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Kelly Brook

People think you can't be clever if you have breasts.

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Upwardly MobileBreasts

Upwardly mobile breasts
link together East and West,
occupying cyberspace
to tease, to please, as they unbrace -
spring feeding fantasy oppressed -
that gravity which, second-guessed,
would temper passions. These, apace,
grow, flow with honey, milk, chased chaste.

Man, mammal mammary obsessed,
manhandles, memory manifests
'I' level interest interface_
_sings [t]issues in both good, poor taste,
can't displace attention best
focused elsewhere, soul possessed
by magnet tandem ride, slim waist,

upwardly mobile, undepressed.
D stands for Double bubble laced,
succulence symetric spaced
to dot eyes until life’s digressed
by bridal bridle, dispossessed.

Upwardly mobile breasts -
down and out, or corset pressed,
pear or apple pair set pace.
Fancy free, corset compressed
holding out or, on request,
outstanding assets in life's quest.
'Eye...cons' which, since time, showcased,
imagination ever graced.

Man, mental midget, seems impressed
by mammoth mountains, curves which crest
from chest to rib-cage, touching base
with fancy's fables few detest.
Fun bags balloon 'bove Everest,
peak projections never rest,
[c]rush hour preoccupations taste
angst lest dream disintegrates.

Upwardly mobile breasts -
in the pink, admired with zest, -
swift soar above the commonplace,
'To wit' says one, 'To woo I'll case
the joint to free restraints! ' 'Obsessed! '
replies the other, 'feathered nest.'
Some, spread, taut drawn to taunt Time's haste,
lest silly cones should run to waste.

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

[...] Read more

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Upwardly Mobile Breasts Current Version

Upwardly mobile breasts
link together East and West,
occupying cyberspace
to tease, to please, as they unbrace,
spring feeding fantasy oppressed,
that gravity which, second-guessed,
would temper passions. These, apace,
grow, flow with honey, milk, chased chaste.

Upwardly mobile breasts
time time. Against time each protests,
the morals of the marketplace,
reject as callous, coarse, misplaced
manipulative maladress.
By tenderness they're more impressed.
Pneumatic cushions chaste encase
chased goals which souls should not debase.

Man, mammal mammary obsessed,
manhandles, memory manifests
'I' level interest interface
_sings [t]issues in both good, poor taste,
can't displace attention best
focused elsewhere, soul possessed
by magnet tandem ride, slim waist,
upwardly mobile, undepressed.
D stands for Double bubble laced,
succulence asymetric spaced
to dot eyes until life's digressed
by bridal bridle dispossesed.

Upwardly mobile breasts,
down and out, or corset pressed,
pear or apple pair set pace.
Fancy free, corset compressed
holding out or, on request,
outstanding assets in life's quest.
'Eye...cons' which, since time, showcased,
imagination ever graced.

Mental midgets, men molest
magnificence, soft curves that crest,
mammoth mounts, lose sense as, stressed,
off limits spend cents, joy joints case
from chest to rib-cage, touching base
with fancy's fables few detest.
Fun bags balloon 'bove Everest,
peak projections never rest,
fun to strum or to digest,
[c]rush hour preoccupations taste

[...] Read more

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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All Different, But Still The Same

Some people have short hair, some have long.
Some people have thick hair; some people’s hair is all gone.

Some people have black hair, some have gray.
Some people have brown hair, some blonde, some red.
Some people’s hair a color unsaid.

Some people are short, some people are tall.
Some people will love you; some won’t like you at all.

Some people like hot weather, some like cold.
Some people are timid, some people are bold.
Some people have dark skin, some people have light.
Some people have black skin, some people have white.

Some people eat meat; some won’t touch it at all.
Some people have a good memory, some cant recall.
Some people accept Christ, some never will.
Some people are stingy, some people give.

Some people like school, some people don’t.
Some people will excel, some people won’t.
Some people smoke cigarettes, some never will.
Some people are honest, some people steal.

Some people have book knowledge;
But don’t know the Holy Book.
Some people burn food, some people can cook.

Some people are old, some people are young.
Some people do smart things, some people do dumb.

Some people just have a diploma
Some people have degrees.
Some people do things slow, some with a breeze.
Some people are complainers, some easy to please.

Some people hate shopping, some stay in the mall.
Some people hate God, but God loves us all.

We are all different, but still the same.

When I get cut, I bleed red;
You get cut, red blood you’ll shed.

Some people are plump, some people are thin.
But we are all the same, we’re all human being.

Copyright © 2010-Phyllis Strong

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The Song of Songs

The Bride and the Daughters of Jerusalem

The Song of songs, which is Solomon's.
Let him kiss me with the kisses of his mouth:
for thy love is better than wine.
Because of the savor of thy good ointments
thy name is as ointment poured forth,
therefore do the virgins love thee.

Draw me, we will run after thee:
the King hath brought me into his chambers:
we will be glad and rejoice in thee,
we will remember thy love more than wine:
the upright love thee.

I am black, but comely, O ye daughters of Jerusalem,
as the tents of Kedar,
as the curtains of Solomon.
Look not upon me, because I am black,
because the sun hath looked upon me:
my mother's children were angry with me;
they made me the keeper of the vineyards;
but mine own vineyard have I not kept.

Tell me, O thou whom my soul loveth, where thou feedest,
where thou makest thy flock to rest at noon:
for why should I be as one that turneth aside
by the flocks of thy companions?
If thou know not, O thou fairest among women,
go thy way forth by the footsteps of the flock,
and feed thy kids beside the shepherds' tents.


The Bride and the Bridegroom

I have compared thee, O my love,
to a company of horses in Pharaoh's chariots.
Thy cheeks are comely with rows of jewels,
thy neck with chains of gold.
We will make thee borders of gold
with studs of silver.

While the King sitteth at his table,
my spikenard sendeth forth the smell thereof.
A bundle of myrrh is my well-beloved unto me;
he shall lie all night betwixt my breasts.
My beloved is unto me as a cluster of camphire
in the vineyards of Enge'di.

Behold, thou art fair, my love;

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Some People

Some people seem to have it all
Some people always have to crawl
Some people pay to be abused
Some people end up destitute
Some people search their souls for truth
Some people try to be of use
Some people pray before they kill
Some people kill just for the thrill
Some people follow one mans vision, some others die on television
Some people build their homes on sand, some people live in garbage cans
Some people think that live is dear, some people hope the end is near
Some people fight for right to life, some people hate to stay alive
Some people dream of life on mars, some people end their life in cars
Some people throw their lives away, some others go on holidays
Some people live and love in vain, some people dont and go insane
Some people always need to win, some other people love to sin
Some people breaking all their vows, some people slashing sacred cows
Some people like to worship stars, some people think the worlds a farce
Some people try to make ends meet, some others end up kissing feet
Some people find their holy grail, some other people go to hell
Some people never catch their breath, some people drink themselves to death
Some people seem to have it all, some people always have to crawl
Some people pay to be abused, some people end up destitute
Some people search their souls for truth
Some people try to be of use
Some people
!
Gold/ocean/1994

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Ordinary People

In a dusty town a clock struck high noon, two men stood face to face.
One wore black and one wore white, but of fear there wasnt a trace.
Two hundred years later two hot rods drag through the very same place,
And a half a million people
Moved in to pick up the pace, a factory full of people.
Makin parts to go to outer space, a train load of people.
They were aimin for another place, out of town people.
Theres a man in the window with a big cigar, says everythings for sale.
The house and the boat and the railroad car, the owners gotta go to jail.
He acquired these things from a life of crime, now hes selling them to raise his bail.
He was rippin off the people.
Sellin guns to the underground, tryin to help the people.
Lose their ass for a piece of ground, rippin off the people.
Skimmin the top when there was no one around, tryin to help the people.
He was dealing antiques in a hardware store but he sure had a lot to hide.
He had a backroom full of the guns of war and a ton of ammunition besides.
Well, he walked with a cane, kept a bolt on the door with five pit bulls inside,
Just a warning to the people
Who might try to break in at night, protection from the people.
Selling safety in the darkest night, tryin to help the people.
Get the drugs to the street all right, ordinary people.
Well, its hard to say where a man goes wrong, might be here and it might be there.
What starts out weak might get too strong, if you cant tell foul from fair.
But its hard to judge from an angry throng of hands stretched into the air,
The vigilante people.
Takin law into their own hands, conscientious people.
Crackin down on the druglords land, government people.
Confiscatin all the dealers land, patch-of-ground people.
Down at the factory, theyre puttin new windows in.
The vandals made a mess of things, and the homeless just walked right in.
Well, they worked here once, and they live here now, but they might work here again,
Theyre ordinary people.
And theyre livin in a nightmare, hard workin people.
And they dont know how they go there, ordinary people.
And they think that you dont care, hard workin people.
Down on the assembly line, they keep puttin the same thing out.
But the people today, they just aint buyin, nobody can figure it out.
Well, they try like hell to build a quality end, theyre workin hard without a doubt,
Theyre ordinary people.
And the dollars what its all about, hard workin people.
But the customers are walkin out, lee iacocca people.
Yeah, they look but they just dont buy, hard workin people.
Two out of work models and a fashion slave try to dance away the michelob night.
The bartender poured himself another drink, while two drunks sat watchin the fight.
The champ went down, then he got up again, and then he went out like a light,
He was fightin for the people.
But his timing wasnt right, for las vegas people
Who came to see a las vegas fight, high rollin people.
Takin limos though the neon night, fightin for the people.
And then a new rolls royce and a company car they went flyin down the street.

[...] Read more

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That Little Hole

Some people keep their love in a safe, then forget the combination
Some people think life's a masquerade ball, keeping up with the latest fashion
Some people sell dreams like rag magazines, on the busy fast food city street corners
Some people give, some people take, Some people share, some people fake
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole

Me, I’m happy to be breathing
with both feet on the ground

Some people hide from the world and it’s charms, others flee from its tragedy
Some people wish for a place to call home while they kill off every living thing they see
Some people await the rapture and fate, others are simply looking for the cure
Some people lead some people follow, some people spit, some people swallow
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole

Me, I’m happy to be breathing

Some people search for Utopia and peace, but never seem to laugh
Some people forgot what it’s like to be young, having grown up much to fast
Some people preach salvation and hope to anyone willing to pay
Some people judge to quick, some never judge at all, some people climb, some are simply happy to fall
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole

Me, I’m happy to be breathing
with both feet on the ground

Some people feel the mirror holds the key, to their tomorrows and prosperity
Some people are sealed off from the world by their hearts, their leaders, or their personality
Some people are like cannibals, they devour what they need and move on
Some people are criminals trying to make ends meet, steeling from others trying to make ends meet
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole

Me, I’m happy to be breathing
with both feet on the ground

Some people feel its much more real, to chase rainbows on canvass painted skies
Some people think their shit don’t stink, some have the trust of a saint and tell lies
Some people’s minds react like a nuclear bomb, some people are one with the galaxy
Some people die as they lived, others live as they die, some never give up hope, others don’t even try
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole

Some people wear their hearts on their sleeve, others forget what it means to be free
Some people speak of friendships and love, but don’t know what it means to be a friend
Some people search for enlightenment in the stars, in tea leaves, other find it floating in a glass
Some people smile, some people cry, some people live, some people try
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole

Some people are afraid to take risks, or to be anything they wish until they die
Some people love the sound of their voice, some talk more than they listen
Some people don’t suffer fools only to find the jokes on them

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Solomon

As thro' the Psalms from theme to theme I chang'd,
Methinks like Eve in Paradice I rang'd;
And ev'ry grace of song I seem'd to see,
As the gay pride of ev'ry season, she.
She gently treading all the walks around,
Admir'd the springing beauties of the ground,
The lilly glist'ring with the morning dew,
The rose in red, the violet in blew,
The pink in pale, the bells in purple rows,
And tulips colour'd in a thousand shows:
Then here and there perhaps she pull'd a flow'r
To strew with moss, and paint her leafy bow'r;
And here and there, like her I went along,
Chose a bright strain, and bid it deck my song.

But now the sacred Singer leaves mine eye,
Crown'd as he was, I think he mounts on high;
Ere this Devotion bore his heav'nly psalms,
And now himself bears up his harp and palms.
Go, saint triumphant, leave the changing sight,
So fitted out, you suit the realms of light;
But let thy glorious robe at parting go,
Those realms have robes of more effulgent show;
It flies, it falls, the flutt'ring silk I see,
Thy son has caught it and he sings like thee,
With such election of a theme divine,
And such sweet grace, as conquers all but thine.

Hence, ev'ry writer o'er the fabled streams,
Where frolick fancies sport with idle dreams,
Or round the sight enchanted clouds dispose,
Whence wanton cupids shoot with gilded bows;
A nobler writer, strains more brightly wrought,
Themes more exulted, fill my wond'ring thought:
The parted skies are track'd with flames above,
As love descends to meet ascending love;
The seasons flourish where the spouses meet,
And earth in gardens spreads beneath their feet.
This fresh-bloom prospect in the bosom throngs,
When Solomon begins his song of songs,
Bids the rap'd soul to Lebanon repair,
And lays the scenes of all his action there,
Where as he wrote, and from the bow'r survey'd
The scenting groves, or answ'ring knots he made,
His sacred art the sights of nature brings,
Beyond their use, to figure heav'nly things.

Great son of God! whose gospel pleas'd to throw
Round thy rich glory, veils of earthly show,
Who made the vineyard oft thy church design,

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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

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Exodus (Laswell Mix)

[Bob Marley]
Exodus: Movement of Jah people! Oh-oh-oh, yea-eah!
.......
Men and people will fight ya down (Tell me why!)
When ya see Jah light. (Ha-ha-ha-ha-ha-ha-ha!)
Let me tell you if you're not wrong; (Then, why?)
Everything is all right.
So we gonna walk - all right! - through de roads of creation:
We the generation (Tell me why!)
(Trod through great tribulation) trod through great tribulation.
Exodus, all right! Movement of Jah people!
Oh, yeah! O-oo, yeah! All right!
Exodus: Movement of Jah people! Oh, yeah!
Yeah-yeah-yeah, well!
Uh! Open your eyes and look within:
Are you satisfied (with the life you're living)? Uh!
We know where we're going, uh!
We know where we're from.
We're leaving Babylon,
We're going to our Father land.
2, 3, 4: Exodus: movement of Jah people! Oh, yeah!
(Movement of Jah people!) Send us another brother Moses!
(Movement of Jah people!) From across the Red Sea!
(Movement of Jah people!) Send us another brother Moses!
(Movement of Jah people!) From across the Red Sea!
Movement of Jah people!
---
/Instrumental break/
---
Exodus, all right! Oo-oo-ooh! Oo-ooh!
Movement of Jah people! Oh, yeah!
Exodus!
Exodus! All right!
Exodus! Now, now, now, now!
Exodus!
Exodus! Oh, yea-ea-ea-ea-ea-ea-eah!
Exodus!
Exodus! All right!
Exodus! Uh-uh-uh-uh!
Move! Move! Move! Move! Move! Move!
Open your eyes and look within:
Are you satisfied with the life you're living?
We know where we're going;
We know where we're from.
We're leaving Babylon, y'all!
We're going to our Father's land.
Exodus, all right! Movement of Jah people!
Exodus: movement of Jah people!
Movement of Jah people!
Movement of Jah people!

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People At The Bustop

People at the bustop.
('people at the bustop? ')
Don't have time to talk a lot.
('people at the bustop? ')
And when it rains or snow on them drops,
People at the bustop,
Don't appear to anger with moods to cop.

People at the bustop.
('people at the bustop? ')
May sing a tune or fingerpop.
('people at the bustop? ')
Listening to music through earplugs blocked,
And unheard to hear by those who are near.

People at the bustop.
('people at the bustop? ')
Don't have time to talk a lot.
('people at the bustop? ')
And when it rains or snow on them drops,
People at the bustop,
Don't appear to anger with moods to cop.

People at the bustop.
('people at the bustop? ')
With ipods bop.
('people at the bustop? ')
Listening to their rap or rockin' hip hop.

Oh those people at the bustop.
('people at the bustop? ')
With ipods bop.
('people at the bustop? ')
Listening to their rap or rockin' hip hop.

People at the bustop.
('people at the bustop? ')
Don't have time to talk a lot.
('people at the bustop? ')
And when it rains or snow on them drops,
People at the bustop,
Don't appear to anger with moods to cop.

People at the bustop.
('people at the bustop? ')
People at the bustop.
('people at the bustop? ')
People at the bustop.
('people at the bustop? ')
Peeping on the people who are nodding to a beat.

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Cute Without The 'E'

Your lipstick, his collar.. don't bother Angel
I know exactly what goes on
When everything you'll get is
everything that you've wanted, princess
(well which would you prefer)
My finger on the trigger, or
(me face down, down across your floor)
Me face down, down across your floor
(me face down, down across your floor)
Well just so long as this thing's loaded
And will you tell all your friends
you've got your gun to my head
This all was only wishful thinkin,
this all was only wishful thinkin
And will you tell all your friends
you've got your gun to my head
This all was only wishful thinkin,
this all was only wishful thinkin
let's go...
Don't bother trying to explain Angel
I know exactly what goes on when you're on and
How about I'm outside of your window
(how about I'm outside of your window)
Watchin him keep the details covered
You're such a sucker (you're such a sucker)
for a sweet talker, yeah
And will you tell all your friends
you've got your gun to my head
This all was only wishful thinkin,
this all was only wishful thinkin
(the only thing that I regret is that I, I never let you hold me back)
And will you tell all your friends
you've got your gun to my head
This all was only wishful thinkin,
this all was only wishful thinkin
Hoping for the best just hoping nothing happens
A thousand clever lines unread on clever napkins
I wil never ask if you don't ever tell me
I know you well enough to know you never loved me
Hoping for the best just hoping nothing happens
A thousand clever lines unread on clever napkins
I will never ask if you don't ever tell me
I know you well enough to know you never loved me
Hoping for the best just hoping nothing happens
A thousand clever lines unread on clever napkins
I will never ask if you don't ever tell me
I know you well enough to know...
Why can't I feel anything
from anyone other than you?
Why can't I feel anything

[...] Read more

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Power To The People

Power to the people
Power to the people
Power to the people
Power to the people
Power to the people
Power to the people
Power to the people
Power to the people, right on
Say you want a revolution
We better get on right away
Well you get on your feet
And out on the street
Singing power to the people
Power to the people
Power to the people
Power to the people, right on
A million workers working for nothing
You better give em what they really own
We got to put you down
When we come into town
Singing power to the people
Power to the people
Power to the people
Power to the people, right on
I gotta ask you comrades and brothers
How do you treat you own woman back home
She got to be herself
So she can free herself
Singing power to the people
Power to the people
Power to the people
Power to the people, right on
Now, now, now, now
Oh well, power to the people
Power to the people
Power to the people
Power to the people, right on
Yeah, power to the people
Power to the people
Power to the people
Power to the people, right on
Power to the people
Power to the people
Power to the people
Power to the people, right on

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Power To The People

Power to the people!
Power to the people!
Power to the people!
Power to the people!
Power to the people!
Power to the people!
Power to the people!
Power to the people, right on!
Say we want a revolution,
Wed better get it on right away.
Well, get yer on your feet
And into the street, singing:
Power to the people!
Power to the people!
Power to the people!
Power to the people, right on!
A million workers workin for nothin,
You better give em what they really own.
We got to put you down
When we come into town, singing:
Power to the people!
Power to the people!
Power to the people!
Power to the people, right on!
I gotta ask you comrades and brothers,
How do you treat your own woman back home?
Shes got to be herself,
So she can give us help, singing:
Power to the people!
Power to the people!
Power to the people!
Power to the people, right on!
Now, now, now, now!
Oh well, power to the people!
Power to the people!
Power to the people!
Power to the people, right on!
Oh yeah, power to the people!
Power to the people!
Power to the people!
Power to the people, right on!
Yeah, yeah, yeah, power to the people!
Power to the people!
Oh well, power to the people!
Power to the people, right on!

song performed by Yoko OnoReport problemRelated quotes
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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

[...] Read more

poem by from Men and Women (1855)Report problemRelated quotes
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Lieing Through Their Teeth

Giving up a smile or two,
Does not end a feud...
One begins.
Nor is a joker without a seriousness,
Worth a fist to lift.

Giving up a smile or two,
May work best for children...
Teasing each other after school.
But to think it's okay to lie just to do,
Seems so foolish to hear those who do it.

Some people can't seem to live a life,
Without a lieing through their teeth.
Some people.
Some people.
Some people do what they do,
To disturb another's peace.
Some people.
Some people.
And the same people doing it,
Love the doing it of this.

Giving up a smile or two,
Does not end a feud...
One begins.
Nor is a joker without a seriousness,
Worth a fist to lift.
And the same people doing it,
Love the doing it of this.

Some people can't seem to live a life,
Without a lieing through their teeth.
Some people.
Some people.
Some people do what they do,
To disturb another's peace.
Some people.
Some people.
And the same people doing it,
Love the doing it of this.

Some people do what they do,
To disturb another's peace.
Some people.
Some people.
And the same people doing it,
Love the doing it of this.

Giving up a smile or two,

[...] Read more

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Too Many People

(tennant/lowe)
-------------------
I sometimes think that Im too many people
Too many people, too many people
I sometimes think that Im too many people
Too many people, too many people at once
The husband or the hedonist
The businessman or the communist
The artist or the showbiz creep
The lover or the nervous geek
The question of identity is one thats always haunted me
Whoever I decide to be depends on who is with me
I sometimes think that Im too many people
Too many people, too many people
I sometimes think that Im too many people
Too many people, too many people at once
The tactless twit putting his foot in it
Or the sensitive soul whos a role model
The urban jet setter - never at home
Or the country recluse - just leave me alone
Extrovert or introvert
Love is kind, and love hurts
Rebellion or conformity
What is my identity?
I sometimes think that Im too many people
Too many people, too many people
I sometimes think that Im too many people
Too many people, too many people at once
The intellectual and bon-viveur
Or the naive simpleton, so immature
A devoted son and family man
Or the wicked uncle who doesnt give a damn
How often these have tempted me
The question of identity depends on what Im meant to be
I sometimes think that Im too many people
Too many people, too many people
I sometimes think that Im too many people
Too many people, too many people at once
I sometimes think that Im too many people
Too many people, too many people
I sometimes think that Im too many people
Too many people, too many people at once

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Elizabeth Barrett Browning

Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

[...] Read more

poem by from Aurora Leigh (1856)Report problemRelated quotes
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