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Ayn Rand

An artist does not fake reality, he "stylizes" it.

in The Romantic Manifesto (Art and Sense of Life)Report problemRelated quotes
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The mother and the artist

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of wonderfully emollient freshness; every
unfurling instant of impregnably magnificent existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of spellbindingly undefeated innocence; every
unfurling instant of symbiotically pristine existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of timelessly unconquerable truth; every unfurling
instant of bounteously magnanimous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unfathomably unfettered creativity; every
unfurling instant of timelessly burgeoning existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of royally triumphant resplendence; every
unfurling instant of unconquerably majestic existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of eternally exhilarating vivaciousness; every
unfurling instant of redolently insuperable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unbelievably ameliorating optimism; every
unfurling instant of marvelously benign existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of brilliantly liberated camaraderie; every
unfurling instant of iridescently inscrutable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unshakably virgin righteousness; every
unfurling instant of beautifully untainted existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of uninhibitedly heavenly frolic; every unfurling
instant of tantalizingly sensuous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of compassionately humanitarian friendship; every
unfurling instant of magically mitigating existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of miraculously everlasting freshness; every
unfurling instant of invincibly coalescing existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of pricelessly ubiquitous oneness; every unfurling

[...] Read more

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Fake Out In Buenos Aires

Fake out
Fake in
Fake it to me
What is fake?
Fake t.v.
Land of a thousand fake outs
Fake worse than death
In buenos aires
In buenos aires
Fake out
Fake in
Fakers delight
Fake your claim
Fake around the clock
Winner fake all
Three fakes, youre out
In buenos aires
In buenos aires

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Fake People

All the time
I look in your eyes
But what I see
And what you say to me
Are two totally different things
You pretend you put on a façade
I only wish you knew that I'm not
The only one who sees it as odd
Fake people
The things they do are oh so evil
Because of their own insecurities
They try to pass on to you their idiosyncrasies
Thinking they are your friends you let them into your lives
But then they turn around and about you tell nothing but lies
Jealousy is such an ugly thing
Almost as ugly as hypocrisy
Fake people
The things they do are oh so evil
Fake people
Fake people
So now I must ask who are your friends
Are they really what they seem to be
Or are they just trying to hide from you their envy
Do your friends really have your back
Or is it that that's where by them you've been stabbed
I once had a friend
One I thought would be there for me till the end
Then one day my happiness ended and theirs began
And when I needed someone to lean on
Behind me did no one stand
Fake people
The things they do are oh so evil
Because of their own insecurities
They try to pass on to you their idiosyncrasies
Thinking they are your friends you let them into your lives
But then they turn around and about you tell nothing but lies
Jealousy is such an ugly thing
Almost as ugly as hypocrisy
Fake people
The things they do are oh so evil
Fake people
Fake people
Be careful who you let know your business
'Cause in the end
Rumors about you they could be spreadin'
Don't put your trust in people who don't trust you
There's no telling what they're liable to say or do
Grow smarter with each experience
And you'll see true friends
Are the friends who are their with and for you till the end

[...] Read more

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Not To Fake To Give

People want to have,
Their...
Lives wrapped up in gladness.
People want to know,
What it's like to have a harmony.
And people want to see,
Their futures bright in the Sun...
Lighting up their faces.
Acknowledging their products of love.

People want to find,
Perfection here on Earth.
But...
People ought to know,
They can't get it freely.
And...
Only those with open hearts.
Also know they're here...
Not to fake to give.

People want to have,
Their...
Lives wrapped up in gladness.
People want to know,
What it's like to have a harmony.
And people want to see,
Their futures bright in the Sun...
Lighting up their faces.
Acknowledging their products of love.
And...
Not to fake to give.

And people want to see,
Their futures bright in the Sun...
Lighting up their faces.
Acknowledging their products of love,
And...
Not to fake to give.

Lighting up their faces.
Acknowledging their products of love,
And...
Not to fake to give.

Lighting up their faces.
Acknowledging their products of love,
And...
Not to fake to give.

Acknowledging that their products of love,

[...] Read more

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Lisbeth and the Artist

Lisbeth stands watching
The artist as he prepares
To sketch. Her elder sisters
Stand in shadows whispering.
Her younger sister plays
With her doll on the floor.
Their father said to do as
The artist instructed and
Don't misbehave or be rude.
The artist stares hard his
Dark eyes searching their
Every move and expression
And body gesture. The elder
Girls mutter in shadows
Their hands over their mouths
Their blue eyes like shallow
Pools. Ready? The artist
Asks putting charcoal to
Paper his fingers blackening.
Lisbeth says just as we are?
The artist nods. His grim
Features express do not disturb.
The youngest sister plays
Ignoring the artist her eyes set
On the game at hand. The girls
In shadow turn their profiles
Set to mystery their hands on
Their abdomens like guardians
Of virtue. Lisbeth wonders as
She watches the artist's stiff
Moustache and beard the slow
Movement of his mouth as he
Mouths words and stares hard.
The last artist employed some
Year before younger and less
Brutal in expression and manner
Had drawn them each in private
Rooms and set them down on couch
Or bed and kept their images inside
His head. He was dismissed and the
Drawings destroyed and nothing said.
Lisbeth had thought it just a game
Something done as lover might in
Private corners or lonely spots on
Quiet nights. The artist sketches.
His blackened fingers move and
Made their mark. Their images
Captured. The scene set. One sister
In the shadows yawns the other
Stares in still contempt. Lisbeth

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Cushions

When my leaders
Sit in the assembly halls,
For legislation,
With fake brains, fake thoughts,
Fake eyes, fake looks,
Fake existence, fake appearance,
Fake education, fake degrees,
They seem to me
Fake, fake beings,
As if
Some one has placed cushions,
On the sofas and chairs;
Cushions stuffed
With rags of worn out jeans
Or old pieces of sacks
Made of jute.

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That Love For One Another Done

Where do we masquerade now?
That dedicated faith we fake.
The one we parade,
When charades made take place.

And...
Where do we masquerade now?
That dedicated faith we fake.
The one we parade,
When charades made take place.

That love for one another done,
Real or fake.
The respect for our fathers,
Is it real or fake.
The honor for our mothers done,
Real or fake.
And that love for one another done...
Is it real or just for fun?

Concern for our sisters,
Is that real or fake.
And what about our brothers,
Do they hug and fake.
As they backstab each other,
Calling one another 'mothers'.

That feeling,
Is it real or fake.
That feeling,
Is it love or hate.
That feeling,
We all celebrate.
And what about the brothers,
Backstabbing one another.

That feeling,
Is it real or fake.
That feeling,
Is it love or hate.
That feeling,
We all celebrate.
And what about the brothers,
Calling one another 'mothers'.

And that love for one another done...
Is it real or just for fun?

That feeling,
Is it real or fake.

[...] Read more

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Edge Of Reality

(words & music by giant - baum - kaye)
I walk along a thin line darling
Dark shadows follow me
Heres where lifes dream lies disillusioned
The edge of reality
Oh I can hear strange voices echo
Laughing with mockery
The border line of doom Im facing
The edge of reality
On the edge of reality she sits there tormenting me
The girl with the nameless face
On the edge of reality where she overpowers me
With fears that I cant explain
She drove me to the point of madness
The brink of misery
If shes not real then Im condemned to
The edge of reality
On the edge of reality she sits there tormenting me
The girl with the nameless face
On the edge of reality where she overpowers me
With fears that I cant explain
She drove me to the point of madness
The brink of misery
If shes not real then Im condemned to
The edge of reality
Reality, reality, reality, reality,
Reality, reality, reality, reality

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The-Bad-Taste-It-Makes

When it comes,
It comes not to leave.
It seems to stay there eternally.

When it comes,
It's hard to breathe free.
Eventually it's shown on one's sleeve.

Heartbreak!
No fake the aching.
Or escape,
The wounds inflicted hard to shake.

Heartbreak!
No fake the chasing.
Or erase,
The bad taste it makes.

When it comes,
It's hard to breathe free.
Eventually it's shown on one's sleeve.

Heartbreak!
So hard it is to go away.
Heartbreak!
No fake the aching.
Or escape,
The bad taste it makes.

When it comes,
It comes not to leave.
It seems to stay there eternally.

Heartbreak!
No fake the chasing.
Or eliminate,
The-bad-taste-it-makes.

When it comes,
It comes not to leave.
Heartbreak!
No fake the aching.
Heartbreak!
No fake the chasing.

When it comes,
It comes not to leave.
Heartbreak!
No fake the aching.
Heartbreak!

[...] Read more

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Making Me Hate You

Cant simplify all the things that burn inside
But when you ask, Im fine but Im lying all the time
Its tough to say when you laugh at me this way
But in my mind Im crying, Im crying all the time
So pick up the vide, make me want to justify
Every word thats coming out your mouth
No looking back, you better choose a side
Im sinking within
You fake, you lie
Youre making me hate you
You fake, you lie
Youre making me want you even more
Cant see any good side of you
But I am trying, Im trying
I cant explain all the damage you can bring
But when Im blind
Im dying, Im dying all the time
So pick up the vibe, make me wanna justify
Every word thats coming out of your mouth
No lookin back, all I wanna see
Is that youre sinkin within
You fake, you lie
Youre making me hate you
You fake, you lie
Youre making me want you even more
Yes I will always be
Torn by what I see
Yes I will always be the same
Even though I stop thinking of you
Cant simplify all the things that burn inside
But when I try, Im dying, Im dying all the time
You fake, you lie
Youre making me hate you
You fake, you lie
Youre making me want you even moreyou fake, you lie
Youre making me hate you
You fake, you lie

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Reality's Dream

I staggered back from the blow;
Reality struck me again
this time harder
mocking me as I fell.

'You have always been so clear about
your plans and goals haven't you;
clear about what you wanted to achieve or know
how you would overcome all obstacles
but Pilgrim you had no plan B;
I always grant people like you
first place in my line
because you all are Prisoners Of Your Own Dreams and Schemes
hurtling through life 'Dreamers of the Impossible Dream'
Perfection's Confection blinds you by its own light-
wouldn't you agree? '

I gradually regained my feet and
stared into those unforgiving, taunting eyes
thinking strangely
that Reality is much like a bully.

'And hear you are now, ' Reality was saying
'alone
without family or friends
clutching to those dreams
which will never come true
being instead
here now
my prisoner
for all eternity

forced now to worship
at my altar.

He cackled a horrible cackle.

I looked at him in a haze
realizing he had a point
but too
that moment
exposed Reality's
own weaknesses:
he was counting upon my apathy-
my sense of defeat-
to make me surrender to him
believe in him and his power.

I rose
stared at him

[...] Read more

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Reality (1st of Seven Secondary Virtues)

Poem Title: (Reality) 1st of Seven Secondary Virtues of a Happy Marriage


Poem 174 b …. Title : (Reality) 1st of Seven Secondary Virtues of a Happy Marriage.

Subject Reality...As a Human being.A creature that cuts down trees, then to pulp in a machine.
As an attempt to manufacture a cost effective way of transmitting News to all the World.
Most of which is of Climate Change and full of subjective slogans on how we must save the trees!

Real Reality..... How about this Poet? Who lives within a Fantasy of Trust whereby he allows
His Loving Partner to hold the sacred knowledge of the password to his private website.
And always knowing this, knew that anything that he did write could then be read in true Reality.

Hypo statical Reality ….As a Happy Marriage holds three levels of Hypo stasis in a given day.
Blood pressure rising or falling in anticipation as to the level of eggs that he be treading upon.
Metaphysically thinking and speaking in riddles or codes too, for all time to confuse an enemy.

Beyond the wit of Reality........ Any Happy Marriage is beholding three levels of wit.
The wit of knowing when to sleep with the wisest of wise tongues keeping the wisest of heads.
The wit of the pretence of reality and being wide wide wide awake too a Lovers every need.

The Fantasy of the Reality.....Of any Happy Marriage is the joint ability to understand difference.
Difference in attitude, Man to Woman, Woman to Man.Lie to Exaggeration, Exaggerative Lie.
Fantasy of the moment, of the drudgery of daily grinds or the reality of a magic carpet ride.

The Reality of a Happy Marriage is striving to achieve to score the winning Goal in allotted time.
Loosing score, playing two halves plus extra time and neither gaining upper hand through penalties
Real Subjective Reality, Hypo static God Head to prevail by use of Wit and Prose and Pure Fantasy!


(Written 13th July 2010) A Triversen at first attempt. Success or Failure (Time will tell)

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Fake Friend(Revised, In Line Form, Oh and Viewable

The poison seeps from of your eyes.
I can read your lies.
Pure and innocent are dead and gone.
Fake it just fake it.
Pretending your some thing your not.
In the end I win cause I have had been in the alleys.
I've slept in a abandon home to keep from catching cold.
Where were you then my fake friend?
Who do think your fooling?
Do you stop and try to give a ride?
So how bout it my fake friend.
Such a beautiful sharlton.
When I was getting beat up in the courts by five guys for protecting a races rights.
Where were you then my fake friend?
When my house burnt before my very own eyes.
Where were you then?
Hiding behind closed doors like so many times before.
Every thing has been standing still.
I knew the time would come when I would be done with it.
You can't help those who lead.
They'll follow no ones' road but there own.
Judge me not cause don't know how much ambition I truly got.
My fake friend you will not make your failings my own.
For each man women child breaks free of such tyranny.
This is to you my fake friend.

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Something Interseting Sestina #1

as long as you live, there is love
but in the recceses rise hate
all these words I draw with passion
with nothig to support me, except my faith
but to others my philosophy seems fake
so I go eat in a kitchen

build me a broken kitchen
that can be worsen by love
a kitchen that make all truth fake
one that is made whole with hate.
There I can vehemently laugh at those with faith,
there I have no time for passion

I have no time for you because you have no time for me dear passion
that's why you can't be a recipe in my kitchen
an the essence in my food is not threw faith
don't love
lie, loath, be livid, and hate
understand such rules with sincerity, don't be fake

yes I say that because the mind of the world is fake
no true passion
much mocked hate
but all is genuine and true in my kitchen
no false love
and lots of thrawted faith

tried faith
and to others this isn't fake
the situation is as real as love
and love as real as unforgiven passion
and both passion and love will destory my uncanny kitchen
which is established by raw hate

that word hate
miss understood by those that don't know the meaning of its faith
but all my creations thrives on it in my kitchen
and yes I will assure you no thing is fake
plus all creations are made without passon
and all creations in my kitchen are mained by love

So come in with hate, and finally take in all creation that's not fake
renew and change your faith, and here make lame all passion
in my kitchen, the place that no one love.

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A Nude Artist

A Nude Artist


he says he is a nude artist
because he is naked when he paints

such nakedness has
nothing to do with being a nude artist

a naked artist who paints a cat or a chicken
is not a nude artist

there is no nude cat
thyere is no nude chicken

just paint a naked woman
and he will be called a nude artist

an artist is not an art
he must know that


- Frog Mantra, Accents Publishing,2012 -

 

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Peace

Artist - somebody didn't hear me
(What'd he say?)
Artist - formerly known as Prince
You gotta get your peace on
Peace, whoa oh
Peace
That's what we're here for
And not to war
When the war upon people of color thru needles
Designed to disease instead of relieve
When it ceases
I'll be a man of peace
(Say what)
When this mask of vendetta
Like tears on the face of Coretta
Roll down and go away
I'll be happier
(Happier)
I'll be a man of peace
Everybody say!
Peace, whoa oh
Peace
That's what we're here for
(That's what we're here for)
And not to war
When the time that we spend
Watching TV depends on
Whether or not it destroy or transcend
Then I won't need
(I won't, I won't)
Won't need a warranty
When the power of the hour is not yours but is ours
And the faces we see reflect all that we be indeed
There'll be a jubilee
Everybody say
Peace, whoa oh
Peace
That's what we're here for
(That's what we're here for)
And not to war
Bass
(Talkin' about freedom)
The rewards that we share will be based on what's fair
And not the curliness or the thick of our hair
Real competition, if you dare!
Music is our middle name
And we don't wanna play your game
So when the mergers you make are with us
And you take a fair slice of the cake
That we bake then you break

[...] Read more

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Value Fever Pitch: An Artist’s Time

Bhoman F Jamhari said

'I am an artist - This does not
mean I will work for free.
I have bills just like you.
Thank you for understanding.'

Polite and to the problematic point.

Anyone who thinks believes
an artist’s time is worthless,
is definitely a person an artist
should avoid; such individuals

cannot comprehend
or remotely understand
aesthetic value of art.

Art takes time to produce.

Vision and artistic skill takes
even longer to realize to attain
expanding horizons. Time costs.

Artists of differing genre value
appreciate each other and art
which suits their temperament.

To create art
is the life blood
of an artist.

The air we breathe
is the home of art.

Creativity is our fevered mind songs
we sing in a legacy of image visions.

What kind of a con artist wants
to steal bread from an artist’s mouth;

therefore limiting the quality quantity
of future works of art, to be produced
by that artist. Answer an enemy of art.


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Reality Sucks

O.k. maybe you know it better
Oh oh reality sucks
Nobody helps you to make it feel better
Oh oh reality sucks
And youre a dropout that stays away
Might be that evil took over
Oh oh reality sucks
Youre getting to old now
To cause a stampede
Oh oh reality sucks
So youre boozing your life away
Youre blown your brain away
Reality sucks
Oho reality sucks
Now you see your life has passed you by
Oh oh reality sucks
You took a shortcut
Through the junkyard of life
Maybe thats why reality sucks
Now youre boozing your life away
Blowing your head away
But dreams didnt make your day
cause reality sucks
Oh oh reality sucks
Reality sucks

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Joseph's Gloss On God

When Joseph tells his brothers: “I
am not God, ” he perhaps implies
that unlike God he sometimes lies,
and unlike Him, is doomed to die.

The words that Joseph never said
are wrong, as we find out when burned;
God often lies, a lesson learned
from history, and God is dead.

Inspired by a review by Paul Buhle of R. Crumb’s The Whole Book of Genesis, in Forward, October 10,2009 (“In the Image of God: The Ambition of R. Crumb’s Graphic Genesis”:

To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement. It doesn’t hurt that excerpts of the book appeared during the summer in the New Yorker and that the Hammer Museum in Los Angeles is opening an exhibit of the original drawings from which the book’s contents were adapted. “The Book of Genesis, ” Robert Crumb’s version, nevertheless stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.
No comic artist has been more influential than Crumb. In terms of sales, his work is dwarfed by the superheroes and, in comic art prestige. Art Spiegelman, and a short list of others including Alison Bechdel and Marjane Sartrapi may have displaced Crumb. But Crumb’s influence abides and endures in his occasional LP/CD covers, in his volumes of collected work (16 volumes so far and counting) , his artistic prizes and a generation of artists who have incorporated his particular view of humanity.
Surprisingly, his best work in 20 years has actually been in the genre of adaptation, specifically an adaptation of Franz Kafka, dating to the mid 1990s. On that highly curious point, any consideration of this “Genesis, ” as a highly personal comic art, properly begins. Notoriously, Crumb is a gentile who fled from his deeply dysfunctional Delaware family to the Cleveland neighborhood of Harvey Pekar and the arms of the first of two Jewish wives. “Crumb, ” the 1994 film documentary, was in many ways about emotional pain (including a brother doomed to suicide) and his craving for a certain kind of woman, who, although possibly any female with a bemuscled backside, was in fact most likely to be Jewish. She, reality and image, was his consolation. The strips that he drew of Jewish-American life, nevertheless, reworked stereotypes, some funny (he visits Florida with his second wife, and holds a tiny grandfather on his knee) , and some, doubtless, insulting to many readers.
In the pages of “Introducing Kafka, ” Crumb became his fictional protagonist with such depth of insight into the logic of the doomed writer, as well as of Kafka’s famed works, that many readers were simply astonished, this reviewer among them. Kafka is the exemplar par excellence of a type of ambiguous, tortured mittel European Jewish personality as it hovered between faith and uncertainty, shortly before the Holocaust. Not Spiegelman, not Ben Katchor, nor Sharon Rudahl, nor others who drew historical or quasi-historical strips about Jewish history, had taken the characterization as far as Crumb. An earlier escape from Middle American culture had propelled Crumb toward his satirical protagonist Mister Natural, a Zen-like, robed quasi-prophet of the 1970s-80s. Three decades later, Crumb’s robed prophets are far from Zen.
Crumb’s “Genesis” is then perfectly serious and the author wants us to know it. As he says on the cover, “Nothing Left Out! ” Every “beget” from the King James Bible can be found here, along with plenty of scenes censored from previous graphic adaptations. And more prose, in the final “Commentary” segment of the book, than non-writer Crumb may have put on the page anywhere, aside from his published letters. More striking for anyone but the seasoned Crumb fan: unlike previous Biblical comic adaptations, including some published and drawn by Jews, Crumb’s characters actually look Jewish, the women even more than the men. The contrast to the classic work, EC Comics’ “Picture Stories from the Bible” (1945) in that respect is most illuminating. But more recent works like the best-selling “Manga Bible” (2000) are not much different (nor was the “The Wolverton Bible” by one of the strangest of comic artists Basil Wolverton) . Close readers will see Crumb’s wife Aline Kominsky, to whom the book is dedicated, again and again, in various guises; perhaps only Chagall drew his beloved wife so often and with such varied imagination.
Not only are the characters Jewish here, they are all ages and sizes. If, for instance, there are more drawings of Jewish elders in any single volume of comic art anywhere, I have never seen them. The women here are beautiful when young, heavily busted with large, muscular thighs. The men are strong, their beards full and noble. The deity has a really big beard and retains his notoriously bad temper, as well as his commanding presence, and absolute demand for loyalty. The animals of Genesis (in Noah’s ark and elsewhere) may be where Crumb is most similar to earlier comic art adaptations of Biblical texts, but they are drawn, like everything else, with such loving care that they are special and demand repeated viewing.
In those extensive notes at the end, Crumb comes as close as he is ever likely to revealing the sources and depth of his commitment to the text. He had been puzzling, no doubt under a wave of feminist criticism, about the gender struggle, until Torah scholar Savina Teubel’s “Sarah the Priestess” (1984) gave him new insight: a matriarchal background, female deities and actual female power, in a society turning toward patriarchy but retaining some elements of women’s prehistorical strength and centrality to the direction of early civilization. If anything is reinterpreted purposefully in “Genesis, ” it is in gender, and Crumb does so not by scoring points but by rearranging the visual subtext. Gender issues also help him reframe somewhat the class dimension of tribal society, which endures not through brute force but because of the strength of its women.
The commentary on his visual choices and his broader interpretations explores and explains his few intentional deviations, not only in the name of narrative clarity but artistic intent. Mainly, his notes drive home how he struggled to interpret the text in suitable graphic form, chapter by chapter, sometimes even character by character. There is no doubting the artist’s integrity or hard work, in no small part because he redrew again and again, trying to find historically accurate clothing and scenery. The Old Testament of cinematic Charlton Heston, so to speak, became the Genesis of lived and perceived experience, socially real and super-real. Clues are provided with translations of specific Hebrew names within the visual text, essentially metaphorical in meaning. These clues may be the closest to footnotes that Crumb has ever provided.
Comics scholar Jeet Heer, has noted in “Bookforum” that Crumb’s biblical characters, with the exception of the deity, have no internal lives: only the deity has depth and personality. As with the original text, much more is implied in Crumb’s visual text than can be stated, because scenes rush by so fast and because the artist forever works out, pen or brush in hand, a unique meaning that escapes easy interpretation. Even closer to the mark, Heer argues that above all, this is a book about bodies, the natural expression of an artist whose work has, possibly more than any other master of comic art, been concerned with body structure and expression.
And offending the deity? Crumb treads with a caution all the more remarkable for an artist, who, short decades ago, allowed himself the full run of his imagination, heedless of the consequences. Crumb’s innovation might be summed up in his characterization of Joseph, brilliant in subjugating Egypt but weary of his own powers. In the final phrases of the book, the artist suggests a radical view several thousand years previous to Jewish Karl Marx. “In the very last chapter, when his obstreperous brothers fling themselves at this feet and proclaim, ‘Here we are, your slaves, ’ he says to them, “I am not God, am I’ Joseph has learned a much finer humility than the fear-driven kind shown by his barbaric brothers.” So says a humble Crumb.


10/22/09

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Stupid Girl

You pretend you're high
Pretend you're bored
Pretend you're anything
Just to be adored
And what you need
Is what you get

Don't believe in fear
Don't believe in faith
Don't believe in anything
That you can't break

You stupid girl
You stupid girl
All you had you wasted
All you had you wasted

What drives you on
Can drive you mad
A million lies to sell yourself
Is all you ever had

Don't believe in love
Don't believe in hate
Don't believe in anything
That you can't waste

You stupid girl
You stupid girl
Can't believe you fake it
Can't believe you fake it

Don't believe in fear
Don't believe in pain
Don't believe in anyone
That you can't tame

You stupid girl
You stupid girl
All you had you wasted
All you had you wasted

You stupid girl
You stupid girl
Can't believe you fake it
Can't believe you fake it

You stupid girl
You stupid girl
Can't believe you fake it

[...] Read more

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