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I try to distinguish my characters from each other.

quote by Lucy Liu
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The Loveable Characters

I long for the streets but the Lord knoweth best,
For there I am never a saint;
There are lovable characters out in the West,
With humour heroic and quaint;
And, be it Up Country, or be it Out Back,
When I shall have gone to my Home,
I trust to be buried 'twixt River and Track
Where my lovable characters roam.

There are lovable characters drag through the scrub,
Where the Optimist ever prevails;
There are lovable characters hang round the pub,
There are lovable jokers at sales
Where the auctioneer's one of the lovable wags
(Maybe from his "order" estranged),
And the beer is on tap, and the pigs in the bags
Of the purchasing cockies are changed.

There were lovable characters out in the West,
Of fifty hot summers, or more,
Who could not be proved, when it came to the test,
Too old to be sent to the war;
They were all forty-five and were orphans, they said,
With no one to keep them, or keep;
And mostly in France, with the world's bravest dead,
Those lovable characters sleep.

I long for the streets, but the Lord knoweth best,
For there I am never a saint;
There are lovable characters out in the West,
With humour heroic and quaint;
And, be it Up Country, or be it Out Back,
When I shall have gone to my Home,
I trust to be buried 'twixt River and Track
Where my lovable characters roam.

poem by Henry Lawson
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Solomon on the Vanity of the World, A Poem. In Three Books. - Power. Book III.

The Argument

Solomon considers man through the several stages and conditions of life, and concludes, in general, that we are all miserable. He reflects more particularly upon the trouble and uncertainty of greatness and power; gives some instances thereof from Adam down to himself; and still concludes that All Is Vanity. He reasons again upon life, death, and a future being; finds human wisdom too imperfect to resolve his doubts; has recourse to religion; is informed by an angel what shall happen to himself, his family, and his kingdom, till the redemption of Israel; and, upon the whole, resolves to submit his inquiries and anxieties to the will of his Creator.

Come then, my soul: I call thee by that name,
Thou busy thing, from whence I know I am;
For, knowing that I am, I know thou art,
Since that must needs exist which can impart:
But how thou camest to be, or whence thy spring,
For various of thee priests and poets sing.

Hearest thou submissive, but a lowly birth,
Some secret particles of finer earth,
A plain effect which Nature must beget,
As motion orders, and as atoms meet,
Companion of the body's good or ill,
From force of instinct more than choice of will,
Conscious of fear or valour, joy or pain,
As the wild courses of the blood ordain;
Who, as degrees of heat and cold prevail,
In youth dost flourish, and with age shalt fail,
Till, mingled with thy partner's latest breath,
Thou fliest, dissolved in air and lost in death.

Or, if thy great existence would aspire
To causes more sublime, of heavenly fire
Wert thou a spark struck off, a separate ray,
Ordain'd to mingle with terrestrial clay,
With it condemn'd for certain years to dwell,
To grieve its frailties, and its pains to feel,
To teach it good and ill, disgrace or fame,
Pale it with rage, or redden it with shame,
To guide its actions with informing care,
In peace to judge, to conquer in the war;
Render it agile, witty, valiant, sage,
As fits the various course of human age,
Till, as the earthly part decays and falls,
The captive breaks her prison's mouldering walls,
Hovers awhile upon the sad remains,
Which now the pile or sepulchre contains,
And thence, with liberty unbounded, flies,
Impatient to regain her native skies?

Whate'er thou art, where'er ordain'd to go,
(Points which we rather may dispute than know)
Come on, thou little inmate of this breast,
Which for thy sake from passions'l divest
For these, thou say'st, raise all the stormy strife,

[...] Read more

poem by Matthew Prior
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A Mirror Image

How many times when reading a book,
do we identify with the characters within?
Their traits they have we share,
their loves and heartaches
their lives go through somehow mirror our own.
It’s as if the author was writing about us.
As though he has put us under a microscope
and then writing down everything, he saw.
However, we know this isn’t so
because he or she has written
segments of their own life
and by accident they happen to mirror ours.
Every writer will tell you
that they have their characters under control.
Having written numerous novels,
I know the characters take on a life of their own
and do what they want to do.
We become their instrument as they guide us on our way.
We end up writing what they want us to say.
To every writer his characters are real,
they live, breathe and feel.
The more you write about them,
the more alive they become.
So the next time you pick up a book
and the characters seem real,
they probably are to the author
who looks after them.

24 September 2008

poem by David Harris
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Chatterton's Will

Burgum, I thank thee, thou hast let me see
That Bristol has impress'd her stamp on thee,
Thy generous spirit emulates the Mayor's,
Thy generous spirit with thy Bristol's pairs.
Gods! what would Burgum give to get a name,
And snatch his blundering dialect from shame!
What would he give, to hand his memory down
To time's remotest boundary?--A Crown.
Catcott, for thee, I know thy heart is good,
But ah! thy merit's seldom understood;
Too bigoted to whimsies, which thy youth
Received to venerate as Gospel truth,
Thy friendship never could be so dear to me,
Since all I am is opposite to thee.
If ever obligated to thy purse,
Rowley discharges all-- my first chief curse!
For had I never known the antique lore,
I ne'er had ventured from my peaceful shore,
To be the wreck of promises and hopes,
A Boy of Learning, and a Bard of Tropes;
But happy in my humble sphere had moved,
Untroubled, unsuspected, unbelov'd.
To Barrett next, he has my thanks sincere,
For all the little knowledge I had here.
But what was knowledge? Could it here succeed
When scarcely twenty in the town can read?
Could knowledge bring in interest to maintain
The wild expenses of a Poet's brain;
Disinterested Burgum never meant
To take my knowledge for his gain per cent.
When wildly squand'ring ev'ry thing I got,
On books and learning, and the Lord knows what,
Could Burgum then, my critic, patron, friend!
Without security attempt to lend?
No, that would be imprudent in the man;
Accuse him of imprudence if you can.
He promis'd, I confess, and seem'd sincere;
Few keep an honorary promise here.
I thank thee, Barrett-- thy advice was right,
But 'twas ordain'd by fate that I should write.
Spite of the prudence of this prudent place,
I wrote my mind, nor hid the author's face.
Harris ere long, when reeking from the press,
My numbers make his self-importance less,
Will wrinkle up his face, and damn the day,
And drag my body to the triple way--

This is the last Will and Testament of me, Thomas Chatterton, of the city of Bristol; being sound in body, or it is the fault of my last surgeon: the soundness of my mind, the coroner and jury are to be the judges of, desiring them to take notice, that the most perfect masters of human nature in Bristol distinguish me by the title of Mad Genius; therefore, if I do a mad action, it is conformable to every action of my life, which is all savoured of insanity.

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poem by Thomas Chatterton
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Solomon on the Vanity of the World, A Poem. In Three Books. - Knowledge. Book I.

The bewailing of man's miseries hath been elegantly and copiously set forth by many, in the writings as well of philosophers as divines; and it is both a pleasant and a profitable contemplation.
~
Lord Bacon's Advancement of Learning.

The Argument

Solomon, seeking happiness from knowledge, convenes the learned men of his kingdom; requires them to explain to him the various operations and effects of Nature; discourses of vegetables, animals and man; proposes some questions concerning the origin and situation of the habitable earth: proceeds to examine the system of the visible heaven: doubts if there may not be a plurality of worlds; inquires into the nature of spirits and angels, and wishes to be more fully informed as to the attributes of the Supreme Being. He is imperfectly answered by the Rabbins and Doctors; blames his own curiosity: and concludes that, as to human science, All Is Vanity.

Ye sons of men with just regard attend,
Observe the preacher, and believe the friend,
Whose serious muse inspires him to explain
That all we act and all we think is vain:
That in this pilgrimage of seventy years,
O'er rocks of perils and through vales of tears
Destined to march, our doubtful steps we tend,
Tired with the toil, yet fearful of its end:
That from the womb we take our fatal shares
Of follies, passions, labours, tumults, cares;
And at approach of death shall only know
The truths which from these pensive numbers flow,
That we pursue false joy and suffer real wo.

Happiness! object of that waking dream
Which we call life, mistaking; fugitive theme
Of my pursuing verse: ideal shade,
Notional good; by fancy only made,
And by tradition nursed; fallacious fire,
Whose dancing beams mislead our fond desire;
Cause of our care, and error of our mind:
Oh! hadst thou ever been by Heaven design'd
To Adam, and his mortal race, the boon
Entire had been reserved for Solomon;
On me the partial lot had been bestow'd,
And in my cup the golden draught had flow'd.

But, O! ere yet original man was made,
Ere the foundations of this earth were laid,
It was opponent to our search ordain'd,
That joy still sought should never be attain'd:
This sad experience cites me to reveal,
And what I dictate is from what I feel.

Born, as I as, great David's favourite son,
Dear to my people on the Hebrew throne,
Sublime my court, with Ophir's treasures bless'd.
My name extended to the farthest east,
My body clothed with every outward grace,
Strength in my limbs, and beauty in my face,

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poem by Matthew Prior
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0259 Who am I not?

I started to write about how
I love you
but then the mind couldn't distinguish
which was I, or you, or love...

I started to write that our love was like
diamonds falling like raindrops in the sunlight
or raindrops falling like diamonds in the sunlight
but then the mind couldn't distinguish
which was rain, or diamonds, or sunlight, or love...

I started to write about
a star as bright as love itself,
watched as it appeared
in a boundless universe
but then the mind couldn't distinguish
which was the brilliant star, or boundless universe,
or I the watcher.

poem by Michael Shepherd
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The Athenaid: Volume II: Book the Nineteenth

The morning breaks; Nicanor sudden greets
The gen'ral; welcome tidings in these words
He utters loud: The citadel is won,
The tyrant slaughter'd. With our sacred guide
A rugged, winding track, in brambles hid,
Half up a crag we climb'd; there, stooping low,
A narrow cleft we enter'd; mazy still
We trod through dusky bowels of a rock,
While our conductor gather'd, as he stepp'd,
A clue, which careful in his hand he coil'd.
Our spears we trail'd; each soldier held the skirt
Of his preceding comrade. We attain'd
An iron wicket, where the ending line
Was fasten'd; thence a long and steep ascent
Was hewn in steps; suspended on the sides,
Bright rows of tapers cheer'd our eyes with light.
We reach'd the top; there lifting o'er his head
A staff, against two horizontal valves
Our leader smote, which open'd at the sound.
Behind me Hyacinthus on the rock
Sunk sudden down, pronouncing in his fall
Cleora; I on Hyacinthus call'd.

Is this Cleora's husband? cried the priest;
Descend, my Pamphila, my wife, descend.

She came, a rev'rend priestess; tender both
With me assisting plac'd my speechless friend
Within a cleft by me unmark'd before,
Which seem'd a passage to some devious cell.
Me by the hand Elephenor remov'd
Precipitate; a grating door of brass
Clos'd on my parting steps. Ascend, he said,
Make no enquiry; but remain assur'd,
His absence now is best. I mount, I rise
Behind a massy basis which upheld
Jove grasping thunder, and Saturnia crown'd,
Who at his side outstretch'd her scepter'd hand.
The troops succeeding fill the spacious dome.
Last, unexpected, thence more welcome, rose,
Detach'd from Medon with five hundred spears,
Brave Haliartus, who repair'd the want
Of my disabled colleague. Now the priest:

Ye chiefs, auxiliar to the gods profan'd,
And men oppress'd, securely you have reach'd
The citadel of Oreus. The dark hour

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poem by Richard Glover
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Character is something you forge for yourself; temperament is something you are born with and can only slightly modify. Some people have easy temperaments and weak characters; others have difficult temperaments and strong characters. We are all prone to confuse the two in assessing people we associate with. Those with easy temperaments and weak characters are more likable than admirable; those with difficult temperaments and strong characters are more admirable than likable. Of course, the optimum for a person is to possess both an easy temperament and a strong character, but this is a rare combination, and few of us are that lucky.

quote by Sydney J. Harris
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The Cinematic

It's a strange task to put something down in ink
The things worth saying
Are the things that can't be said- I think
The songs that mean something to sing
Are beyond words above language
The kind you can't directly engage
All this to say what I now say
Is worth saying, worth it to me

When I write a movie script
There's something about me
That becomes
Invested
Inserted
Infused
Into my characters, it's a feeling that is foreign
For I feel what they feel and not what I fell
And yet their person flows from who I am, closer than kin
Simultaneously their emotions are born of mine
As their emotions are born in me.
It's not quite as if I see what they see
And yet they are me, more than just a sign
Of something I feel, something I thought
They're a piece of myself that I brought
To fictional life with words that don't
Describe all that they are, nor all I am
Sometimes it feels like their identity hits me, unplanned
But then there's the sense it was always there
Was always here
Was always me-

Some characters scare me
Are they all pieces of myself?
Are they all mine? If they're mine are they me?
Do I have that darkness? Their darkness?
That light? Their light?
That hope? Their hope?
That despair? Their despair?
That love? Their love?
That hate? Their hate?
Is everyone so attached to their characters?
I feel their pain it makes me cry
I cry real tears in fake dreams
Fake stories with fake screams
If it's all so fake, then why?
So close, so near, and when they die...
Do I lose them? Do they live forever
Without ever living or do they die and
Pass away? Am I allowed to wonder such things, allowed to ponder?
One thing I know

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poem by David Knox
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EPISTLE II: TO A LADY (Of the Characters of Women )

NOTHING so true as what you once let fall,
"Most Women have no Characters at all."
Matter too soft a lasting mark to bear,
And best distinguish'd by black, brown, or fair.

How many pictures of one Nymph we view,
All how unlike each other, all how true!
Arcadia's Countess, here, in ermin'd pride,
Is, there, Pastora by a fountain side.
Here Fannia, leering on her own good man,
And there, a naked Leda with a Swan.
Let then the Fair one beautifully cry,
In Magdalen's loose hair and lifted eye,
Or drest in smiles of sweet Cecilia shine,
With simpering Angels, Palms, and Harps divine;
Whether the Charmer sinner it, or saint it,
If Folly grow romantic, I must paint it.

Come then, the colours and the ground prepare!
Dip in the Rainbow, trick her off in Air;
Choose a firm Cloud, before it fall, and in it
Catch, ere she change, the Cynthia of this minute.

Rufa, whose eye quick-glancing o'er the Park,
Attracts each light gay meteor of a Spark,
Agrees as ill with Rufa studying Locke,
As Sappho's diamonds with her dirty smock;
Or Sappho at her toilet's greasy task,
With Sappho fragrant at an evening Masque:
So morning Insects that in muck begun,
Shine, buzz, and flyblow in the setting sun.

How soft is Silia! fearful to offend;
The Frail one's advocate, the Weak one's friend:
To her, Calista prov'd her conduct nice;
And good Simplicius asks of her advice.
Sudden, she storms! she raves! You tip the wink,
But spare your censure; Silia does not drink.
All eyes may see from what the change arose,
All eyes may see--a Pimple on her nose.

Papillia, wedded to her amorous spark,
Sighs for the shades--"How charming is a Park!"
A Park is purchas'd, but the Fair he sees
All bath'd in tears--"Oh odious, odious Trees!"

Ladies, like variegated Tulips, show;
'Tis to their Changes half their charms we owe;
Fine by defect, and delicately weak,
Their happy Spots the nice admirer take,

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poem by Alexander Pope
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An Ode - Humbly Inscribed To The Queen, On the Glorious Success of Her Majesty's Arms

When great Augustus govern'd ancient Rome,
And sent his conquering bands to foreign wars,
Abroad when dreaded, and beloved at home,
He saw his fame increasing with his years,
Horace, great bard, (so fate ordain'd) arose,
And, bold as were his countryman in fight,
Snatch'd their fair actions from degrading prose,
And set their battles in eternal light:
High as their trumpets tune his lyre he strung,
And with his prince's arms he moralized his song.

When bright Eliza ruled Britannia's state,
Widely distributing her high commands,
And, boldly wise and fortunately great,
Freed the glad nations from tyrannic bands,
An equal genius was in Spenser found;
To the high theme he match'd his noble lays;
He travelled England o'er on fairy ground,
In mystic notes to sing his monarch's praise:
Reciting wondrous truths in pleasing dreams
He deck'd Eliza's head with Gloriana's beams.

But, greatest Anna! while thy arms pursue
Paths of renown, and climb ascents of fame,
Which nor Augustus nor Eliza knew,
What poet shall be found to sing thy name?
What numbers shall record, what tongue shall say
Thy wars on land, thy triumphs on the main?
O fairest model of imperial sway!
What equal pen shall write thy wondrous reign?
Who shall attempts and feats of arms rehearse,
Nor yet by story told, nor parallel'd by verse?

Me all too mean for such a task I weet;
Yet if the sovereign Lady designs to smile
I'll follow Horace with impetuous heat,
And clothe the verse in Spenser's native style:
By these examples rightly taught to sing,
And smit with pleasure of my country's praise,
Stretching the plumes of an uncommon wing,
High as Olympus I my flight will raise,
And latest times shall in my numbers read
Anna's immortal fame and Marlborough's hardy deed.

As the strong eagle in the silent wood,
Mindless of warlike rage and hostile care,
Plays round the rocky cliff or crystal flood,
Till by Jove's high behests call'd out to war,
And charged with thunder of his angry king,
His bosom with the vengeful message glows,

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poem by Matthew Prior
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I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters.

quote by Tara Strong
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It's a funny show. The characters are surprisingly likable, given how ugly they are. We've got this huge cast of characters that we can move around. And over the last few seasons, we've explored some of the secondary characters' personal lives a bit more.

quote by Matt Groening
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Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

quote by Bebe Neuwirth
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My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people.

quote by Laurell K. Hamilton
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The Rainbow Of The Character Game

Stomach is a special vocational training.
Kitchen is a special stomach show case.
Asking the participants to judge its usefulness reflecting on the needs-based game
Is it a game of characters in time of confused truths
The scene of how- might- characters- be -shaped- and- modified will be
The rainbow of the games characters are animated alive on the screens.

Augusto Boal's 'The Rainbow of Desire' is not a new game anymore but the rainbow of the character games are truths in the theatricality of the world on the changing stage.

poem by Nyein Way
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A Victorian Superstar

A literary genius was born this day
Charles John Huffam Dickens was he
two hundred years ago in 1812
he wrote great classics like Nicholas Nickleby.
Writing by candlelight using quill and ink
he created stories that will never end
great characters like Oliver Twist and Scrooge
and novels such as Little Dorrit and Our Mutual Friend.
On his shoulder perched Grip his pet Raven
at his feet his dog Timber Doodle would sit
as Dickens wrote for hours and hours
about the exploits of Edwin Drood and Martin Chuzzlewit.
If he was alive today he'd be bigger than Elvis
then again he was way ahead of his time
living in the harsh Victorian era
he would write about corruption, poverty, and crime.
He liked to give his characters wacky names
inspired by people on the streets and in the pub
like Jerry Cruncher, Mr Fang, Horatio Fizkin,
Toby Crackit, Mrs Spittletoes, and Gabriel Grub.
So happy birthday Mr Dickens and many thanks
for your great books and characters full of fun
these novels are still being enjoyed today
so long live A Christmas Carol and Dombey and Son.

Charles Dickens born 7th of February 1812.

poem by Kevin Halls
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Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

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poem by Samuel Butler
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Daily Soaps

The new trend on television,
Are daily soaps overflowing with confusion,
Though the story does not have any head or tail,
They are the favorites amongst the females,
They are filled with unnecessary twist, turns and slopes,
Yet people watch these unrealistic daily soaps.

To watch them people are ready to miss a meal or two,
As they love the entry of new characters out of the blue,
They enjoy watching those characters change their faces & names,
Because for them plastic-surgery is just a game.

To make any stupid daily soap a big hit,
A brainless cast will be just fit for it,
We will need a fresh heroine a bit funny in the head,
And then a tablespoon of a spicy vamp totally covered in red,
A sweet ‘n’ salty chatter-box who can be a male or a female,
And a cup of new characters always ready to jump in the tale,
A properly sliced good looking hero and a villain bad tempered,
Quite dangerous and just not to be tampered,
Now we need to add just one last thing,
A perfect mixture of ‘Saas-Bahu-Sautan’ as seasoning,

If you’re ready with a plate of this dish,
No other producer can beat you no matter how big is the fish,
I wonder how people can write stories like these,
And people act them out with such ease.

poem by Srishti Mohapatra
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The Politics Of Revelation Spinning Truth

down under in the lands of the kiwi and the kangaroo
wise men and women well do know an unwritten rule;
not to speak about 'religion or politics' in their pubs
where alcohol and tempers do met opinion rue speaks;
as alcohol freely flows intolerant fists can soon snow

truth can freely flow in literature in any characters wise
or characters unsavoury who may speak at wrong times;
policy of William Shakespeare is sometimes best used
prime characters timely tell truth exempt of retributions;
is the fool, a touchstone for truth, but even the fool must

think wisely use clever disguises in wise speech discretion
an insane King Lear is most useful in proving how foolish;
use of power in state political decisions threatens nations
unpopular truths have repercussions many including class;
types of beheadings in diverse forms suiting social justice

people in mass are ignorant if we live in clone societies
media is controlled half truths lies are policy in politics;
in big business truth wears political spin public masks
truth can be found more easily in biting political satire;
comic books cartoons code truth with exquisite flavours

truth is often hidden manipulated in silky webs of words
con artists may suffer consequences the long arm of law;
or purchase immunity get out of jail exemption from law
crimes of rich include vast fraud premeditated schemes;
white collar crime rare serves time like petty cash crimes

quality publications tell more truth than sensation tabloids
legalize law field jargon players spot kick truth for profit;
constitutions laws crafted for protection benefit of society
are swift circumvented by corporations tipping politicians;
good will is party contribution purchased back both parties

intelligence behind truth attempts to avoid conflict balance
society cultural interactions maintain restore world order;
problem is conflict reaps easy unjust rewards cheap spoils
major powers have region spheres of influence third world;
to reap politically redefined as developing world resources

bad grammar is believing rights of pawn countries count
balance of power was established to protect empire aims;
stirring up divide conquer conflicts carving up new spoils
is appealing feast option popular in reshaping world maps;
war is diplomacy by other means deception reaps rewards

research history working out pivotal defining moments
remember real truth is buried with shovels bulldozers;

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poem by Terence George Craddock
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