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Used To Be

I used to be happy
I used to be
Such a loving man
I used to be
That was before
The end of my world
That was before
The end of my world
She used to be happy
She used to be
Such a loving woman
She used to be
That was before
The end of her world
That was before
The end of her world
We used to be happy
We used to be
Such a loving people
We used to be
That was before
The end of our world
That was before
The end of our world
Gordon gano: vocal, acoustic & electric guitar
Brian ritchie: acoustic bass guitar
Victor delorenzo: snare drum, tranceaphone, tambourine, cymbal
Michael beinhorn: harmonium, mellotron, string arrangement
Strings: suzie katayama, ilene novog, larry corbett, sid page
Mixed by eric e.t. thorngren
gorno music reprinted with permission

song performed by Violent FemmesReport problemRelated quotes
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American Music

Do you like amercan music
I like american music
Dont you like american music baby
I want you to hold me
I want your arms around me
I want you to hold me baby
Did you do too many drugs
I did too many drugs
Did you do too many drugs too baby
You were born too late
I was born too soon
But every time I look at that ugly moon
It reminds me of you
It reminds me of you ooh ooh ooh
I need a date to the prom
Would you like to come along
But nobody would go to the prom with me baby
They didnt like american music
They never heard american music
They didnt know the music was in my soul baby
You were born too soon
I was born too late
But every time I look at that ugly lake
It reminds me of me
It reminds me of me
Do you like american music
We like american music
I like american music baby
Do you like american music
We like all kinds of music
But I like american music best
Baby you were born too late
And I was born too late
But every time I look at that ugly lake
It reminds me of me
It reminds me of me
Do you like american music
It reminds me of me
Do you like american music...
Gordon gano: vocal, acoustic guitar electric guitar solo
Brian ritchie: acoustic bass guitar, didgeridoo, electric guitar, vocal
Victor delorenzo: brushed snare drum, sleigh bells, tympani, vocal, tambourine
Michael beinhorn: hammond organ
Tom mandell: keyboards
Chorus & claps: carmaig, michael, mike, alex & band
Mixed by eric e.t. thorngren
gorno music reprinted with permission

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Look Like That

I like his shoes I like his hat
Id like me better if I looked like that
Uh -huh uh-huh
I like her shoes I like her hat
Id like you better if you looked like that
Uh-huh uh-huh
But then my love starts burning
For what we are yearning to ignore
I like her clothes I love her dress
Id like her better if she loved me best
I like his shoes I love his pants
Id want him better if he wanted to dance
Uh-huh uh-huh
But then our love starts turning
For what we are learning to adore
Im meeting people nice people too
Im meeting people nice people like you
Were meeting people nice people too
Were meeting people nice people like you
Gordon gano: vocal, acoustic guitar
Brian ritchie: acoustic bass guitar, vocal glockenspiel, electric guitar
Victor delorenzo: brushed snare drum, tambourine, vocal
Mixed by david vartanian
gorno music reprinted with permission

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Chauvinist

I’d never really comprehended such a mighty range of
Shapes and sizes down behind, it’s really rather strange:
The buttock muscle in a woman, overlaid with fat
Is actually such a focal point for men to want to pat

Or squeeze, and then to tease her if it’s eminently stout,
Or even risk a stay in clink to sting it with a clout!
After all, we men are tuned to be that way inclined –
And tho’ our needs are varied, girls, they’re all perverse of mind!

Best of all, our sacred dream: to see her shed her gown
When gliding to the shower for the ritual sponging down.
But then alas! With body lathered, oops! she drops the soap;
‘Please! ’ we beg her, ‘bend and bare! ’ But we can only hope!

I’m sure by now you get the picture – like a rule of thumb –
That men like me obsess all day about the fairer bum.


Copyright © Mark R Slaughter 2010

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Edom O' Gordon

It fell about the Martinmas,
When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,--
'We maun draw to a hald.

'And whatna hald shall we draw to,
My merry men and me?
We will gae straight to Towie house,
To see that fair ladye.'

[The ladye stood on her castle wall,
Beheld baith dale and down;
There she was 'ware of a host of men
Came riding towards the town.

'Oh, see ye not, my merry men all,
Oh, see ye not what I see?
Methinks I see a host of men;
I marvel who they be.'

She thought it had been her own wed lord.
As he came riding hame;
It was the traitor, Edom o' Gordon,
Wha reck'd nae sin nor shame.]

She had nae sooner buskit hersel',
And putten on her gown,
Till Edom o' Gordon and his men
Were round about the town.

They had nae sooner supper set,
Nae sooner said the grace,
Till Edom o' Gordon and his men
Were round about the place.

The ladye ran to her tower head,
As fast as she cou'd hie,
To see if, by her fair speeches,
She cou'd with him agree.

As soon as he saw this ladye fair.
And her yetts all lockit fast,
He fell into a rage of wrath,
And his heart was all aghast.

'Come down to me, ye ladye gay,
Come down, come down to me;
This night ye shall lye within my arms,
The morn my bride shall be.'

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Hey Nonny Nonny

Beauty sat bathing by a spring where fairest shades did hide her
The winds blew calm the birds did sing the cool streams ran beside her
My wanton thoughts enticed mine eye to see what was forbidden
But better memory said fie so vain desire was chidden
Hey nonny nonny oh hey nonny nonny
Hey nonny nonny oh hey nonny nonnie
Into a slumber then I fell when fond imagination
Seemed to see but could not tell her feature or her fashion
But evn as babes in dreams do smile and sometimes fall a weeping
So I awaked as wise this while as when I fell a-sleeping
Hey nonny nonny oh hey nonny nonny
Hey nonny nonny oh hey nonny nonnie
Say man are you down for doing something positive in the community?
No I dont think Ill ever do that again
Well aint you worried about doing the right thing?
Well I dont care if I hey nonny nonny nonny ho nonny nonny nonny
Gordon gano: vocal acoustic & electric guitar
Brian ritchie: acoustic bass guitar, vocal
Victor delorenzo: brushed snare drum, tambourine, shakers, vocal
Mixed by david vartanian
gorno music reprinted with permission

song performed by Violent FemmesReport problemRelated quotes
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Im Free

Im free and Im happy
I am free from your hatred
Ive parted from the part
That I participated in
So Im free it was easy
I know nothing of your hatred
Ive known and shone the light
And the darkness abated
So Im free
Run skip jump play
My little boy is happy
Look hes smiling because
He knows no fear... hear...
My mommys calling me
And Im running thru the fields
Because Im free...
Every day in every way
Im getting better and better and better
And better and better and better, etc
Because theres no fear... here why
I cant tell you now cause
Im runnin through the woods
And I just jumped a little bit higher...
Cause Im free
And thats the way he created me to be
I have turned from your hatred
I turned on the light
And there was nothing there that waited to get me
This aint a song about that this is a song about this
Gordon gano: vocal, acoustic guitar
Brian ritchie: acoustic bass guitar, banjo, electric guitar, jaw harp
Victor delorenzo: brushed snare drum, tranceaphone, vocal, drum set
Michael beinhorn: piano
Mixed by david vartanian
gorno music reprinted with permission

song performed by Violent FemmesReport problemRelated quotes
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Girl Trouble

Have mercy on me
I got girl trouble up the ass
Have mercy on me people
I got girl trouble up the ass
And dont tell me no joke
Cause Im not gonna laugh
I need the cure
Only one cure in this world
I need the cure
Only one cure in this world
Hey james brown
I need a woman or a girl
Hit me in the morning
Hit me in the night
Hit me when Im wrong
Hit me when Im right
Hit me when Im up
Hit me when Im down
Hit me hit me hit me hit me
All over town
Girl trouble
I got girl trouble up the ass
And dont tell me
Cause Im not gonna laugh
Im not trying to fool you people
Im not giving you no jive
Make me feel Id rather be dead than alive
Take a look around
Whats shoving up my behind
Problems drive me out of my mind
Girl trouble
I got girl trouble up the ass
And dont tell me no joke
Cause Im not gonna laugh
Gordon gano: vocal, acoustic guitar
Brian ritchie: acoustic bass guitar, vocal
Victor delorenzo: brushed snare drum, tranceaphone, cymbal, vocal
Mixed by david vartanian
gorno music reprinted with permission

song performed by Violent FemmesReport problemRelated quotes
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Out The Window

Life was fun
Life was great
Til I made my big mistake
Oh no itll never happen to me
Life was short
And life was sweet
I was thinking as I hit the street
I could hardly beleve
I could scarcely conceive
But I had gone out the window
I had gone out the window
I had gone out the window
She was fine
She looked great
And so we made our big mistake
I swear I swear I swear
Itd never happen to her
But the pavement knocked her head around
When she hit the solid concrete ground
From 30 flights above
And she was thirty something loving nothing
Gone out the window
She had gone out the window
She had gone out the window
Catch me if Im falling,
Catch me if Im calling
He was smart he was wise
Hed profoundly philosophize
Empathy for all humanity
til one day by an open window
Theres a note that read
Ive gone out the window - Im dead
He said yes to life for all of his life
But then one day he said no
I gotta go out the window
We all go out the window
Catch me I am falling
Catch me I am calling
Catch me we are falling
Catch me we are calling
Gordon gano: vocal, acoustic guitar
Brian ritchie: acoustic bass guitar vocal
Victor delorenzo:
Brushed snare drum, wood, cowbell, arabic tabla, vocal
Mixed by david vartanian
gorno music reprinted with permission

song performed by Violent FemmesReport problemRelated quotes
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Confessions

People worry
What are they worrin about today
Seems like theres a good reason
To worry worry worry
Id sit around listening to you story
If I wasnt in such a
Hurry hurry hurry
And Im so lonely
I just dont think I can take it anymore
And Im so lonely
I just dont know what to do
And Im so lonely
Feel like Im gonna crawl away and die
And Im so lonely
Feel like Im gonna
Hack hack hack hack it apart
Seems like theres a good reason to be
Lonely lonely lonely
I gotta get someone or something
To make me feel less
Lonely lonely lonely
I know I could do it
I know if I wasnt so
Lonely lonely lonely
Have we got an army
Well teach you how to act like to act like a man
Have we got an army
Man I mean to tell you we can fight
Have we got an army
And were gonna do it tonight
Do do do it tonight
Yeah theyre gonna
Pay pay pay pay it tonight
Do do do it tonight
People worry
What are they worrin about today
People worry
Na you see Ive learned my lessons
And I dont even want to here about your confessions
Gordon gano: guitar, violin, lead vocal
Brian ritchie: acoustic bass guitar, xylophone, electric bass
Victor delorenzo: snare drum and trancephone,
Drum set, scotch marching bass drum, vocals
Engineers: glen l. loribecki and john tanner
Recorded at castle recording company, lake geneva, wi, july 1982
Produced by mark van hecke
gorno music reprinted with permission

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He Likes Me

He likes me
He likes me
Ooh... isnt that nice
He likes me
He likes me
Ooh... isnt that nice
That your brand new friend
He likes your old true friend
And isnt that the way
That it ought to be
That your brand new friend
He has good will to send
And youre so free
Youre so free
Youre so free
And I am history
He likes you
He says that he loves you
Ooh thats good to know
You like him
I hope you dont love him
And ooh you should know
That your old true friend
He doesnt like your brand new friend
Person to person its not on purpose
But I take it personally
And soon your brand new friend
I hope Ill have a bon voyage to send
And youre so free
Youre so free
Youre so free
And I am history
You say you wont pick
And you wont make a choice
But Im so mad I could spit
And I hear it in your voice
You said he likes me
He likes me
Ooh isnt that swell
He likes me
You said he likes me
Ohhh tell him hell...
O from me
A great big hello from me
Jesus always taught me
That I should love my enemy
Darling my hearts in pain
Thats why my songs insane
And youre so free
And I am history

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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Edom o' Gordon

IT fell about the Martinmas,
   When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
   'We maun draw to a hauld.

'And what a hauld sall we draw to,
   My merry men and me?
We will gae to the house o' the Rodes,
   To see that fair ladye.'

The lady stood on her castle wa',
   Beheld baith dale and down;
There she was ware of a host of men
   Cam riding towards the town.

'O see ye not, my merry men a',
   O see ye not what I see?
Methinks I see a host of men;
   I marvel wha they be.'

She ween'd it had been her lovely lord,
   As he cam riding hame;
It was the traitor, Edom o' Gordon,
   Wha reck'd nae sin nor shame.

She had nae sooner buskit hersell,
   And putten on her gown,
But Edom o' Gordon an' his men
   Were round about the town.

They had nae sooner supper set,
   Nae sooner said the grace,
But Edom o' Gordon an' his men
   Were lighted about the place.

The lady ran up to her tower-head,
   Sae fast as she could hie,
To see if by her fair speeches
   She could wi' him agree.

'Come doun to me, ye lady gay,
   Come doun, come doun to me;
This night sall ye lig within mine arms,
   To-morrow my bride sall be.'

'I winna come down, ye fals Gordon,
   I winna come down to thee;
I winna forsake my ain dear lord,
   That is sae far frae me.'

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Edom O'Gordon

It fell about the Martinmas,
When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
'We maun draw to a hauld.

'And whatna hauld sall we draw to,
My merry men and me?
We will gae to the house of the Rodes,
To see that fair ladye.'

The lady stood on her castle wa',
Beheld baith dale and down;
There she was aware of a host of men
Came riding towards the town.

'O see ye not, my merry men a',
O see ye not what I see?
Methinks I see a host of men;
I marvel who they be.'

She ween'd it had been her lovely lord,
As he cam' riding hame;
It was the traitor, Edom o' Gordon,
Wha reck'd nor sin nor shame.

She had na sooner buskit hersell,
And putten on her gown,
Till Edom o' Gordon an' his men
Were round about the town.

They had nae sooner supper set,
Nae sooner said the grace,
But Edom o' Gordon an' his men
Were lighted about the place.

The lady ran up to her tower-head,
As fast as she could hie,
To see if by her fair speeches
She could wi' him agree.

'Come doun to me, ye lady gay,
Come doun, come doun to me;
This night sall ye lig within mine arms,
To-morrow my bride sall be.'

'I winna come down, ye fause Gordon,
I winna come down to thee;
I winna forsake my ain dear lord,--
And he is na far frae me.'

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Edom O'Gordon

It fell about the Martinmas,
When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
'We maun draw to a hauld.
'And whatna hauld sall we draw to,
My merry men and me?
We will gae to the house of the Rodes,
To see that fair ladye.'
The lady stood on her castle wa',
Beheld baith dale and down;
There she was aware of a host of men
Came riding towards the town.

'O see ye not, my merry men a',
O see ye not what I see?
Methinks I see a host of men;
I marvel who they be.'

She ween'd it had been her lovely lord,
As he cam' riding hame;
It was the traitor, Edom o' Gordon,
Wha reck'd nor sin nor shame.

She had na sooner buskit hersell,
And putten on her gown,
Till Edom o' Gordon an' his men
Were round about the town.

They had nae sooner supper set,
Nae sooner said the grace,
But Edom o' Gordon an' his men
Were lighted about the place.

The lady ran up to her tower-head,
As fast as she could hie,
To see if by her fair speeches
She could wi' him agree.

'Come doun to me, ye lady gay,
Come doun, come doun to me;
This night sall ye lig within mine arms,
To-morrow my bride sall be.'

'I winna come down, ye fause Gordon,
I winna come down to thee;
I winna forsake my ain dear lord,-
And he is na far frae me.'

'Gie owre your house, ye lady fair,
Gie owre your house to me;

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Give The Po Man A Break

Give po man a break
Give po man a break
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a

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Do You Really Want To Hurt Me

I needed time to realize my crime
It was let me love & steal
I did dances inside my mind
Now how can I be real
Do you really want to hurt me?
Do you really want to make me cry?
No I don t really want to hurt you then
Lovers always asked me:
Why why why why
In my mind my memorys burning
Whats your favorite color of your favorite car?
I took a step the step was learning
That thats a step beyond a step too far
Do you really want to hurt me?
Do you really want to make me cry?
No I dont really want to hurt you
I told the truth but it was still a lie
The words are few some are unspoken
I could sleep four thousand years
Man of sorrows
Word unbroken
His sweat like blood came down like tears
Ive been talking but believe me
I know that its true
Now that theres no more
I dont know
Im in love and loves the reason
Im not prepared to let you let me go so
If its love you want
Then take all of me
Its this love I want I can finally see
Do I really want to hurt you?
Do I really want to make you cry?
Yes I suppose I want to hurt you
You told the truth but it was still a lie
Gordon gano: vocal acoustic guitar
Brian ritchie: bouzouki, acoustic bass guitar, electric guitar
Victor delorenzo: drum set, tambourine, tranceaphone, vocal
Michael beinhorn: piano, mellotron
Mixed by eric e.t. thorngren
gorno music reprinted with permission

song performed by Violent FemmesReport problemRelated quotes
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Kiss Off

I need someone a person to talk to
Someone whod care to love
Could it be you could it be you
Situation gets rough then I start to panic
Its not enough its just a habit
Hey kid your sick well darling this is it
You can all just kiss off into the air
Behind my back I can see them stare
Theyll hurt me bad but I wont mind
Theyll hurt me bad they do it all the time
Yeah yeah they do it all the time
I hope you know this will go down
On your permanent record
Oh yeah well dont get so distressed
Did I happen to mention that Im impressed
I take one one one cause you left me and
Two two two for my family and
3 3 3 for my heartache and
4 4 4 for my headaches and
5 5 5 for my lonely and
6 6 6 for my sorrow and
7 7 for no tomorrow and
8 8 I forget what 8 was for and
9 9 9 for a lost God and
10 10 10 10 for everything
Everything everything everything
Gordon gano: guitar, violin, lead vocal
Brian ritchie: acoustic bass guitar, xylophone, electric bass
Victor delorenzo: snare drum and trancephone,
Drum set, scotch marching bass drum, vocals
Engineers: glen l. loribecki and john tanner
Recorded at castle recording company, lake geneva, wi, july 1982
Produced by mark van hecke
gorno music reprinted with permission

song performed by Violent FemmesReport problemRelated quotes
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Victor Should Have Been A Jazz Musician

I went to a concert, to see nina, simone,
The concert was over, there was still a band playing, the rap up,
The booguh played with his hands, I close my eyes, and look at him,
Victor should have been a jazz musician,
I said to myself, victor should have been a jazz musician,
I looked at his face, and I saw victor, looked at his smile, and I saw victor,
I looked at his hair, and thought,
Victor should have been a jazz musician,
Victor should have been a jazz musician,
And the people dancing on the floor, dancing on the floor, were so high,
You should have seen victor smile, you should have seen victor smile,
As they danced all the while all around on the floor, and he laughed,
Victor should have been a jazz musician,
Oh, victor should have been a jazz musician,
He was playing so nice, the jazz musician,
Ah, ah,
Hes living in a fast beat, in a city thats hot,
Telling all the latinos and puerto ricans, victor seems happy, but he doesnt even know himself, hes gotta look inside to know his first love,
Victor was a jazz musician, he was playing so nice, victor was a jazz musician, (? ) victor was a jazz musician,
Victor loves his music, he loves his music, somewhere, he plays his music, somewhere,
Victor is a jazz musician,
Jazz.

song performed by Grace JonesReport problemRelated quotes
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Ugly

Crossed the path then I followed your face
It was hard to believe
It was hard to trace
I saw you today
Seems like I see you everyday
But theres something I figured out bout you
Ooh ooh ooh ooh ooh yeah
So ugly
Im tellin you strait
So ugly
Dont make a mistake
Cause your ugly
You could bet it on the bank
Say why why
Why would I lie to you
Why would I lie
Why would I lie
Your so ugly
All the time
Ugly
You aint no friend of mine
Cause your ugly
You could bet it on the bank
Say why why
Why would I lie to you
Why would I lie
Why would I lie
When you smile or a frown
Im so tired of you bein around
Engaged in some sexual acts
Well Im just gonna have to tell you all the facts
What could that be about,
Well heres a clue
Ooh ooh ooh ooh ooh yeah
So ugly
Im tellin you strait
So ugly
Dont make a mistake
Cause your ugly
Im tellin you that
I say why why
Why would I lie to you
Why would I lie
Why would I lie
Your so ugly
All the time
Ugly
You aint no friend of mine
Ugly
You could bet it on the bank

[...] Read more

song performed by Violent FemmesReport problemRelated quotes
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