, when we look'd to heaven, our upward eyes
With no funereal sadness mock'd the skies!
'Then, change of scene, and time, and place once more;
And by a Gothic window, richly bright,
Whose stain'd armorial hoarings on the floor
Flung the quaint tracery of their colour'd light,
We sate together: his most noble head
Bent o'er the storied tome of other days,
And still he commented on all we read,
And taught me what to love, and what to praise.
Then Spenser made the summer-day seem brief,
Or Milton sounded with a loftier song,
Then Cowper charm'd, with lays of gentle grief,
Or rough old Dryden roll'd the hour along.
Or, in his varied beauty dearer still,
Sweet Shakspeare changed the world around at will;
And we forgot the sunshine of that room
To sit with Jacquez in the forest gloom;
To look abroad with Juliet's anxious eye
For her boy-lover 'neath the moonlight sky;
Stand with Macbeth upon the haunted heath,
Or weep for gentle Desdemona's death;
Watch, on bright Cydnus' wave, the glittering sheen
And silken sails of Egypt's wanton Queen;
Or roam with Ariel through that island strange
Where spirits, and not men, were wont to range,
Still struggling on through brake, and bush, and hollow,
Hearing that sweet voice calling--'Follow! follow!'
'Nor were there wanting lays of other lands,
For these were all familiar in his hands:
And Dante's dream of horror work'd its spell,--
And Petrarch's sadness on our bosoms fell,--
And prison'd Tasso's--he, the coldly-loved,
The madly-loving! he, so deeply proved
By many a year of darkness, like the grave,
For her who dared not plead, or would not save,
For her who thought the poet's suit brought shame,
Whose passion hath immortalized her name!
And Egmont, with his noble heart betray'd,--
And Carlos, haunted by a murder'd shade,--
And Faust's strange legend, sweet and wondrous wild,
Stole many a tear:--Creation's loveliest child!
Guileless, ensnared, and tempted Margaret,
Who could peruse thy fate with eyes unwet?
'Then, through the lands we read of, far away,
The vision led me all a summer's day:
And we look'd round on southern Italy,
Where her dark head the graceful cypress rears
In arrowy straightness and soft majesty,
And the sun's face a mellower glory wears;
Bringing, where'er his warm light richly shines,
Sweet odours from the gum-distilling pines;
And casting o'er white palaces a glow,
Like morning's hue on mountain-peaks of snow.
'Those palaces! how fair their columns rose!
Their courts, cool fountains, and wide porticos!
And ballustraded roofs, whose very form
Told what an unknown stranger was the storm!
In one of these we dwelt: its painted walls
A master's hand had been employ'd to trace;
Its long cool range of shadowy marble halls
Was fill'd with statues of most living grace;
While on its ceilings roll'd the fiery car
Of the bright day-god, chasing night afar,--
Or Jove's young favourite, toward Olympus' height
Soar'd with the Eagle's dark majestic flight,--
Or fair Apollo's harp seem'd freshly strung,
All heaven group'd round him, listening while he sung.
'So, in the garden's plann'd and planted bound
All wore the aspect of enchanted ground;
Thick orange-groves, close arching over head,
Shelter'd the paths our footsteps loved to tread;
Or ilex-trees shut out, with shadow sweet,
Th' oppressive splendour of the noontide heat.
Through the bright vista, at each varying turn,
Gleam'd the white statue, or the graceful urn;
And, paved with many a curved and twisted line
Of fair Mosaic's strange and quaint design,
Terrace on terrace rose, with steep so slight,
That scarce the pausing eye inquired the height,
Till stretch'd beneath in far perspective lay
The glittering city and the deep blue bay!
Then as we turn'd again to groves and bowers,
(Rich with the perfume of a thousand flowers,)
The sultry day was cheated of its force
By the sweet winding of some streamlet's course:
From sculptured arch, and ornamented walls,
Rippled a thousand tiny waterfalls,
While here and there an open basin gave
Rest to the eye and freshness to the wave;
Here, high above the imprison'd waters, stood
Some imaged Naïad, guardian of the flood;
There, in a cool and grotto-like repose,
The sea-born goddess from her shell arose;
Or river-god his fertile urn display'd,
Gushing at distance through the lone arcade,--
Or Triton, lifting his wild conch on high,
Spouted the silver tribute to the sky,--
Or, lovelier still, (because to Nature true,
Even in the thought creative genius drew,)
Some statue-nymph, her bath of beauty o'er,
Stood gently bending by the rocky shore,
And, like Bologna's sweet and graceful dream,
From her moist hair wrung out the living stream.
'Bright was the spot! and still we linger'd on
Unwearied, till the summer-day was done;
Till He, who, when the morning dew was wet,
In glory rose--in equal glory set.
Fair sank his light, unclouded to the last,
And o'er that land its glow of beauty cast;
And the sweet breath of evening air went forth
To cool the bosom of the fainting earth;
To bid the pale-leaved olives lightly wave
Upon their seaward slope (whose waters lave
With listless gentleness the golden strand,
And scarcely leave, and scarce return to land);
Or with its wings of freshness, wandering round,
Visit the heights with many a villa crown'd,
Where the still pine and cypress, side by side,
Look from their distant hills on Ocean's tide.
'The cypress and the pine! Ah, still I see
These thy green children, lovely Italy!
Nature's dear favourites, allow'd to wear
Their summer hue throughout the circling year!
And oft, when wandering out at even-time
To watch the sunsets of a colder clime,
As the dim landscape fades and grows more faint,
Fancy's sweet power a different scene shall paint;
Enrich with deeper tints the colours given
To the pale beauty of our English heaven,--
Bid purple mountains rise among the clouds,
Or deem their mass some marble palace shrouds,--
Trace on the red horizon's level line,
In outlines dark, the high majestic pine,--
And hear, amid the groups of English trees,
His sister cypress murmuring to the breeze!
'Never again shall evening, sweet and still,
Gleam upon river, mountain, rock, or hill,--
Never again shall fresh and budding spring,
Or brighter summer, hue of beauty bring,
In this, the clime where 'tis my lot to dwell,
But shall recall, as by a magic spell,
Thy scenes, dear land of poetry and song!
Bid thy fair statues on my memory throng;
Thy glorious pictures gleam upon my sight
Like fleeting shadows o'er the summer light;
And send my haunted heart to dwell once more,
Glad and entranced by thy delightful shore--
Thy shore, where rolls that blue and tideless sea,
Bright as thyself, thou radiant Italy!
'And there (where Beauty's spirit sure had birth,
Though she hath wander'd since upon the earth,
And scatter'd, as she pass'd, some sparks of thought,
Such as of old her sons of genius wrought,
To show what strength the immortal soul can wield
E'en here, in this its dark and narrow field,
And fill us with a fond inquiring thirst
To see that land which claim'd her triumphs first)
Music was brought--with soft impressive power--
To fill with varying joy the varying hour.
We welcomed it; for welcome still to all
It comes, in cottage, court, or lordly hall;
And in the long bright summer evenings, oft
We sate and listened to some measure soft
From many instruments; or, faint and lone,
(Touch'd by his gentle hand, or by my own,)
The little lute its chorded notes would send
Tender and clear; and with our voices blend
Cadence so true, that, when the breeze swept by,
One mingled echo floated on its sigh!
'And still as day by day we saw depart,
I was the living idol of his heart:
How to make joy a portion of the air
That breathed around me, seem'd his only care.
For me the harp was strung, the page was turn'd;
For me the morning rose, the sunset burn'd;
For me the Spring put on her verdant suit;
For me the Summer flower, the Autumn fruit;
The very world seem'd mine, so mighty strove
For my contentment, that enduring love.
'I see him still, dear mother! Still I hear
That voice so deeply soft, so strangely clear;
Still in the air wild wandering echoes float,
And bring my dream's sweet music note for note!
Oh! shall those sounds no more my fancy bless,
Which fill my heart, and on my memory press?
Shall I no more those sunset clouds behold,
Floating like bright transparent thrones of gold?
The skies, the seas, the hills of glorious blue;
The glades and groves, with glories shining through;
The bands of red and purple, richly seen
Athwart the sky of pale, faint, gem-like green;
When the breeze slept, the earth lay hush'd and still,
When the low sun sank slanting from the hill,
And slow and amber-tinged the moon uprose,
To watch his farewell hour in glory close?
Is all that radiance past--gone by for ever--
And must there in its stead for ever be
The grey, sad sky, the cold and clouded river,
And dismal dwellings by the wintry sea?
E'er half a summer, altering day by day,
In fickle brightness, here, hath pass'd away!
And was that form (whose love might still sustain)
Nought but a vapour of the dreaming brain?--
Would I had slept for ever!'
Sad she sigh'd;
To whom the mournful mother thus replied:--
'Upbraid not Heaven, whose wisdom thus would rule
A world whose changes are the soul's best school:
All dream like thee, and 'tis for Mercy's sake
That those who dream the wildest, soonest wake;
All deem Perfection's system would be found
In giving earthly sense no stint or bound;
All look for happiness beneath the sun,
And each expects what God hath given to none.
'In what an idle luxury of joy
Would thy spoil'd heart its useless hours employ!
In what a selfish loneliness of light
Wouldst thou exist, read we thy dream aright!
How hath thy sleeping spirit broke the chain
Which knits thy human lot to other's pain,
And made this world of peopled millions seem
For thee and for the lover of thy dream!
'Think not my heart with cold indifference heard
The various feelings which in thine have stirr'd,
Or that its sad and weary currents know
Faint sympathy, except for human woe:
Well have the dormant echoes of my breast
Answer'd the joys thy gentle voice express'd;
Conjured a vision of the stately mate
With whom the flattering vision link'd thy fate;
And follow'd thee through grove and woodland wild,
Where so much natural beauty round thee smiled.
'What man so worldly-wise, or chill'd by age,
Who, bending o'er the faint descriptive page,
Recals not such a scene in some falr nook--
(Whereon his eyes, perchance, no more shall look
Some hawthorn copse, some gnarl'd majestic tree,
The favourite play-place of his infancy?
Who has not felt for Cowper's sweet lament,
When twelve years' course their cruel change had sent;
When his fell'd poplars gave no further shade,
And low on earth the blackbird's nest was laid;
When in a desert sunshine, bare and blank,
Lay the green field and river's mossy bank;
And melody of bird or branch no more
Rose with the breeze that swept along the shore?
'Few are the hearts, (nor theirs of kindliest frame,)
On whom fair Nature holds not such a claim;
And oft, in after-life, some simple thing--
A bank of primroses in early Spring--
The tender scent which hidden violets yield--
The sight of cowslips in a meadow-field--
Or young laburnum's pendant yellow chain--
May bring the favourite play-place back again!
Our youthful mates are gone; some dead, some changed,
With whom that pleasant spot was gladly ranged;
Ourselves, perhaps, more alter'd e'en than they--
But there still blooms the blossom-showering May;
There still along the hedge-row's verdant line
The linnet sings, the thorny brambles twine;
Still in the copse a troop of merry elves
Shout--the gay image of our former selves;
And still, with sparkling eyes and eager hands,
Some rosy urchin high on tiptoe stands,
And plucks the ripest berries from the bough--
Which tempts a different generation now!
'What though no real beauty haunt that spot,
By graver minds beheld and noticed not?
Can we forget that once to our young eyes
It wore the aspect of a Paradise?
No; still around its hallow'd precinct lives
The fond mysterious charm that memory gives;
The man recals the feelings of the boy,
And clothes the meanest flower with freshness and with joy.
'Nor think by older hearts forgotten quite
Love's whisper'd words; youth's sweet and strange delight!
They live--though after-memories fade away;
They live--to cheer life's slow declining day;
Haunting the widow by her lonely hearth,
As, meekly smiling at her childrcn's mirth,
She spreads her fair thin hands towards the fire,
To seek the warmth their slacken'd veins require:
Or gladdening her to whom Heaven's mercy spares
Her old companion with his silver hairs;
And while he dozes--changed, and dull, and weak--
And his hush'd grandchild signs, but dares not speak,--
Bidding her watch, with many a tender smile,
The wither'd form which slumbers all the while.
'Yes! sweet the voice of those we loved! the tone
Which cheers our memory as we sit alone,
And will not leave us; the o'er-mastering force,
Whose under-current's strange and hidden course
Bids some chance word, by colder hearts forgot,
Return--and still return--yet weary not
The ear which wooes its sameness! How, when Death
Hath stopp'd with ruthless hand some precious breath,
The memory of the voice he hath destroy'd
Lives in our souls, as in an aching void!
How, through the varying fate of after-years,
When stifled sorrow weeps but casual tears,
If some stray tone seem like the voice we knew,
The heart leaps up with answer faint and true!
Greeting again that sweet, long-vanish'd sound,
As, in earth's nooks of ever-haunted ground,
Strange accident, or man's capricious will,
Wakes the lone echoes, and they answer still!
'Oh! what a shallow fable cheats the age,
When the lost lover, on the motley stage,
Wrapp'd from his mistress in some quaint disguise,
Deceives her ear, because he cheats her eyes!
Rather, if all could fade which charm'd us first,--
If, by some magic stroke, some plague-spot cursed,
All outward semblance left the form beloved
A wreck unrecognised, and half disproved,
At the dear sound of that familiar voice
Her waken'd heart should tremble and rejoice,
Leap to its faith at once,--and spurn the doubt
Which, on such showing, barr'd his welcome out!
'And if even words are sweet, what, what is song,
When lips we love, the melody prolong?
How thrills the soul, and vibrates to that lay,
Swells with the glorious sound, or dies away!
How, to the cadence of the simplest words
That ever hung upon the wild harp's chords,
The breathless heart lies listening; as it felt
All life within it on that music dwelt,
And hush'd the beating pulse's rapid power
By its own will, for that enchanted hour!
'Ay! then to those who love the science well,
Music becomes a passion and a spell!
Music, the tender child of rudest times,
The gentle native of all lands and climes;
Who hymns alike man's cradle and his grave,
Lulls the low cot, or peals along the nave;
Cheers the poor peasant, who his native hills
With wild Tyrolean echoes sweetly fills;
Inspires the Indian's low monotonous chant,
Weaves skilful melodies for Luxury's haunt;
And still, through all these changes, lives the same,
Spirit without a home, without a name,
Coming, where all is discord, strife, and sin,
To prove some innate harmony within
Our listening souls; and lull the heaving breast
With the dim vision of an unknown rest!
'But, dearest child, though many a joy be given
By the pure bounty of all-pitying Heaven,--
Though sweet emotions in our hearts have birth,
As flowers are spangled on the lap of earth,--
Though, with the flag of Hope and Triumph hung
High o'er our heads, we start when life is young,
And onward cheer'd, by sense, and sight, and sound,
Like a launch'd bark, we enter with a bound;
Yet must the dark cloud lour, the tempest fall,
And the same chance of shipwreck waits for all.
Happy are they who leave the harbouring land
Not for a summer voyage, hand in hand,
Pleasure's light slaves; but with an earnest eye
Exploring all the future of their sky;
That so, when Life's career at length is past,
To the right haven they may steer at last,
And safe from hidden rock, or open gale,
Lay by the oar, and furl the slacken'd sail,--
To anchor deeply on that tranquil shore
Where vexing storms can never reach them more!
'Wouldst thou be singled out by partial Heaven
The ONE to whom a cloudless lot is given?
Look round the world, and see what fate is there,
Which justice can pronounce exempt from care:
Though bright they bloom to empty outward show,
There lurks in each some canker-worm of woe;
Still by some thorn the onward step is cross'd,
Nor least repining those who're envied most:
The poor have struggling, toil, and wounded pride,
Which seeks, and seeks in vain, its rags to hide;
The rich, cold jealousies, intrigues, and strife,
And heart-sick discontent which poisons life;
The loved are parted by the hand of Death,
The hated live to curse each other's breath:
The wealthy noble mourns the want of heirs;
While, each the object of incessant prayers,
Gay, hardy sons, around the widow's board,
With careless smiles devour her scanty hoard;
And hear no sorrow in her stifled sigh,
And see no terror in her anxious eye,--
While she in fancy antedates the time
When, scatter'd far and wide in many a clime,
These heirs to nothing but their Father's name
Must earn their bread, and struggle hard for fame;
To sultry India sends her fair-hair'd boy--
Sees the dead desk another's youth employ--
And parts with one to sail the uncertain main,
Never perhaps on earth to meet again!
'Nor ev'n does Love, whose fresh and radiant beam
Gave added brightness to thy wandering dream,
Preserve from bitter touch of ills unknown,
But rather brings strange sorrows of its own.
Various the ways in which our souls are tried;
Love often fails where most our faith relied;
Some wayward heart may win, without a thought,
That which thine own by sacrifice had bought;
May carelessly aside the treasure cast,
And yet be madly worshipp'd to the last;
Whilst thou, forsaken, grieving, left to pine,
Vainly may'st claim his plighted faith as thine;
Vainly his idol's charms with thine compare,
And know thyself as young, as bright, as fair;
Vainly in jealous pangs consume thy day,
And waste the sleepless night in tears away;
Vainly with forced indulgence strive to smile
In the cold world, heart-broken all the while,
Or from its glittering and unquiet crowd,
Thy brain on fire, thy spirit crush'd and bow'd,
Creep home unnoticed, there to weep alone,
Mock'd by a claim which gives thee not thine own,
Which leaves thee bound through all thy blighted youth
To him whose perjured soul hath broke its truth;
While the just world, beholding thee bereft,
Scorns--not his sin--but thee, for being left!
'Ah! never to the Sensualist appeal,
Nor deem his frozen bosom aught can feel.
Affection, root of all fond memories,
Which bids what once hath charm'd for ever please
He knows not: all thy beauty could inspire
Was but a sentiment of low desire:
If from thy check the roses hue be gone,
How should love stay which loved for that alone?
Or, if thy youthful face be still as bright
As when it first entranced his eager sight,
Thou art the same; there is thy fault, thy crime,
Which fades the charms yet spared by rapid Time.
Talk to him of the happy days gone by,
Conceal'd aversion chills his shrinking eye:
While in thine agony thou still dost rave,
Impatient wishes doom thee to the grave;
And if his cold and selfish thought had power
T' accelerate the fatal final hour,
The silent murder were already done,
And thy white tomb would glitter in the sun.
What wouldst thou hold by? What is it to him
That for his sake thy weeping eyes are dim?
His pall'd and wearied senses rove apart,
And for his heart--thou never hadst his heart.
'True, there is better love, whose balance just
Mingles Soul's instinct with our grosser dust,
And leaves affection, strengthening day by day,
Firm to assault, impervious to decay.
To such, a star of hope thy love shall be
Whose stedfast light he still desires to see;
And age shall vainly mar thy beauty's grace,
Or wantons plot to steal into thy place,
Or wild Temptation, from her hidden bowers,
Fling o'er his path her bright but poisonous flowers,--
Dearer to him than all who thus beguile,
Thy faded face, and thy familiar smile;
Thy glance, which still hath welcomed him for years
Now bright with gladness, and now dim with tears!
And if (for we are weak) division come
On wings of discord to that happy home,
Soon is the painful hour of anger past,
Too sharp, too strange an agony to last;
And, like some river's bright abundant tide
Which art or accident hath forced aside,
The well-springs of affection, gushing o'er,
Back to their natural channels flow once more.
'Ah! sad it is when one thus link'd departs!
When Death, that mighty severer of true hearts,
Sweeps through the halls so lately loud in mirth,
And leaves pale Sorrow weeping by the hearth!
Bitter it is to wander there alone,
To fill the vacant place, the empty chair,
With a dear vision of the loved one gone,
And start to see it vaguely melt in air!
Bitter to find all joy that once hath been
Double its value when 'tis pass'd away,--
To feel the blow which Time should make less keen
Increase its burden each successive day,--
To need good counsel, and to miss the voice,
The ever trusted, and the ever true,
Whose tones were wont to cheer our faltering choice,
And show what holy Virtue bade us do,--
To bear deep wrong, and bow the widow'd head
In helpless anguish, no one to defend;
Or worse,--in lieu of him, the kindly dead,
Claim faint assistance from some lukewarm friend,--
Yet scarce perceive the extent of all our loss
Till the fresh tomb be green with gathering moss--
Till many a morn have met our sadden'd eyes
With none to say 'Good morrow;'--many an eve
Sent its red glory through the tranquil skies,
Each bringing with it deeper cause to grieve!
'This is a destiny which may be thine--
The common grief: God will'd it should be mine:
Short was the course our happy love had run,
And hard it was to say 'Thy will be done!'
'Yet those whom man, not God, hath parted, know
A heavier pang, a more enduring woe;
No softening memory mingles with their tears,
Still the wound rankles on through dreary years,
Still the heart feels, in bitterest hours of blame,
It dares not curse the long-familiar name;
Still, vainly free, through many a cheerless day,
From weaker ties turns helplessly away,
Sick for the smiles that bless'd its home of yore,
The natural joys of life that come no more;
And, all bewildered by the abyss, whose gloom
Dark and impassable as is the tomb,
Lies stretch'd between the future and the past,--
Sinks into deep and cold despair at last.
'Heaven give thee poverty, disease, or death,
Each varied ill that waits on human breath,
Rather than bid thee linger out thy life
In the long toil of such unnatural strife.
To wander through the world unreconciled,
Heart weary as a spirit-broken child,
And think it were an hour of bliss like heaven
If thou could'st die--forgiving and forgiven,--
Or with a feverish hope, of anguish born,
(Nerving thy mind to feel indigant scorn
Of all the cruel foes who 'twixt ye stand,
Holding thy heartstrngs with a reckless hand,)
Steal to his presence, now unseen so long,
And claim his mercy who hath dealt the wrong!
Into the aching depths of thy poor heart
Dive, as it were, even to the roots of pain,
And wrench up thoughts that tear thy soul apart,
And burn like fire through thy bewilder'd brain.
Clothe them in passionate words of wild appeal
To teach thy fellow-creature how to feel,--
Pray, weep, exhaust thyself in maddening tears,--
Recal the hopes, the influences of years,--
Kneel, dash thyself upon the senseless ground,
Writhe as the worm writhes with dividing wound,--
Invoke the heaven that knows thy sorrow's truth,
By all the softening memories of youth--
By every hope that cheer'd thine earlier day--
By every tear that washes wrath away--
By every old remembrance long gone by--
By every pang that makes thee yearn to die;
And learn at length how deep and stern a blow
Near hands can strike, and yet no pity show!
'Oh! weak to suffer, savage to inflict,
Is man's commingling nature; hear him now
Some transient trial of his life depict,
Hear him in holy rites a suppliant bow;
See him shrink back from sickness and from pain,
And in his sorrow to his God complain;
'Remit my trespass, spare my sin,' he cries,
'All-merciful, Almighty, and All-wise;
Quench this affliction's bitter whelming tide,
Draw out thy barbed arrow from my side:'--
--And rises from that mockery of prayer
To hale some brother-debtor to despair!
'May this be spared thee! Yet be sure, my child,
(Howe'er that dream thy fancy hath beguiled,)
Some sorrow lurks to cloud thy future fate;
Thy share of tears,--come early or come late,--
Must still be shed; and 'twere as vain a thing
To ask of Nature one perpetual spring
As to evade those sad autumnal hours,
Or deem thy path of life should bloom, all flowers.'
She ceased: and that fair maiden heard the truth
With the fond passionate despair of youth,
Which, new to suffering, gives its sorrow vent
In outward signs and bursts of wild lament:--
'If this be so, then, mother, let me die
Ere yet the glow hath faded from my sky!
Let me die young; before the holy trust
In human kindness crumbles into dust;
Before I suffer what I have not earn'd,
Or see by treachery my truth return'd;
Before the love I live for, fades away;
Before the hopes I cherish'd most, decay;
A Fable For Critics
Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'
Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.
Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,
Or as those puzzling specimens which, in old histories,
We read of his verses-the Oracles, namely,-
(I wonder the Greeks should have swallowed them tamely,
For one might bet safely whatever he has to risk,
They were laid at his door by some ancient Miss Asterisk,
And so dull that the men who retailed them out-doors
Got the ill name of augurs, because they were bores,-)
First, he mused what the animal substance or herb is
Would induce a mustache, for you know he's _imberbis;_
Then he shuddered to think how his youthful position
Was assailed by the age of his son the physician;
At some poems he glanced, had been sent to him lately,
And the metre and sentiment puzzled him greatly;
'Mehercle! I'd make such proceeding felonious,-
Have they all of them slept in the cave of Trophonius?
Look well to your seat, 'tis like taking an airing
On a corduroy road, and that out of repairing;
It leads one, 'tis true, through the primitive forest,
Grand natural features, but then one has no rest;
You just catch a glimpse of some ravishing distance,
When a jolt puts the whole of it out of existence,-
Why not use their ears, if they happen to have any?'
-Here the laurel leaves murmured the name of poor Daphne.
'Oh, weep with me, Daphne,' he sighed, 'for you know it's
A terrible thing to be pestered with poets!
But, alas, she is dumb, and the proverb holds good,
She never will cry till she's out of the wood!
What wouldn't I give if I never had known of her?
'Twere a kind of relief had I something to groan over:
If I had but some letters of hers, now, to toss over,
I might turn for the nonce a Byronic philosopher,
And bewitch all the flats by bemoaning the loss of her.
One needs something tangible, though, to begin on,-
A loom, as it were, for the fancy to spin on;
What boots all your grist? it can never be ground
Till a breeze makes the arms of the windmill go round;
(Or, if 'tis a water-mill, alter the metaphor,
And say it won't stir, save the wheel be well wet afore,
Or lug in some stuff about water 'so dreamily,'-
It is not a metaphor, though, 'tis a simile):
A lily, perhaps, would set _my_ mill a-going,
For just at this season, I think, they are blowing.
Here, somebody, fetch one; not very far hence
They're in bloom by the score, 'tis but climbing a fence;
There's a poet hard by, who does nothing but fill his
Whole garden, from one end to t'other, with lilies;
A very good plan, were it not for satiety,
One longs for a weed here and there, for variety;
Though a weed is no more than a flower in disguise,
Which is seen through at once, if love give a man eyes.'
Now there happened to be among Phoebus's followers,
A gentleman, one of the omnivorous swallowers,
Who bolt every book that comes out of the press,
Without the least question of larger or less,
Whose stomachs are strong at the expense of their head,-
For reading new books is like eating new bread,
One can bear it at first, but by gradual steps he
Is brought to death's door of a mental dyspepsy.
On a previous stage of existence, our Hero
Had ridden outside, with the glass below zero;
He had been, 'tis a fact you may safely rely on,
Of a very old stock a most eminent scion,-
A stock all fresh quacks their fierce boluses ply on,
Who stretch the new boots Earth's unwilling to try on,
Whom humbugs of all shapes and sorts keep their eye on,
Whose hair's in the mortar of every new Zion,
Who, when whistles are dear, go directly and buy one,
Who think slavery a crime that we must not say fie on,
Who hunt, if they e'er hunt at all, with the lion
(Though they hunt lions also, whenever they spy one),
Who contrive to make every good fortune a wry one,
And at last choose the hard bed of honor to die on,
Whose pedigree, traced to earth's earliest years,
Is longer than anything else but their ears,-
In short, he was sent into life with the wrong key,
He unlocked the door, and stept forth a poor donkey.
Though kicked and abused by his bipedal betters
Yet he filled no mean place in the kingdom of letters;
Far happier than many a literary hack,
He bore only paper-mill rags on his back
(For It makes a vast difference which side the mill
One expends on the paper his labor and skill):
So, when his soul waited a new transmigration,
And Destiny balanced 'twixt this and that station,
Not having much time to expend upon bothers,
Remembering he'd had some connection with authors,
And considering his four legs had grown paralytic,-
She set him on two, and he came forth a critic.
Through his babyhood no kind of pleasure he took
In any amusement but tearing a book;
For him there was no intermediate stage
From babyhood up to straight-laced middle age;
There were years when he didn't wear coat-tails behind,
But a boy he could never be rightly defined;
like the Irish Good Folk, though in length scarce a span,
From the womb he came gravely, a little old man;
While other boys' trousers demanded the toil
Of the motherly fingers on all kinds of soil,
Red, yellow, brown, black, clayey, gravelly, loamy,
He sat in the corner and read Viri Romae.
He never was known to unbend or to revel once
In base, marbles, hockey, or kick up the devil once;
He was just one of those who excite the benevolence
Of your old prigs who sound the soul's depths with a ledger,
And are on the lookout for some young men to 'edger-
cate,' as they call it, who won't be too costly,
And who'll afterward take to the ministry mostly;
Who always wear spectacles, always look bilious,
Always keep on good terms with each _mater-familias_
Throughout the whole parish, and manage to rear
Ten boys like themselves, on four hundred a year:
Who, fulfilling in turn the same fearful conditions,
Either preach through their noses, or go upon missions.
In this way our Hero got safely to college,
Where he bolted alike both his commons and knowledge;
A reading-machine, always wound up and going,
He mastered whatever was not worth the knowing,
Appeared in a gown, with black waistcoat of satin,
To spout such a Gothic oration in Latin
That Tully could never have made out a word in it
(Though himself was the model the author preferred in it),
And grasping the parchment which gave him in fee
All the mystic and-so-forths contained in A.B.,
He was launched (life is always compared to a sea)
With just enough learning, and skill for the using it,
To prove he'd a brain, by forever confusing it.
So worthy St. Benedict, piously burning
With the holiest zeal against secular learning,
_Nesciensque scienter_, as writers express it,
_Indoctusque sapienter a Roma recessit_.
'Twould be endless to tell you the things that he knew,
Each a separate fact, undeniably true,
But with him or each other they'd nothing to do;
No power of combining, arranging, discerning,
Digested the masses he learned into learning;
There was one thing in life he had practical knowledge for
(And this, you will think, he need scarce go to college for),-
Not a deed would he do, nor a word would he utter,
Till he'd weighed its relations to plain bread and butter.
When he left Alma Mater, he practised his wits
In compiling the journals' historical bits,-
Of shops broken open, men falling in fits,
Great fortunes in England bequeathed to poor printers,
And cold spells, the coldest for many past winters,-
Then, rising by industry, knack, and address,
Got notices up for an unbiased press,
With a mind so well poised, it seemed equally made for
Applause or abuse, just which chanced to be paid for:
From this point his progress was rapid and sure,
To the post of a regular heavy reviewer.
And here I must say he wrote excellent articles
On Hebraical points, or the force of Greek particles;
They filled up the space nothing else was prepared for,
And nobody read that which nobody cared for;
If any old book reached a fiftieth edition,
He could fill forty pages with safe erudition:
He could gauge the old books by the old set of rules,
And his very old nothings pleased very old fools;
But give him a new book, fresh out of the heart,
And you put him at sea without compass or chart,-
His blunders aspired to the rank of an art;
For his lore was engraft, something foreign that grew in him,
Exhausting the sap of the native and true in him,
So that when a man came with a soul that was new in him,
Carving new forms of truth out of Nature's old granite,
New and old at their birth, like Le Verrier's planet,
Which, to get a true judgment, themselves must create
In the soul of their critic the measure and weight,
Being rather themselves a fresh standard of grace,
To compute their own judge, and assign him his place,
Our reviewer would crawl all about it and round it,
And, reporting each circumstance just as he found it,
Without the least malice,-his record would be
Profoundly aesthetic as that of a flea,
Which, supping on Wordsworth, should print for our sakes,
Recollections of nights with the Bard of the Lakes,
Or, lodged by an Arab guide, ventured to render a
Comprehensive account of the ruins at Denderah.
As I said, he was never precisely unkind.
The defect in his brain was just absence of mind;
If he boasted, 'twas simply that he was self-made,
A position which I, for one, never gainsaid,
My respect for my Maker supposing a skill
In his works which our Hero would answer but ill;
And I trust that the mould which he used may be cracked, or he,
Made bold by success, may enlarge his phylactery,
And set up a kind of a man-manufactory,-
An event which I shudder to think about, seeing
That Man is a moral, accountable being.
He meant well enough, but was still in the way,
As dunces still are, let them be where they may;
Indeed, they appear to come into existence
To impede other folks with their awkward assistance;
If you set up a dunce on the very North pole
All alone with himself, I believe, on my soul,
He'd manage to get betwixt somebody's shins,
And pitch him down bodily, all in his sins,
To the grave polar bears sitting round on the ice,
All shortening their grace, to be in for a slice;
Or, if he found nobody else there to pother,
Why, one of his legs would just trip up the other,
For there's nothing we read of in torture's inventions,
Like a well-meaning dunce, with the best of intentions.
A terrible fellow to meet in society,
Not the toast that he buttered was ever so dry at tea;
There he'd sit at the table and stir in his sugar,
Crouching close for a spring, all the while, like a cougar;
Be sure of your facts, of your measures and weights,
Of your time,-he's as fond as an Arab of dates;
You'll be telling, perhaps, in your comical way,
Of something you've seen in the course of the day;
And, just as you're tapering out the conclusion,
You venture an ill-fated classic allusion,-
The girls have all got their laughs ready, when, whack!
The cougar comes down on your thunderstruck back!
You had left out a comma,-your Greek's put in joint,
And pointed at cost of your story's whole point.
In the course of the evening, you find chance for certain
Soft speeches to Anne, in the shade of the curtain:
You tell her your heart can be likened to _one_ flower,
'And that, O most charming of women, 's the sunflower,
Which turns'-here a clear nasal voice, to your terror,
From outside the curtain, says, 'That's all an error.'
As for him, he's-no matter, he never grew tender,
Sitting after a ball, with his feet on the fender,
Shaping somebody's sweet features out of cigar smoke
(Though he'd willingly grant you that such doings are smoke):
All women he damns with _mutabile semper_,
And if ever he felt something like love's distemper,
'Twas tow'rds a young lady who spoke ancient Mexican,
And assisted her father in making a lexicon;
Though I recollect hearing him get quite ferocious
About Mary Clausum, the mistress of Grotius,
Or something of that sort,-but, no more to bore ye
With character-painting, I'll turn to my story.
Now, Apollo, who finds it convenient sometimes
To get his court clear of the makers of rhymes,
The _genus_, I think it is called, _irritabile_,
Every one of whom thinks himself treated most shabbily,
And nurses a-what is it?-_immedicabile_,
Which keeps him at boiling-point, hot for a quarrel,
As bitter as wormwood, and sourer than sorrel,
If any poor devil but look at a laurel;-
Apollo, I say, being sick of their rioting
(Though he sometimes acknowledged their verse had a quieting
Effect after dinner, and seemed to suggest a
Retreat to the shrine of a tranquil siesta),
Kept our Hero at hand, who, by means of a bray,
Which he gave to the life, drove the rabble away;
And if that wouldn't do, he was sure to succeed,
If he took his review out and offered to read;
Or, failing in plans of this milder description,
He would ask for their aid to get up a subscription,
Considering that authorship wasn't a rich craft,
To print the 'American drama of Witchcraft.'
'Stay, I'll read you a scene,'-but he hardly began,
Ere Apollo shrieked 'Help!' and the authors all ran:
And once, when these purgatives acted with less spirit,
And the desperate case asked a remedy desperate,
He drew from his pocket a foolscap epistle
As calmly as if 'twere a nine-barrelled pistol,
And threatened them all with the judgment to come,
Of 'A wandering Star's first impressions of Rome.'
'Stop! stop!' with their hands o'er their ears, screamed the Muses,
'He may go off and murder himself, if he chooses,
'Twas a means self-defence only sanctioned his trying,
'Tis mere massacre now that the enemy's flying;
If he's forced to 't again, and we happen to be there,
Give us each a large handkerchief soaked in strong ether.'
I called this a 'Fable for Critics;' you think it's
More like a display of my rhythmical trinkets;
My plot, like an icicle's slender and slippery,
Every moment more slender, and likely to slip awry,
And the reader unwilling _in loco desipere_
Is free to jump over as much of my frippery
As he fancies, and, if he's a provident skipper, he
May have like Odysseus control of the gales,
And get safe to port, ere his patience quite fails;
Moreover, although 'tis a slender return
For your toil and expense, yet my paper will burn,
And, if you have manfully struggled thus far with me,
You may e'en twist me up, and just light your cigar with me:
If too angry for that, you can tear me in pieces,
And my _membra disjecta_ consign to the breezes,
A fate like great Ratzau's, whom one of those bores,
Who beflead with bad verses poor Louis Quatorze,
Describes (the first verse somehow ends with _victoire_),
As _dispersant partout et ses membres et sa gloire;_
Or, if I were over-desirous of earning
A repute among noodles for classical learning,
I could pick you a score of allusions, i-wis,
As new as the jests of _Didaskalos tis;_
Better still, I could make out a good solid list
From authors recondite who do not exist,-
But that would be naughty: at least, I could twist
Something out of Absyrtus, or turn your inquiries
After Milton's prose metaphor, drawn from Osiris;
But, as Cicero says he won't say this or that
(A fetch, I must say, most transparent and flat),
After saying whate'er he could possibly think of,-
I simply will state that I pause on the brink of
A mire, ankle-deep, of deliberate confusion,
Made up of old jumbles of classic allusion:
So, when you were thinking yourselves to be pitied,
Just conceive how much harder your teeth you'd have gritted,
An 'twere not for the dulness I've kindly omitted.
I'd apologize here for my many digressions.
Were it not that I'm certain to trip into fresh ones
('Tis so hard to escape if you get in their mesh once):
Just reflect, if you please, how 'tis said by Horatius,
That Maeonides nods now and then, and, my gracious!
It certainly does look a little bit ominous
When he gets under way with _ton d'apameibomenos_.
(Here a something occurs which I'll just clap a rhyme to,
And say it myself, ere a Zoilus have time to,-
Any author a nap like Van Winkle's may take,
If he only contrive to keep readers awake,
But he'll very soon find himself laid on the shelf,
If _they_ fall a-nodding when he nods himself.)
Once for all, to return, and to stay, will I, nill I-
When Phoebus expressed his desire for a lily,
Our Hero, whose homoeopathic sagacity
With an ocean of zeal mixed his dropp of capacity,
Set off for the garden as fast as the wind
(Or, to take a comparison more to my mind,
As a sound politician leaves conscience behind).
And leaped the low fence, as a party hack jumps
O'er his principles, when something else turns up trumps.
He was gone a long time, and Apollo, meanwhile,
Went over some sonnets of his with a file,
For, of all compositions, he thought that the sonnet
Best repaid all the toil you expended upon it;
It should reach with one impulse the end of its course,
And for one final blow collect all of its force;
Not a verse should be salient, but each one should tend
With a wave-like up-gathering to break at the end;
So, condensing the strength here, there smoothing a wry kink,
He was killing the time, when up walked Mr. D--,
At a few steps behind him, a small man in glasses
Went dodging about, muttering, 'Murderers! asses!'
From out of his pocket a paper he'd take,
With a proud look of martyrdom tied to its stake,
And, reading a squib at himself, he'd say, 'Here I see
'Gainst American letters a bloody conspiracy,
They are all by my personal enemies written;
I must post an anonymous letter to Britain,
And show that this gall is the merest suggestion
Of spite at my zeal on the Copyright question,
For, on this side the water, 'tis prudent to pull
O'er the eyes of the public their national wool,
By accusing of slavish respect to John Bull
All American authors who have more or less
Of that anti-American humbug-success,
While in private we're always embracing the knees
Of some twopenny editor over the seas,
And licking his critical shoes, for you know 'tis
The whole aim of our lives to get one English notice;
My American puffs I would willingly burn all
(They're all from one source, monthly, weekly, diurnal)
To get but a kick from a transmarine journal!'
So, culling the gibes of each critical scorner
As if they were plums, and himself were Jack Horner,
He came cautiously on, peeping round every corner,
And into each hole where a weasel might pass in,
Expecting the knife of some critic assassin,
Who stabs to the heart with a caricature.
Not so bad as those daubs of the Sun, to be sure,
Yet done with a dagger-o'-type, whose vile portraits
Disperse all one's good and condense all one's poor traits.
Apollo looked up, hearing footsteps approaching,
And slipped out of sight the new rhymes he was broaching,-
'Good day, Mr. D--, I'm happy to meet
With a scholar so ripe, and a critic so neat,
Who through Grub Street the soul of a gentleman carries;
What news from that suburb of London and Paris
Which latterly makes such shrill claims to monopolize
The credit of being the New World's metropolis?'
'Why, nothing of consequence, save this attack
On my friend there, behind, by some pitiful hack,
Who thinks every national author a poor one,
That isn't a copy of something that's foreign,
And assaults the American Dick-'
Nay, 'tis clear
That your Damon there's fond of a flea in his ear,
And, if no one else furnished them gratis, on tick
He would buy some himself, just to hear the old click;
Why, I honestly think, if some fool in Japan
Should turn up his nose at the 'Poems on Man,'
(Which contain many verses as fine, by the bye,
As any that lately came under my eye,)
Your friend there by some inward instinct would know it,
Would get it translated, reprinted, and show it;
As a man might take off a high stock to exhibit
The autograph round his own neck of the gibbet;
Nor would let it rest so, but fire column after column,
Signed Cato, or Brutus, or something as solemn,
By way of displaying his critical crosses,
And tweaking that poor transatlantic proboscis,
His broadsides resulting (this last there's no doubt of)
In successively sinking the craft they're fired out of.
Now nobody knows when an author is hit,
If he have not a public hysterical fit;
Let him only keep close in his snug garret's dim ether,
And nobody'd think of his foes-or of him either;
If an author have any least fibre of worth in him,
Abuse would but tickle the organ of mirth in him;
All the critics on earth cannot crush with their ban
One word that's in tune with the nature of man.'
'Well, perhaps so; meanwhile I have brought you a book,
Into which if you'll just have the goodness to look,
You may feel so delighted (when once you are through it)
As to deem it not unworth your while to review it,
And I think I can promise your thoughts, if you do,
A place in the next Democratic Review.'
'The most thankless of gods you must surely have thought me,
For this is the forty-fourth copy you've brought me;
I have given them away, or at least I have tried,
But I've forty-two left, standing all side by side
(The man who accepted that one copy died),-
From one end of a shelf to the other they reach,
'With the author's respects' neatly written in each.
The publisher, sure, will proclaim a Te Deum,
When he hears of that order the British Museum
Has sent for one set of what books were first printed
In America, little or big,-for 'tis hinted
That this is the first truly tangible hope he
Has ever had raised for the sale of a copy.
I've thought very often 'twould be a good thing
In all public collections of books, if a wing
Were set off by itself, like the seas from the dry lands,
Marked _Literature suited to desolate islands_,
And filled with such books as could never be read
Save by readers of proofs, forced to do it for bread,-
Such books as one's wrecked on in small country taverns,
Such as hermits might mortify over in caverns,
Such as Satan, if printing had then been invented,
As the climax of woe, would to Job have presented.
Such as Crusoe might dip in, although there are few so
Outrageously cornered by fate as poor Crusoe;
And since the philanthropists just now are banging
And gibbeting all who're in favor of hanging
(Though Cheever has proved that the Bible and Altar
Were let down from Heaven at the end of a halter.
And that vital religion would dull and grow callous,
Unrefreshed, now and then, with a sniff of the gallows),-
And folks are beginning to think it looks odd,
To choke a poor scamp for the glory of God;
And that He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards the quadrille as a far greater knavery
Than crushing his African children with slavery,-
Since all who take part in a waltz or cotillon
Are mounted for hell on the Devil's own pillion,
Who, as every true orthodox Christian well knows,
Approaches the heart through the door of the toes,-
That He, I was saying, whose judgments are stored
For such as take steps in despite of his word,
Should look with delight on the agonized prancing
Of a wretch who has not the least ground for his dancing,
While the State, standing by, sings a verse from the Psalter
About offering to God on his favorite halter,
And, when the legs droop from their twitching divergence,
Sells the clothes to a Jew, and the corpse to the surgeons;-
Now, instead of all this, I think I can direct you all
To a criminal code both humane and effectual;-
I propose to shut up every doer of wrong
With these desperate books, for such term, short or long,
As, by statute in such cases made and provided,
Shall be by your wise legislators decided:
Thus: Let murderers be shut, to grow wiser and cooler,
At hard labor for life on the works of Miss--;
Petty thieves, kept from flagranter crimes by their fears,
Shall peruse Yankee Doodle a blank term of years,-
That American Punch, like the English, no doubt,-
Just the sugar and lemons and spirit left out.
'But stay, here comes Tityrus Griswold, and leads on
The flocks whom he first plucks alive, and then feeds on,-
A loud-cackling swarm, in whose leathers warm drest,
He goes for as perfect a-swan as the rest.
'There comes Emerson first, whose rich words, every one,
Are like gold nails in temples to hang trophies on,
Whose prose is grand verse, while his verse, the Lord knows,
Is some of it pr-- No, 'tis not even prose;
I'm speaking of metres; some poems have welled
From those rare depths of soul that have ne'er been excelled;
They're not epics, but that doesn't matter a pin,
In creating, the only hard thing's to begin;
A grass-blade's no easier to make than an oak;
If you've once found the way, you've achieved the grand stroke;
In the worst of his poems are mines of rich matter,
But thrown in a heap with a crash and a clatter;
Now it is not one thing nor another alone
Makes a poem, but rather the general tone,
The something pervading, uniting the whole,
The before unconceived, unconceivable soul,
So that just in removing this trifle or that, you
Take away, as it were, a chief limb of the statue;
Roots, wood, bark, and leaves singly perfect may be,
But, clapt hodge-podge together, they don't make a tree.
'But, to come back to Emerson (whom, by the way,
I believe we left waiting),-his is, we may say,
A Greek head on right Yankee shoulders, whose range
Has Olympus for one pole, for t'other the Exchange;
He seems, to my thinking (although I'm afraid
The comparison must, long ere this, have been made),
A Plotinus-Montaigne, where the Egyptian's gold mist
And the Gascon's shrewd wit cheek-by-jowl coexist;
All admire, and yet scarcely six converts he's got
To I don't (nor they either) exactly know what;
For though he builds glorious temples, 'tis odd
He leaves never a doorway to get in a god.
'Tis refreshing to old-fashioned people like me
To meet such a primitive Pagan as he,
In whose mind all creation is duly respected
As parts of himself-just a little projected;
And who's willing to worship the stars and the sun,
A convert to-nothing but Emerson.
So perfect a balance there is in his head,
That he talks of things sometimes as if they were dead;
Life, nature, love, God, and affairs of that sort,
He looks at as merely ideas; in short,
As if they were fossils stuck round in a cabinet,
Of such vast extent that our earth's a mere dab in it;
Composed just as he is inclined to conjecture her,
Namely, one part pure earth, ninety-nine parts pure lecturer;
You are filled with delight at his clear demonstration,
Each figure, word, gesture, just fits the occasion,
With the quiet precision of science he'll sort 'em,
But you can't help suspecting the whole a _post mortem_.
'There are persons, mole-blind to the soul's make and style,
Who insist on a likeness 'twixt him and Carlyle;
To compare him with Plato would be vastly fairer,
Carlyle's the more burly, but E. is the rarer;
He sees fewer objects, but clearlier, truelier,
If C.'s as original, E.'s more peculiar;
That he's more of a man you might say of the one,
Of the other he's more of an Emerson;
C.'s the Titan, as shaggy of mind as of limb,-
E. the clear-eyed Olympian, rapid and slim;
The one's two thirds Norseman, the other half Greek,
Where the one's most abounding, the other's to seek;
C.'s generals require to be seen in the mass,-
E.'s specialties gain if enlarged by the glass;
C. gives nature and God his own fits of the blues,
And rims common-sense things with mystical hues,-
E. sits in a mystery calm and intense,
And looks coolly around him with sharp common-sense;
C. shows you how every-day matters unite
With the dim transdiurnal recesses of night,-
While E., in a plain, preternatural way,
Makes mysteries matters of mere every day;
C. draws all his characters quite _a la_ Fuseli,-
Not sketching their bundles of muscles and thews illy,
He paints with a brush so untamed and profuse,
They seem nothing but bundles of muscles and thews;
E. is rather like Flaxman, lines strait and severe,
And a colorless outline, but full, round, and clear;-
To the men he thinks worthy he frankly accords
The design of a white marble statue in words.
C. labors to get at the centre, and then
Take a reckoning from there of his actions and men;
E. calmly assumes the said centre as granted,
And, given himself, has whatever is wanted.
'He has imitators in scores, who omit
No part of the man but his wisdom and wit,-
Who go carefully o'er the sky-blue of his brain,
And when he has skimmed it once, skim it again;
If at all they resemble him, you may be sure it is
Because their shoals mirror his mists and obscurities,
As a mud-puddle seems deep as heaven for a minute,
While a cloud that floats o'er is reflected within it.
'There comes--, for instance; to see him's rare sport,
Tread in Emerson's tracks with legs painfully short;
How he jumps, how he strains, and gets red in the face.
To keep step with the mystagogue's natural pace!
He follows as close as a stick to a rocket,
His fingers exploring the prophet's each pocket.
Fie, for shame, brother bard; with good fruit of your own,
Can't you let Neighbor Emerson's orchards alone?
Besides, 'tis no use, you'll not find e'en a core,-
-- has picked up all the windfalls before.
They might strip every tree, and E. never would catch 'em,
His Hesperides have no rude dragon to watch 'em;
When they send him a dishful, and ask him to try 'em,
He never suspects how the sly rogues came by 'em;
He wonders why 'tis there are none such his trees on,
And thinks 'em the best he has tasted this season.
'Yonder, calm as a cloud, Alcott stalks in a dream,
And fancies himself in thy groves, Academe,
With the Parthenon nigh, and the olive-trees o'er him,
And never a fact to perplex him or bore him,
With a snug room at Plato's when night comes, to walk to,
And people from morning till midnight to talk to,
And from midnight till morning, nor snore in their listening;-
So he muses, his face with the joy of it glistening,
For his highest conceit of a happiest state is
Where they'd live upon acorns, and hear him talk gratis;
And indeed, I believe, no man ever talked better,-
Each sentence hangs perfectly poised to a letter;
He seems piling words, but there's royal dust hid
In the heart of each sky-piercing pyramid.
While he talks he is great, but goes out like a taper,
If you shut him up closely with pen, ink, and paper;
Yet his fingers itch for 'em from morning till night,
And he thinks he does wrong if he don't always write;
In this, as in all things, a lamb among men,
He goes to sure death when he goes to his pen.
'Close behind him is Brownson, his mouth very full
With attempting to gulp a Gregorian bull;
Who contrives, spite of that, to pour out as he goes
A stream of transparent and forcible prose;
He shifts quite about, then proceeds to expound
That 'tis merely the earth, not himself, that turns round,
And wishes it clearly impressed on your mind
That the weathercock rules and not follows the wind;
Proving first, then as deftly confuting each side,
With no doctrine pleased that's not somewhere denied,
He lays the denier away on the shelf,
And then-down beside him lies gravely himself.
He's the Salt River boatman, who always stands willing
To convey friend or foe without charging a shilling,
And so fond of the trip that, when leisure's to spare,
He'll row himself up, if he can't get a fare.
The worst of it is, that his logic's so strong,
That of two sides he commonly chooses the wrong;
If there is only one, why, he'll split it in two,
And first pummel this half, then that, black and blue.
That white's white needs no proof, but it takes a deep fellow
To prove it jet-black, and that jet-black is yellow.
He offers the true faith to drink in a sieve,-
When it reaches your lips there's naught left to believe
But a few silly-(syllo-, I mean,)-gisms that squat 'em
Like tadpoles, o'erjoyed with the mud at the bottom.
'There is Willis, all _natty_ and jaunty and gay,
Who says his best things in so foppish a way,
With conceits and pet phrases so thickly o'erlaying 'em,
That one hardly knows whether to thank him for saying 'em;
Over-ornament ruins both poem and prose,
Just conceive of a Muse with a ring in her nose!
His prose had a natural grace of its own,
And enough of it, too, if he'd let it alone;
But he twitches and jerks so, one fairly gets tired,
And is forced to forgive where one might have admired;
Yet whenever it slips away free and unlaced,
It runs like a stream with a musical waste,
And gurgles along with the liquidest sweep;-
'Tis not deep as a river, but who'd have it deep?
In a country where scarcely a village is found
That has not its author sublime and profound,
For some one to be slightly shallow's a duty,
And Willis's shallowness makes half his beauty.
His prose winds along with a blithe, gurgling error,
And reflects all of Heaven it can see in its mirror:
'Tis a narrowish strip, but it is not an artifice;
'Tis the true out-of-doors with its genuine hearty phiz;
It is Nature herself, and there's something in that,
Since most brains reflect but the crown of a hat.
Few volumes I know to read under a tree,
More truly delightful than his A l'Abri,
With the shadows of leaves flowing over your book,
Like ripple-shades netting the bed of a brook;
With June coming softly your shoulder to look over,
Breezes waiting to turn every leaf of your book over,
And Nature to criticise still as you read,-
The page that bears that is a rare one indeed.
'He's so innate a cockney, that had he been born
Where plain bare-skin's the only full-dress that is worn,
He'd have given his own such an air that you'd say
'T had been made by a tailor to lounge in Broadway.
His nature's a glass of champagne with the foam on 't,
As tender as Fletcher, as witty as Beaumont;
So his best things are done in the flush of the moment;
If he wait, all is spoiled; he may stir it and shake it,
But, the fixed air once gone, he can never re-make it.
He might be a marvel of easy delightfulness,
If he would not sometimes leave the _r_ out of sprightfulness;
And he ought to let Scripture alone-'tis self-slaughter,
For nobody likes inspiration-and-water.
He'd have been just the fellow to sup at the Mermaid,
Cracking jokes at rare Ben, with an eye to the barmaid,
His wit running up as Canary ran down,-
The topmost bright bubble on the wave of The Town.
'Here comes Parker, the Orson of parsons, a man
Whom the Church undertook to put under her ban
(The Church of Socinus, I mean),-his opinions
Being So-(ultra)-cinian, they shocked the Socinians:
They believed-faith, I'm puzzled-I think I may call
Their belief a believing in nothing at all,
Or something of that sort; I know they all went
For a general union of total dissent:
He went a step farther; without cough or hem,
He frankly avowed he believed not in them;
And, before he could be jumbled up or prevented,
From their orthodox kind of dissent he dissented.
There was heresy here, you perceive, for the right
Of privately judging means simply that light
Has been granted to _me_, for deciding on _you;_
And in happier times, before Atheism grew,
The deed contained clauses for cooking you too:
Now at Xerxes and Knut we all laugh, yet our foot
With the same wave is wet that mocked Xerxes and Knut,
And we all entertain a secure private notion,
That our _Thus far!_ will have a great weight with the ocean,
'Twas so with our liberal Christians: they bore
With sincerest conviction their chairs to the shore;
They brandished their worn theological birches,
Bade natural progress keep out of the Churches,
And expected the lines they had drawn to prevail
With the fast-rising tide to keep out of their pale;
They had formerly dammed the Pontifical See,
And the same thing, they thought, would do nicely for P.;
But he turned up his nose at their mumming and shamming,
And cared (shall I say?) not a d-- for their damming;
So they first read him out of their church, and next minute
Turned round and declared he had never been in it.
But the ban was too small or the man was too big,
For he recks not their bells, books, and candles a fig
(He scarce looks like a man who would _stay_ treated shabbily,
Sophroniscus' son's head o'er the features of Rabelais):-
He bangs and bethwacks them,-their backs he salutes
With the whole tree of knowledge torn up by the roots;
His sermons with satire are plenteously verjuiced,
And he talks in one breath of Confutzee, Cass, Zerduscht,
Jack Robinson, Peter the Hermit, Strap, Dathan,
Cush, Pitt (not the bottomless, _that_ he's no faith in),
Pan, Pillicock, Shakespeare, Paul, Toots, Monsieur Tonson,
Aldebaran, Alcander, Ben Khorat, Ben Jonson,
Thoth, Richter, Joe Smith, Father Paul, Judah Monis,
Musaeus, Muretus, _hem_,-[Greek: m] Scorpionis,
Maccabee, Maccaboy, Mac-Mac-ah! Machiavelli,
Condorcet, Count d'Orsay, Conder, Say, Ganganelli,
Orion, O'Connell, the Chevalier D'O,
(See the Memoirs of Sully,) [Greek: to pan], the great toe
Of the statue of Jupiter, now made to pass
For that of Jew Peter by good Romish brass,
(You may add for yourselves, for I find it a bore,
All the names you have ever, or not, heard before,
And when you've done that-why, invent a few more).
His hearers can't tell you on Sunday beforehand,
If in that day's discourse they'll be Bibled or Koraned,
For he's seized the idea (by his martyrdom fired)
That all men (not orthodox) _may be_ inspired;
Yet though wisdom profane with his creed he may weave in,
He makes it quite clear what he _doesn't_ believe in,
While some, who decry him, think all Kingdom Come
Is a sort of a, kind of a, species of Hum,
Of which, as it were, so to speak, not a crumb
Would be left, if we didn't keep carefully mum,
And, to make a clean breast, that 'tis perfectly plain
That _all_ kinds of wisdom are somewhat profane;
Now P.'s creed than this may be lighter or darker,
But in one thing, 'tis clear, he has faith, namely-Parker;
And this is what makes him the crowd-drawing preacher,
There's a background of god to each hard-working feature,
Every word that he speaks has been fierily furnaced
In the blast of a life that has struggled in earnest:
There he stands, looking more like a ploughman than priest,
If not dreadfully awkward, not graceful at least,
His gestures all downright and same, if you will,
As of brown-fisted Hobnail in hoeing a drill;
But his periods fall on you, stroke after stroke,
Like the blows of a lumberer felling an oak,
You forget the man wholly, you're thankful to meet
With a preacher who smacks of the field and the street,
And to hear, you're not over-particular whence,
Almost Taylor's profusion, quite Latimer's sense.
'There is Bryant, as quiet, as cool, and as dignified,
As a smooth, silent iceberg, that never is ignified,
Save when by reflection 'tis kindled o' nights
With a semblance of flame by the chill Northern Lights.
He may rank (Griswold says so) first bard of your nation
(There's no doubt that he stands in supreme iceolation),
Your topmost Parnassus he may set his heel on,
But no warm applauses come, peal following peal on,-
He's too smooth and too polished to hang any zeal on:
Unqualified merits, I'll grant, if you choose, he has 'em,
But he lacks the one merit of kindling enthusiasm;
If he stir you at all, it is just, on my soul,
Like being stirred up with the very North Pole.
'He is very nice reading in summer, but _inter
Nos_, we don't want _extra_ freezing in winter;
Take him up in the depth of July, my advice is,
When you feel an Egyptian devotion to ices.
But, deduct all you can, there's enough that's right good in him,
He has a true soul for field, river, and wood in him;
And his heart, in the midst of brick walls, or where'er it is,
Glows, softens, and thrills with the tenderest charities-
To you mortals that delve in this trade-ridden planet?
No, to old Berkshire's hills, with their limestone and granite.
If you're one who _in loco_ (add _foco_ here) _desipis_,
You will get out of his outermost heart (as I guess) a piece;
But you'd get deeper down if you came as a precipice,
And would break the last seal of its inwardest fountain,
If you only could palm yourself off for a mountain.
Mr. Quivis, or somebody quite as discerning,
Some scholar who's hourly expecting his learning,
Calls B. the American Wordsworth; but Wordsworth
May be rated at more than your whole tuneful herd's worth.
No, don't be absurd, he's an excellent Bryant;
But, my friends, you'll endanger the life of your client,
By attempting to stretch him up into a giant;
If you choose to compare him, I think there are two per-
-sons fit for a parallel-Thomson and Cowper;
I don't mean exactly,-there's something of each,
There's T.'s love of nature, C.'s penchant to preach;
Just mix up their minds so that C.'s spice of craziness
Shall balance and neutralize T.'s turn for laziness,
And it gives you a brain cool, quite frictionless, quiet,
Whose internal police nips the buds of all riot,-
A brain like a permanent strait-jacket put on
The heart that strives vainly to burst off a button,-
A brain which, without being slow or mechanic,
Does more than a larger less drilled, more volcanic;
He's a Cowper condensed, with no craziness bitten,
And the advantage that Wordsworth before him had written.
'But, my dear little bardlings, don't prick up your ears
Nor suppose I would rank you and Bryant as peers;
If I call him an iceberg, I don't mean to say
There is nothing in that which is grand in its way;
He is almost the one of your poets that knows
How much grace, strength, and dignity lie in Repose;
If he sometimes fall short, he is too wise to mar
His thought's modest fulness by going too far;
'T would be well if your authors should all make a trial
Of what virtue there is in severe self-denial,
And measure their writings by Hesiod's staff,
Which teaches that all has less value than half.
'There is Whittier, whose swelling and vehement heart
Strains the strait-breasted drab of the Quaker apart,
And reveals the live Man, still supreme and erect,
Underneath the bemummying wrappers of sect;
There was ne'er a man born who had more of the swing
Of the true lyric bard and all that kind of thing;
And his failures arise (though he seem not to know it)
From the very same cause that has made him a poet,-
A fervor of mind which knows no separation
'Twixt simple excitement and pure inspiration,
As my Pythoness erst sometimes erred from not knowing
If 'twere I or mere wind through her tripod was blowing;
Let his mind once get head in its favorite direction
And the torrent of verse bursts the dams of reflection,
While, borne with the rush of the metre along,
The poet may chance to go right or go wrong,
Content with the whirl and delirium of song;
Then his grammar's not always correct, nor his rhymes,
And he's prone to repeat his own lyrics sometimes,
Not his best, though, for those are struck off at white-heats
When the heart in his breast like a trip-hammer beats,
And can ne'er be repeated again any more
Than they could have been carefully plotted before:
Like old what's-his-name there at the battle of Hastings
(Who, however, gave more than mere rhythmical bastings),
Our Quaker leads off metaphorical fights
For reform and whatever they call human rights,
Both singing and striking in front of the war,
And hitting his foes with the mallet of Thor;
_Anne haec_, one exclaims, on beholding his knocks,
_Vestis filii tui_, O leather-clad Fox?
Can that be thy son, in the battle's mid din,
Preaching brotherly love and then driving it in
To the brain of the tough old Goliath of sin,
With the smoothest of pebbles from Castaly's spring
Impressed on his hard moral sense with a sling?
'All honor and praise to the right-hearted bard
Who was true to The Voice when such service was hard,
Who himself was so free he dared sing for the slave
When to look but a protest in silence was brave;
All honor and praise to the women and men
Who spoke out for the dumb and the down-trodden then!
It needs not to name them, already for each
I see History preparing the statue and niche;
They were harsh, but shall _you_ be so shocked at hard words
Who have beaten your pruning-hooks up into swords,
Whose rewards and hurrahs men are surer to gain
By the reaping of men and of women than grain?
Why should _you_ stand aghast at their fierce wordy war, if
You scalp one another for Bank or for Tariff?
Your calling them cut-throats and knaves all day long
Doesn't prove that the use of hard language is wrong;
While the World's heart beats quicker to think of such men
As signed Tyranny's doom with a bloody steel-pen,
While on Fourth-of-Julys beardless orators fright one
With hints at Harmodius and Aristogeiton,
You need not look shy at your sisters and brothers
Who stab with sharp words for the freedom of others;-
No, a wreath, twine a wreath for the loyal and true
Who, for sake of the many, dared stand with the few,
Not of blood-spattered laurel for enemies braved,
But of broad, peaceful oak-leaves for citizens saved!
'Here comes Dana, abstractedly loitering along,
Involved in a paulo-post-future of song,
Who'll be going to write what'll never be written
Till the Muse, ere he think of it, gives him the mitten,-
Who is so well aware of how things should be done,
That his own works displease him before they're begun,-
Who so well all that makes up good poetry knows,
That the best of his poems is written in prose;
All saddled and bridled stood Pegasus waiting,
He was booted and spurred, but he loitered debating;
In a very grave question his soul was immersed,-
Which foot in the stirrup he ought to put first:
And, while this point and that he judicially dwelt on,
He, somehow or other, had written Paul Felton,
Whose beauties or faults, whichsoever you see there,
You'll allow only genius could hit upon either.
That he once was the Idle Man none will deplore,
But I fear he will never be anything more;
The ocean of song heaves and glitters before him,
The depth and the vastness and longing sweep o'er him.
He knows every breaker and shoal on the chart,
He has the Coast Pilot and so on by heart,
Yet he spends his whole life, like the man in the fable,
In learning to swim on his library table.
'There swaggers John Neal, who has wasted in Maine
The sinews and cords of his pugilist brain,
Who might have been poet, but that, in its stead, he
Preferred to believe that he was so already;
Too hasty to wait till Art's ripe fruit should drop,
He must pelt down an unripe and colicky crop;
Who took to the law, and had this sterling plea for it,
It required him to quarrel, and paid him a fee for it;
A man who's made less than he might have, because
He always has thought himself more than he was,-
Who, with very good natural gifts as a bard,
Broke the strings of his lyre out by striking too hard,
And cracked half the notes of a truly fine voice,
Because song drew less instant attention than noise.
Ah, men do not know how much strength is in poise,
That he goes the farthest who goes far enough,
And that all beyond that is just bother and stuff.
No vain man matures, he makes too much new wood;
His blooms are too thick for the fruit to be good;
'Tis the modest man ripens, 'tis he that achieves,
Just what's needed of sunshine and shade he receives;
Grapes, to mellow, require the cool dark of their leaves;
Neal wants balance; he throws his mind always too far,
Whisking out flocks of comets, but never a star;
He has so much muscle, and loves so to show it,
That he strips himself naked to prove he's a poet,
And, to show he could leap Art's wide ditch, if he tried,
Jumps clean o'er it, and into the hedge t'other side.
He has strength, but there's nothing about him in keeping;
One gets surelier onward by walking than leaping;
He has used his own sinews himself to distress,
And had done vastly more had he done vastly less;
In letters, too soon is as bad as too late;
Could he only have waited he might have been great;
But he plumped into Helicon up to the waist,
And muddied the stream ere he took his first taste.
'There is Hawthorne, with genius so shrinking and rare
That you hardly at first see the strength that is there;
A frame so robust, with a nature so sweet,
So earnest, so graceful, so lithe and so fleet,
Is worth a descent from Olympus to meet;
'Tis as if a rough oak that for ages had stood,
With his gnarled bony branches like ribs of the wood,
Should bloom, after cycles of struggle and scathe,
With a single anemone trembly and rathe;
His strength is so tender, his wildness so meek,
That a suitable parallel sets one to seek,-
He's a John Bunyan Fouque, a Puritan Tieck;
When Nature was shaping him, clay was not granted
For making so full-sized a man as she wanted,
So, to fill out her model, a little she spared
From some finer-grained stuff for a woman prepared,
And she could not have hit a more excellent plan
For making him fully and perfectly man.
The success of her scheme gave her so much delight,
That she tried it again, shortly after, in Dwight;
Only, while she was kneading and shaping the clay,
She sang to her work in her sweet childish way,
And found, when she'd put the last touch to his soul,
That the music had somehow got mixed with the whole.
'Here's Cooper, who's written six volumes to show
He's as good as a lord: well, let's grant that he's so;
If a person prefer that description of praise,
Why, a coronet's certainly cheaper than bays;
But he need take no pains to convince us he's not
(As his enemies say) the American Scott.
Choose any twelve men, and let C. read aloud
That one of his novels of which he's most proud,
And I'd lay any bet that, without ever quitting
Their box, they'd be all, to a man, for acquitting.
He has drawn you one character, though, that is new,
One wildflower he's plucked that is wet with the dew
Of this fresh Western world, and, the thing not to mince,
He has done naught but copy it ill ever since;
His Indians, with proper respect be it said,
Are just Natty Bumppo, daubed over with red,
And his very Long Toms are the same useful Nat,
Rigged up in duck pants and a sou'wester hat
(Though once in a Coffin, a good chance was found
To have slipped the old fellow away underground).
All his other men-figures are clothes upon sticks,
The _derniere chemise_ of a man in a fix
(As a captain besieged, when his garrison's small,
Sets up caps upon poles to be seen o'er the wall):
And the women he draws from one model don't vary.
All sappy as maples and flat as a prairie.
When a character's wanted, he goes to the task
As a cooper would do in composing a cask;
He picks out the staves, of their qualities heedful,
Just hoops them together as tight as is needful,
And, if the best fortune should crown the attempt, he
Has made at the most something wooden and empty.
'Don't suppose I would underrate Cooper's abilities;
If I thought you'd do that, I should feel very ill at ease;
The men who have given to _one_ character life
And objective existence are not very rife;
You may number them all, both prose-writers and singers,
Without overrunning the bounds of your fingers,
And Natty won't go to oblivion quicker
Than Adams the parson or Primrose the vicar.
'There is one thing in Cooper I like, too, and that is
That on manners he lectures his countrymen gratis;
Not precisely so either, because, for a rarity,
He is paid for his tickets in unpopularity.
Now he may overcharge his American pictures,
But you'll grant there's a good deal of truth in his strictures;
And I honor the man who is willing to sink
Half his present repute for the freedom to think,
And, when he has thought, be his cause strong or weak,
Will risk t'other half for the freedom to speak,
Caring naught for what vengeance the mob has in store,
Let that mob be the upper ten thousand or lower.
'There are truths you Americans need to be told,
And it never'll refute them to swagger and scold;
John Bull, looking o'er the Atlantic, in choler
At your aptness for trade, says you worship the dollar;
But to scorn such eye-dollar-try's what very few do,
And John goes to that church as often as you do,
No matter what John says, don't try to outcrow him,
'Tis enough to go quietly on and outgrow him;
Like most fathers, Bull hates to see Number One
Displacing himself in the mind of his son,
And detests the same faults in himself he'd neglected
When he sees them again in his child's glass reflected;
To love one another you're too like by half;
If he is a bull, you're a pretty stout calf,
And tear your own pasture for naught but to show
What a nice pair of horns you're beginning to grow.
'There are one or two things I should just like to hint,
For you don't often get the truth told you in print;
The most of you (this is what strikes all beholders)
Have a mental and physical stoop in the shoulders;
Though you ought to be free as the winds and the waves,
You've the gait and the manners of runaway slaves;
Though you brag of your New World, you don't half believe in it;
And as much of the Old as is possible weave in it;
Your goddess of freedom, a tight, buxom girl,
With lips like a cherry and teeth like a pearl,
With eyes bold as Here's, and hair floating free,
And full of the sun as the spray of the sea,
Who can sing at a husking or romp at a shearing,
Who can trip through the forests alone without fearing,
Who can drive home the cows with a song through the grass,
Keeps glancing aside into Europe's cracked glass.
Hides her red hands in gloves, pinches up her lithe waist,
And makes herself wretched with transmarine taste;
She loses her fresh country charm when she takes
Any mirror except her own rivers and lakes.
'You steal Englishmen's books and think Englishmen's thought,
With their salt on her tail your wild eagle is caught;
Your literature suits its each whisper and motion
To what will be thought of it over the ocean;
The cast clothes of Europe your statesmanship tries
And mumbles again the old blarneys and lies;-
Forget Europe wholly, your veins throb with blood,
To which the dull current in hers is but mud:
Let her sneer, let her say your experiment fails,
In her voice there's a tremble e'en now while she rails,
And your shore will soon be in the nature of things
Covered thick with gilt drift-wood of castaway kings,
Where alone, as it were in a Longfellow's Waif,
Her fugitive pieces will find themselves safe.
O my friends, thank your god, if you have one, that he
'Twixt the Old World and you set the gulf of a sea;
Be strong-backed, brown-handed, upright as your pines,
By the scale of a hemisphere shape your designs,
Be true to yourselves and this new nineteenth age,
As a statue by Powers, or a picture by Page,
Plough, sail, forge, build, carve, paint, make all over new,
To your own New-World instincts contrive to be true,
Keep your ears open wide to the Future's first call,
Be whatever you will, but yourselves first of all,
Stand fronting the dawn on Toil's heaven-scaling peaks,
And become my new race of more practical Greeks.-
Hem! your likeness at present, I shudder to tell o't,
Is that you have your slaves, and the Greek had his helot.'
Here a gentleman present, who had in his attic
More pepper than brains, shrieked, 'The man's a fanatic,
I'm a capital tailor with warm tar and feathers,
And will make him a suit that'll serve in all weathers;
But we'll argue the point first, I'm willing to reason 't,
Palaver before condemnation's but decent:
So, through my humble person, Humanity begs
Of the friends of true freedom a loan of bad eggs.'
But Apollo let one such a look of his show forth
As when [Greek: aeie nukti eoikios], and so forth,
And the gentleman somehow slunk out of the way,
But, as he was going, gained courage to say,-
'At slavery in the abstract my whole soul rebels,
I am as strongly opposed to 't as any one else.'
'Ay, no doubt, but whenever I've happened to meet
With a wrong or a crime, it is always concrete,'
Answered Phoebus severely; then turning to us,
'The mistake of such fellows as just made the fuss
Is only in taking a great busy nation
For a part of their pitiful cotton-plantation.-
But there comes Miranda, Zeus! where shall I flee to?
She has such a penchant for bothering me too!
She always keeps asking if I don't observe a
Particular likeness 'twixt her and Minerva;
She tells me my efforts in verse are quite clever;-
She's been travelling now, and will be worse than ever;
One would think, though, a sharp-sighted noter she'd be
Of all that's worth mentioning over the sea,
For a woman must surely see well, if she try,
The whole of whose
Far Too Many Aspens Are Now Felled (Cavatina)
(after William Cowper and Gerard Manley Hopkins)
Far too many aspens are now felled,
gone is the shade
while the wind blows and its searching in vain
where it once played its own happy song;
it is man made
the destruction that came, the great havoc
that down many rows of great trees did knock.
[References: “The Poplar-Field” by William Cowper and “Binsey Poplars” by Gerard Manley Hopkins.]
There Are Many Who Are Talented
There are many with gifts,
That are relevant as presented.
There are many who are talented,
With a seeking to reach heights.
And there are those who were born,
For the purpose of igniting thought.
And doing this without a challenge...
Since a naturalness given to them,
Is unselfishly offered to others brought.
Hopefully an attention sought is caught!
Or it would defeat the purpose of a reach.
And nothing delivered sinks in as taught.
With intended depth remaining surfaced.
And a leaking occurs few see as a need.
How Many Bubbles Are There In a Tub of Soap Suds?
How and why...
The doing gets done like it does?
Are those questions long ignored.
'How many bubbles are there...
In a tub of soap suds? '
You do the counting.
And scrub my back while you're at it!
I've stopped analyzing what 'is'!
I just know it is there to enjoy...
To provide a comfort.
And like my life lived...
I know I've accepted the invitation,
And my peace of mind is going to find some comfort,
Wherever I take it.
Now pass me my damn floating toy boat.
It's time to fantasize it as my next 'trip'!
Holding it as you focus.