What Bells & Sex Have To Do With Each Other, A Mythic Rendering From Ancient Texts & Dreams, circa 1981
[This poem arrived literally out of a shoe box. Experimenting with cut-up poetic technique as propounded by William Burroughs, in the mid-1970's in my little cabin on Huckleberry Mountain in the North Carolina mountains I cut up phrases from several dreams I'd had along with xeroxed (photo copied) essays from an encyclopedia on the history of bells and bell making, and one on the rituals and traditions of Henna night in Islamic countries. My choices of essays were random. I just opened the encyclopedia and these were the essays I opened to. I cut up phrases from each, added them to the shoe box along with my dream fragments, and thoroughly shaken (not stirred) pulled out phrase by phrase what became this poem. This was my most successful attempt of many with this technique. What I found was that, especially when seized up in writer's block, the 'accidental' or chance juxtaposition of images, phrases, caesuras in content, contexts and voicings along with disparity of logical connection between topics (bells, metalurgy, Henna rituals for women, wedding nights, sexual attraction and consumation) sometimes created not only astonishing images and poetry but re-tuned my own consciousness to function in this non-linear associative way as a poet and now, importantly, in my creative work as a psychotherapeutic counselor with others. I recommend this technique for all poets or aspiring poets for much is to be learned with perhaps the greatest discovery being that there is another Mind/Hand/Source involved in the craft of poetry, of all writing, guiding the quotidian course of our lives, paying attention first and foremost with a willingness to leave known territory while not devaluing that territory at all. Immediate and tangible foundations are supported by unseen and assumed greater, deeper, older and stronger ones. From this rich arche-techtonic structure, hold and mold our lives and our creativity rise.]