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Jack Goes Boating [Clyde & Lucy Argue before the Dinner Party]

Cast: John Ortiz, Daphne Rubin-Vega, Philip Seymour Hoffman

clip from Jack Goes Boating, directed by Philip Seymour Hoffman, screenplay by Robert Glaudini (2010)
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Enoch Arden

Long lines of cliff breaking have left a chasm;
And in the chasm are foam and yellow sands;
Beyond, red roofs about a narrow wharf
In cluster; then a moulder'd church; and higher
A long street climbs to one tall-tower'd mill;
And high in heaven behind it a gray down
With Danish barrows; and a hazelwood,
By autumn nutters haunted, flourishes
Green in a cuplike hollow of the down.

Here on this beach a hundred years ago,
Three children of three houses, Annie Lee,
The prettiest little damsel in the port,
And Philip Ray the miller's only son,
And Enoch Arden, a rough sailor's lad
Made orphan by a winter shipwreck, play'd
Among the waste and lumber of the shore,
Hard coils of cordage, swarthy fishing-nets,
Anchors of rusty fluke, and boats updrawn,
And built their castles of dissolving sand
To watch them overflow'd, or following up
And flying the white breaker, daily left
The little footprint daily wash'd away.

A narrow cave ran in beneath the cliff:
In this the children play'd at keeping house.
Enoch was host one day, Philip the next,
While Annie still was mistress; but at times
Enoch would hold possession for a week:
`This is my house and this my little wife.'
`Mine too' said Philip `turn and turn about:'
When, if they quarrell'd, Enoch stronger-made
Was master: then would Philip, his blue eyes
All flooded with the helpless wrath of tears,
Shriek out `I hate you, Enoch,' and at this
The little wife would weep for company,
And pray them not to quarrel for her sake,
And say she would be little wife to both.

But when the dawn of rosy childhood past,
And the new warmth of life's ascending sun
Was felt by either, either fixt his heart
On that one girl; and Enoch spoke his love,
But Philip loved in silence; and the girl
Seem'd kinder unto Philip than to him;
But she loved Enoch; tho' she knew it not,
And would if ask'd deny it. Enoch set
A purpose evermore before his eyes,
To hoard all savings to the uttermost,
To purchase his own boat, and make a home

[...] Read more

poem by Alfred Lord Tennyson
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Reuben & Cherise

Cherise was brushing her long hair gently down
It was the afternoon of carnival as she brushes it gently down
Rubin was strumming his painted mandolin
It was inlaid with a pretty face in jade played in the carnival parade
Cherise was dressing as Pirouette in white
When a fatal vision gripped her tight Cherise beware tonight
Rubin, Rubin tell me truly true
I feel afraid and I don't know why I do, Is there another girl for you?
If you could see my heart you would know it's true
There's none Cherise, except for you, except for you
I'd swear to it on my very soul, If I lie, say I fall down cold
When Rubin played on his painted mandolin
The breeze would pause to listen in before going on its way again
Masquerade began when nightfall finally woke
Like waves against the bandstand, dancers broke to the painted mandolin
Looking out to the crowd who is standing there
Sweet Ruby Claire at Rubin stared, at Rubin stared
She was dressed as Pirouette in red
And her hair hung gently down
The crowd pressed round, Ruby stood as though alone
Rubin's song took on a different tone and he played it just for her
The song he played was the carnival parade
Each note cut a thread of Cherise's fate it cut through like a blade
Rubin was playing his painted mandolin
When Ruby froze and turned to stone for the strings played all alone
The voice of Cherise from the face of the mandolin
Singing Rubin, Rubin tell me true for I have no one but you
If you could see my heart you would know it true
There's none Cherise, except for you, except for you
I'd swear to it on my very soul, If I lie, say I fall down cold
The truth of love an unsung song must tell
The course of love must follow blind without a look behind
Rubin walked the streets of New Orleans till dawn
Cherise so lightly in his arms and her hair hung gently down

song performed by Grateful Dead
Added by Lucian Velea
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Robin Hood and the Monk

In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,

To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.

Hit befel on Whitson
Erly in a May mornyng,
The son up feyre can shyne,
And the briddis mery can syng.

'This is a mery mornyng,' seid Litull John,
'Be Hym that dyed on tre;
A more mery man then I am one
Lyves not in Cristianté.

'Pluk up thi hert, my dere mayster,'
Litull John can sey,
'And thynk hit is a full fayre tyme
In a mornyng of May.'

'Ye, on thyng greves me,' seid Robyn,
'And does my hert mych woo:
That I may not no solem day
To mas nor matyns goo.

'Hit is a fourtnet and more,' seid he,
'Syn I my Savyour see;
To day wil I to Notyngham,' seid Robyn,
'With the myght of mylde Marye.'

Than spake Moche, the mylner sun,
Ever more wel hym betyde!
'Take twelve of thi wyght yemen,
Well weppynd, be thi side.
Such on wolde thi selfe slon,
That twelve dar not abyde.'

'Of all my mery men,' seid Robyn,
'Be my feith I wil non have,
But Litull John shall beyre my bow,
Til that me list to drawe.'

'Thou shall beyre thin own,' seid Litull Jon,
'Maister, and I wyl beyre myne,
And we well shete a peny,' seid Litull Jon,

[...] Read more

poem by Anonymous Olde English
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Winter - The Fourth Pastoral, or Daphne

Lycidas.
Thyrsis, the music of that murm'ring spring,
Is not so mournful as the strains you sing.
Nor rivers winding thro' the vales below,
So sweetly warble, or so smoothly flow.
Now sleeping flocks on their soft fleeces lie,
The moon, serene in glory, mounts the sky,
Wile silent birds forget their tuneful lays,
Oh sing of Daphne's fate, and Daphne's praise!

Thyrsis.
Behold the groves that shine with silver frost,
Their beauty wither'd, and their verdure lost.
Here shall I try the sweet Alexis' strain,
That call'd the list'ning Dryads to the plain?
Thames heard the numbers as he flow'd along,
And bade his willows learn the moving song.

Lycidas.
So may kind rains their vital moisture yield,
And swell the future harvest of the field.
Begin; this charge the dying Daphne gave,
And said; 'Ye shepherds, sing around my grave!
Sing, while beside the shaded tomb I mourn,
And with fresh bays her rural shrine adorn.'

Thyrsis.
Ye gentle Muses, leave your crystal spring,
Let Nymphs and Sylvans cypress garlands bring;
Ye weeping Loves, the stream with myrtles hide,
And break your vows, as when Adonis died;
And with your golden darts, now useless grown,
Inscribe a verse on this relenting stone:
'Let nature change, let heav'n and earth deplore,
Fair Daphne's dead, and love is now no more!'
'Tis done, and nature's various charms decay,
See gloomy clouds obscure the cheerful day!
Now hung with pearls the dropping trees appear,
Their faded honours scatter'd on her bier.
See, where on earth the flow'ry glories lie,
With her they flourish'd, and with her they die.
Ah what avail the beauties nature wore?
Fair Daphne's dead, and beauty is no more!
For her the flocks refuse their verdant food,
Nor thirsty heifers seek the gliding flood.
The silver swans her hapless fate bemoan,
In notes more sad than when they sing their own;
In hollow caves sweet Echo silent lies,
Silent, or only to her name replies;
Her name with pleasure once she taught the shore,

[...] Read more

poem by Alexander Pope
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Daphne to Apollo. Imitated From The First Book Of Ovid's Metamorphosis

Apollo.

Abate, fair fugitive, abate thy speed,
Dismiss thy fears, and turn thy beauteous head;
With kind regard a panting lover view;
Less swiftly fly, less swiftly I'll pursue;
Pathless, alas! and rugged is the ground,
Some stone may hurt thee, or some thorn may wound.

Daphne

aside
]
This care is for himself as pure as death;
One mile has put the fellow out of breath:
He'll never go, I'll lead him th' other round;
Washy he is, perhaps not over sound.

Apollo

You fly, alas! not knowing whom you fly;
Nor ill-bred swain, nor rusty clown am I:
I Claros' isle and Tenedos command -

Daphne

Thank ye, I would not leave my native land.

Apollo

What is to come be certain arts I know.

Daphne

Pish! Partridge has a fair pretence as you.

Apollo

Behold the beauty of my locks -

Daphne

---------- A fig ---------

[...] Read more

poem by Matthew Prior
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Wat Tyler - Act III

ACT III.

SCENE—SMITHFIELD.

PIERS (meeting JOHN BALL.)

You look disturb'd, my father?

JOHN BALL.

Piers, I am so.
Jack Straw has forced the Tower: seized the Archbishop,
And beheaded him.

PIERS.

The curse of insurrection!

JOHN BALL.

Aye, Piers! our nobles level down their vassals—
Keep them at endless labour like their brutes,
Degrading every faculty by servitude:
Repressing all the energy of the mind.
We must not wonder then, that like wild beasts,
When they have burst their chains, with brutal rage
They revenge them on their tyrants.

PIERS.

This Archbishop!
He was oppressive to his humble vassals:
Proud, haughty, avaricious.—

JOHN BALL.

A true high-priest!
Preaching humility with his mitre on!
Praising up alms and Christian charity
Even whilst his unforgiving hand distress'd
His honest tenants.

[...] Read more

poem by Robert Southey
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.

Sir Peter

So-
What are their names?

John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-

Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?

John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?

Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.

John Curzon

going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

poem by William Morris
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John Daniel

(Dolly Parton)
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
John Daniel was a young man, not more than twenty-four
And there was an air about him that one could not ignore
And in spite of callused hands & dirty clothes, his face was kind
And I wanted so to know what was in John Daniel's mind
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
I rented him a room; he went upstairs like all the rest
It was Saturday and he'd be goin' in to town, I guessed
But he left in a robe and sandals, with a Bible in his hand;
And I thought to myself, John Daniel, I don't understand
Now I'd planned to meet some friends of mine when I got off at three,
In the park we often gather to talk of love and peace
When I got there I found that a crowd had gathered 'round;
And there I saw John Daniel a sittin' on the ground
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
So, "You want to be free," he said, "Well, this is how you can."
As he read from the Bible he held in his hand
We were searchin' for the truth not knowin' where to look,
Not knowin' that the answers all were in John Daniel's book
John Daniel told us all how we could be free
John Daniel taught us all a better way for you and me
He came to us in our own way so we'd be sure to see
He had the light and essence of the man from Galilee
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
John Daniel, John Daniel, John Daniel
John Daniel do you hold the answer to a higher plan?
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
Ooh, John Daniel, tell me where did you come from
Tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?

song performed by Dolly Parton
Added by Lucian Velea
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Do The Vega

(words & music by giant - baum - kaye)
Do the vega take a chance and do the vega
If you dance it youll have fun
The fever gets ya and then Ill bet ya
Youll shake like the sun of a gun
First you make the right connection
Choose the one whose your selection
Though you risk your reputation
Youll increase youre circulation
Do the vega take a chance and do the vega
If you dance it youll have fun
The fever gets ya and then Ill bet ya
Youll shake like the sun of a gun
Roll and keep youre shoulders busy
Like a wheel spin till youre dizzy
Kick your heels when youve a notion
Shake and shimmy thats the motion
Do the vega take a chance and do the vega
If you dance it youll have fun
The fever gets ya and then Ill bet ya
Youll shake like the sun of a gun
Do the vega take a chance and do the vega
If you dance it youll have fun
The fever gets ya and then Ill bet ya
Youll shake like the sun of a gun
Shake like the sun of a gun
Shake like the sun of a gun
Shake like the sun of a gun

song performed by Elvis Presley
Added by Lucian Velea
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John, John

John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.

song performed by Yoko Ono
Added by Lucian Velea
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John, John

John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.

song performed by Yoko Ono
Added by Lucian Velea
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Thespis: Act II

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored

SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.

CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.

SILL. To work and think, my dear,
Up here would be,

[...] Read more

poem by William Schwenck Gilbert
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Tale XIX

THE CONVERT.

Some to our Hero have a hero's name
Denied, because no father's he could claim;
Nor could his mother with precision state
A full fair claim to her certificate;
On her own word the marriage must depend -
A point she was not eager to defend:
But who, without a father's name, can raise
His own so high, deserves the greater praise;
The less advantage to the strife he brought,
The greater wonders has his prowess wrought;
He who depends upon his wind and limbs,
Needs neither cork nor bladder when he swims;
Nor will by empty breath be puff'd along,
As not himself--but in his helpers--strong.
Suffice it then, our Hero's name was clear,
For call John Dighton, and he answer'd 'Here!'
But who that name in early life assign'd
He never found, he never tried to find:
Whether his kindred were to John disgrace,
Or John to them, is a disputed case;
His infant state owed nothing to their care -
His mind neglected, and his body bare;
All his success must on himself depend,
He had no money, counsel, guide, or friend;
But in a market-town an active boy
Appear'd, and sought in various ways employ;
Who soon, thus cast upon the world, began
To show the talents of a thriving man.
With spirit high John learn'd the world to

brave,
And in both senses was a ready knave;
Knave as of old obedient, keen, and quick,
Knave as of present, skill'd to shift and trick;
Some humble part of many trades he caught,
He for the builder and the painter wrought;
For serving-maids on secret errands ran,
The waiter's helper, and the ostler's man;
And when he chanced (oft chanced he) place to lose,
His varying genius shone in blacking shoes:
A midnight fisher by the pond he stood,
Assistant poacher, he o'erlook'd the wood;
At an election John's impartial mind
Was to no cause nor candidate confined;
To all in turn he full allegiance swore,
And in his hat the various badges bore:
His liberal soul with every sect agreed,
Unheard their reasons, he received their creed:

[...] Read more

poem by George Crabbe
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A Song of Daphne to the Lute

My Daphne's Haire is twisted Gold,
Bright starres a-piece her Eyes doe hold,
My Daphne's Brow inthrones the Graces,
My Daphne's Beauty staines all Faces,
On Daphne's Cheeke grow Rose and Cherry,
On Daphne's Lip a sweeter Berry,
Daphne's snowy Hand but touch'd does melt,
And then no heauenlier Warmth is felt,
My Daphne's voice tunes all the Spheres,
My Daphne's Musick charmes all Eares.
Fond am I thus to sing her prayse ;
These glories now are turn'd to Bayes.

poem by John Lyly
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Apollo's Song

My Daphne's hair is twisted gold,
Bright stars apiece her eyes do hold,
My Daphne's brow enthrones the Graces,
My Daphne's beauty stains all faces,
On Daphne's cheek grow rose and cherry,
On Daphne's lip a sweeter berry,
Daphne's snowy hand but touched does melt,
And then no heavenlier warmth is felt,
My Daphne's voice tunes all the spheres,
My Daphne's music charms all ears.
Fond am I thus to sing her praise;
These glories now are turned to bays.

poem by John Lyly
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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.

III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

[...] Read more

poem by Alice Duer Miller
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Lepanto

White founts falling in the courts of the sun,
And the Soldan of Byzantium is smiling as they run,
There is laughter like the fountains in that face of all men feared,
It stirs the forest darkness, the darkness of his beard,
It curls the blood-red crescent, the crescent of his lips,
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy,
They have dashed the Adriatic round the Lion of the Sea,
And the Pope has cast his arms abroad for agony and loss,
And called the kings of Christendom for swords about the Cross,
The cold queen of England is looking in the glass;
The shadow of the Valois is yawning at the Mass;
From evening isles fantastical rings faint the Spanish gun,
And the Lord upon the Golden Horn is laughing in the sun.

Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred,
Where, risen from a doubtful seat and half attainted stall,
The last knight of Europe takes weapons from the wall,
The last and lingering troubadour to whom the bird has sung,
That once went singing southward when all the world was young,
In that enormous silence, tiny and unafraid,
Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far,
Don John of Austria is going to the war,
Stiff flags straining in night-blasts cold
In the gloom black-purple, in the glint old-gold.

Torchlight crimson on the copper kettle-drums,
Then the tuckets, then the trumpets, then the cannon, and he comes.
Don John laughing in the brave beard curled,
Spurning of his stirrups like the thrones of all the world.
Holding his head up for a flag of all the free.
Love-light of Spain - hurrah!
Death-light of Africa!
Don John of Austria
Is riding to the sea.

Mahound is in his paradise above the evening star,
(Don John of Austria is going to the war.)
He moves a mighty turban on the timeless houri's knees,
His turban that is woven of the sunset and the seas.
He shakes the peacock gardens as he rises from his ease,
And he strides among the tree-tops and is taller than the trees,
And his voice through all the garden is a thunder sent to bring
Black Azrael and Ariel and Ammon on the wing.
Giants and the Genii,
Multiplex of wing and eye,
Whose strong obedience broke the sky
When Solomon was king.

[...] Read more

poem by G.K. Chesterton (1915)
Added by Veronica Serbanoiu
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Lepanto

White founts falling in the Courts of the sun,
And the Soldan of Byzantium is smiling as they run;
There is laughter like the fountains in that face of all men feared,
It stirs the forest darkness, the darkness of his beard;
It curls the blood-red crescent, the crescent of his lips;
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy,
They have dashed the Adriatic round the Lion of the Sea,
And the Pope has cast his arms abroad for agony and loss,
And called the kings of Christendom for swords about the Cross.
The cold queen of England is looking in the glass;
The shadow of the Valois is yawning at the Mass;
From evening isles fantastical rings faint the Spanish gun,
And the Lord upon the Golden Horn is laughing in the sun.

Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred,
Where, risen from a doubtful seat and half attainted stall,
The last knight of Europe takes weapons from the wall,
The last and lingering troubadour to whom the bird has sung,
That once went singing southward when all the world was young.
In that enormous silence, tiny and unafraid,
Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far,
Don John of Austria is going to the war,
Stiff flags straining in the night-blasts cold
In the gloom black-purple, in the glint old-gold,
Torchlight crimson on the copper kettle-drums,
Then the tuckets, then the trumpets, then the cannon, and he comes.
Don John laughing in the brave beard curled,
Spurning of his stirrups like the thrones of all the world,
Holding his head up for a flag of all the free.
Love-light of Spain--hurrah!
Death-light of Africa!
Don John of Austria
Is riding to the sea.

Mahound is in his paradise above the evening star,
(Don John of Austria is going to the war.)
He moves a mighty turban on the timeless houri's knees,
His turban that is woven of the sunsets and the seas.
He shakes the peacock gardens as he rises from his ease,
And he strides among the tree-tops and is taller than the trees;
And his voice through all the garden is a thunder sent to bring
Black Azrael and Ariel and Ammon on the wing.
Giants and the Genii,
Multiplex of wing and eye,
Whose strong obedience broke the sky
When Solomon was king.

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poem by Gilbert Keith Chesterton
Added by Poetry Lover
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Precipitate

Precipitate
Good bad, Saturn makes your mind break in pieces
Good bad, so you cannot find the dimensions
and it will be around these spots that I've given to you
you will know that you'll greet my vapours every time that you pass through this room
pass through this room
walk through my gloom
Daphne you find me
Daphne, when you find me let the blood drive and come alive with me Daphne,
symmetry you can't help but admire or rejoice from this sister
be bad, Saturn makes your mind break in pieces
Good bad, so you cannot find the conventions
it will be around these spots that I've given to you
you will know that you'll greet my vapours every time that you pass through this room
pass through this room
walk through my gloom
Daphne you find me
Daphne you find me to put you were inside you fight for my memory Daphne symmetry you can't help but admire or rejoice for this, seems to be
Daphne come as on display will you find a way to draw the curtains of damp around your blushing ambition
blushing ambition...
I found you inside my mind
I lost you inside my mind
I found you inside my mind
I lost you inside my mind
I was a child I was a vice a coyote, conditions occasions facts
I was a child I was a vice a coyote, conditions occasions facts
erase them all perhaps
erase them all
erase them all perhaps
my own thing, my own thing
now you're all that I have here
now we can't remember
but you could fall back on lust when you've learnt to wait
they can be like the friends and neighbours you will get to appreciate them
I have inside me some strange glow
still enjoying this that's why I made a mess

song performed by Interpol
Added by Lucian Velea
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Daphne

Musing on the fate of Daphne,
Many feelings urged my breast,
For the God so keen desiring,
And the Nymph so deep distrest.

Never flashed thro' sylvan valley
Visions so divinely fair!
He with early ardour glowing,
She with rosy anguish rare.

Only still more sweet and lovely
For those terrors on her brows,
Those swift glances wild and brilliant,
Those delicious panting vows.

Timidly the timid shoulders
Shrinking from the fervid hand!
Dark the tide of hair back-flowing
From the blue-veined temples bland!

Lovely, too, divine Apollo
In the speed of his pursuit;
With his eye an azure lustre,
And his voice a summer lute!

Looking like some burnished eagle
Hovering o'er a fluttered bird;
Not unseen of silver Naiad,
And of wistful Dryad heard!

Many a morn the naked beauty
Saw her bright reflection drown
In the flowing smooth-faced river,
While the god came sheening down.

Down from Pindus bright Peneus
Tells its muse-melodious source;
Sacred is its fountained birthplace,
And the Orient floods its course.

Many a morn the sunny darling
Saw the rising chariot-rays,
From the winding river-reaches,
Mellowing in amber haze.

Thro' the flaming mountain gorges
Lo, the River leaps the plain;
Like a wild god-stridden courser,
Tossing high its foamy mane.

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poem by George Meredith
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