Juan De Paresa, The Painter's Slave
'T was sunset upon Spain. The sky of June
Bent o'er her airy hills, and on their tops,
The mountain cork-trees caught the fading light
Of a resplendent day. The painter threw
His pencil down, and with a glance of pride
Upon his beautiful and finish'd work,
Went from his rooms. And Juan stood alone—
Gazing upon the canvas, with his arms
Folded across his bosom, and his eye
Fill'd with deep admiration, till a shade
Of earnest thought stole o'er it. With a sigh,
He turn'd away, and leaning listlessly
Against the open casement, look'd abroad.
The cool fresh breezes of the evening came,
To bathe his temples with the scented breath
Of orange blossoms; and the caroll'd song
Of the light-hearted muleteer, who climb'd
The mountain pass—the tinkling of the bells,
That cheer'd his dumb companions on their way—
The passing vesper chime—the song of birds—
And the soft hum of insects—soothingly
Stole in with blended sweetness to his ear.
And then the scene! 't was of Spain's loveliest;
Mountain and forest, emerald pasture slopes,
Dark olive groves, and bowers of lemon-trees;
Vineyards, and tangled glens, the swift cascade,
Leaping from rock to rock, the calm bright stream,
The castle, and the peasant hut, were there,
All group'd in one bright landscape. Juan gazed,
Until the spirit of its beauty pass'd,
Like some fine subtle influence to his heart,
Filling it with rich thoughts. He had not known
The teachings of Philosophy, nor fed
The cravings of his spirit, from the page
Of intellectual glory; but his eye
Had been unseal'd by Nature, and his mind
Was full of nice perceptions; and a love,
Deep and intense, for what was beautiful,
Thrill'd like vitality around his heart,
With an ennobling influence. He had stood
Beside the easel, day by day, to feed
The pallet of the Painter with the hues
That lived upon the canvas, and had watch'd
The fine and skilful touch, that made a thing
Of magic of the pencil, till he caught
The o'ermastering glow of spirit, and he long'd
So to pour out his soul, and give the forms
Of beauty, that were thronging it, to life.
Such thoughts were on him now. His fine form lean'd
Earnestly forward, and within his eye
There flash'd a tremulous glory, and his hand
Was press'd upon his heart, as if to quell
Its hopeless longings—for he was a slave!
The bended brow, o'er which the gathering blood
Rush'd burningly, as bitter tears sprang out
From under his closed eyelids, wore the stain
Of Afric's lineage:—and, alas for him!
His master was the haughtiest lord of all
Castile's proud nobles, and Paresa knew
That even his life would scarce suffice to pay
The forfeit of the daring, that should seek,
With the profaning fingers of a slave,
To grasp the meed of genius. They came—
The monarch and the painter; and the breath
Rush'd quick and tremulous from Juan's lips,
As they pass'd slowly round, with brief remark
Of praise or censure, till at length the king
Stood forth alone, and check'd his loitering step.
“Turn me this canvas.” And Paresa did
His bidding silently, and stood aside
To wait his destiny of life or death.
Long gazed the king in silence—but his limbs
Lost their loose careless tension, and his eye
Lit gradually up, and the fine curve
Of his expanded nostril and curl'd lip
Breathed with a kindling spirit,—“Beautiful!”
At last he murmur'd—“Oh, how beautiful!”
And Juan, with a glance of conscious pride
He could not conquer, even while he lay
A suppliant at Philip's feet, confess'd
The guilt of having won a monarch's praise.