So Crazy At Times I'm Exiled From My Solitude
So crazy at times I'm exiled from my solitude.
I disguise my madness as the excruciating discipline
of beading the stars into a lifemask I can wear
like a constellation of fireflies that never arises
the same sign twice. Among all these myriads of me,
not one with an identity I can isolate monadically
and say, see, I'm indefensibly this mystically specific human.
I have an ontological address, and these are my doors,
my stairs, my floors and windows, my local habitation
and a name as the bard suggests. Whatever my magnitude
I've got a place on the starmap. I'm grounded like a garden
in being. The hummingbird thrums sacred syllables
into the ears of the hollyhocks, aum mani padme aum,
the jewel in the lotus, and the crow caws like a black mass,
but even when I walk through the cemetery
up on Drummond Road, looking for a gravestone
with the future of my name on it to prove that I existed once
to suffer the same dissolution as everyone else,
none of the voices I hear like starlings in the elms
are my own. And altogether the dead echo: not here, not here. Everyone seems to have a God-particle they cling to for mass,
but I've been bubbling up for light years in one universe
after another, and I'm more vaporous than solid,
and even when I morphologically assume what I take to be,
briefly, the true shape of my shifty universe just
to get along or belong to all my friends with backbones like rafters,
it's only a provisional scaffolding I climb up on like monkey-bars
to paint the latest theory of my myth of origins.
Am I a sum of destructions, God's Own Zero,
or a creative deficit of cosmic proportions in debtor's prison?
Have I run out of afterlives, broken the continuum,
or is this one just unborn without a beginning
though there's no end of dying behind or ahead of me? Words aren't panned from the grammatical ruts of the mindstream
like nuggets of gold washed downed down from the world mountain
to be picked out like blackberries or stars from the galactic slurry.
Nothing's thrown away as of little or no value,
not even the alluvial silt, or the cobwebs in the corners
of some dead stranger's dreams. Everything shines,
and even the blind can point themselves out entangled
like medicine wheels in the treelines along their horizons
their eyes once disappeared over on the prows of Greek triremes,
or birds, yes, birds, homeward bound through the gloaming.
Disparate images appear and school into synchronized fish
or startled sparrows, and then they're a gaggle of Canada geese
trying to rise from a cornfield like an Ottawa traffic jam
waiting for the fireflies to change. Metaphors bridge
the gap between things with copulatively interactive equals signs
or staples in wounds, the axles of death carts and dumb bells.
Or the neck of guitar like the deck of an aircraft carrier
when the music's flying solo after take-off, and the notes
are hooked on a spiderweb of spinal cords in hidden harmony.
The bottom falls out of the bucket, the mirror
of a reflecting telescope, a brain hemorrhage of light
like the supernova of a star that has finally had enough of the dark
to lose it big time. Evanescent hybrids and alloys
of memes and genes transmutate into surrealistic paradigms
with the half-life of logos. Intelligence has a heart transplant
and reason waits like a fire-hydrant on call to be a first responder.