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<div style="background:#fff;border:#bbb dashed 1px;padding:5px"><a href="http://www.citatepedia.com/comments.php?id=545498" style="color:#000;text-decoration:none"><div style="margin:10px 0"><strong>Appearing Tpo Be Sad</strong></div><div style="margin:10px 0"><a href="http://www.citatepedia.com/comments.php?id=545498" style="color:#000;text-decoration:none">Writing plays appearing to be sad<br>for people who are humorous, Anton<br>prevents us all from forming our foregone<br>conclusions about what is good or bad.<br>Because they both are linked, you have to laugh<br>both at what’s funny and what’s sad, he found, <br>for crying will not help you hear the sound<br>that splits the sides of sadness into half.</a></div><div style="margin:10px 0"><a href="http://www.citatepedia.com/comments.php?id=545498" style="color:#000;text-decoration:none"><br>Hilton Als reviews a production of Anton Chekhov’s “The Seagull” in The New Yorker, March 24,2008 (“Servants of Art”) , and quotes Nabokov, who observed in 1981 that Chekhov wrote “sad books for humorous people. Things for him were funny and sad at the same time, but you would not see their sadness if you did not see their fun, because both were linked up.”</a></div><div style="margin:10px 0"><a href="http://www.citatepedia.com/comments.php?id=545498" style="color:#000;text-decoration:none">3/19/08</a></div><div style="margin:10px 0"><br /></a><a href="http://poems.citatepedia.com/">poem</a> by <strong><a rel="author" href="http://authors.citatepedia.com/by.php?a=Gershon+Hepner">Gershon Hepner</a></strong></div>

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